Colourless Collection

Newtons Opticks with colour Spectrum
Opticks by the English physicist and mathematician Sir Isaac Newton (1642-1727), published in 1704 with a colour spectrum produced by a prism projected across the title page

Rubiks cube, artwork
Rubiks cube, computer artwork

Glass Prism refracting colour spectrum
Flint Glass Prism refracting the colour spectrum. Computer artwork. A narrow slit of light is focussed towards the prism which refracts the light into the colour spectrum

Chalcopyrite with Quartz and Minor Sphalerite, United Kingdom
This specimen was drawn for Specimens of British Minerals, Selected from the Cabinet of Philip Rashleigh (1797, Volume 1, Plate 7, Figure 3) which states Is yellow copper ore

Galena, Sphalerite, Bitumen and Fluorite, Ashover, Derbyshire, England
Grey galena, brown sphalerite, black bitumen and colourless fluorite. Collector Philip Rashleigh wrote in his mineral catalogue

Galena, Earl Ferrers Mine, Staunton Harold, Leicestershire, England
Reticulated mass of grey galena on top of octahedral crystals of galena with colourless calcite and brassy yellow chalcopyrite, on pink baryte

Galena and Quartz, Derbyshire, England (Uncertain Locality)
Reticulated grey galena with colourless quartz crystals. Galena is the primary ore mineral of lead

Galena with Sphalerite, Staunton Harold, Leicestershire, England
Grey galena with black clusters of sphalerite, colourless calcite and brassy yellow chalcopyrite on pink baryte and brown dolomite

Bournonite with Quartz, Herodsfoot Mine, Lanreath, Cornwall, England
Steel-grey twinned bournonite crystals, in distinctive cog wheel formation, with colourless quartz. This fine specimen from the lead and silver mine, Herodsfoot

Chalcopyrite with Calcite and Galena, Staunton Harold, Leicestershire, England
Brassy yellow chalcopyrite crystals on colourless scalenohedral calcite crystals (dog tooth spar) with metallic grey galena on limestone

Copper with Quartz, South Caradon Mine, St Cleer, Cornwall, England
Copper with crystalline quartz. Most Cornish copper specimens are dull, but native copper (pure copper, uncombined with any other elements) from Caradon is invariably bright

A Seductive Pose, 1931 (oil on canvas)
650391 A Seductive Pose, 1931 (oil on canvas) by Christy, Howard Chandler (1873-1952); 99.1x127.6 cm; Private Collection; (add.info.: A Seductive Pose. Howard Chandler Christy (1873-1952)

The Romans attacking Augsburg, c. 1490 (brown ink and pale coloured washes on paper)
986278 The Romans attacking Augsburg, c.1490 (brown ink and pale coloured washes on paper) by German School, (15th century); 19.7x14.5 cm; Private Collection; (add.info)

The Performer, 1927 (oil on canvas)
823129 The Performer, 1927 (oil on canvas) by Kuhn, Walt (1880-1949); 102.2x76.5 cm; Private Collection; (add.info.: The Performer. Walt Kuhn (1880-1949). Oil on canvas. Signed and dated 1935

The Grendadier, 1930 (oil on canvas)
650520 The Grendadier, 1930 (oil on canvas) by Kuhn, Walt (1880-1949); 76.8x64.5 cm; Private Collection; (add.info.: The Grendadier. Walt Kuhn (1880-1949). Oil on canvas. Signed and dated 1930

Reclining Nudes; Aufgestutzt Liegende, links Wiederholung
1196485 Reclining Nudes; Aufgestutzt Liegende, links Wiederholung, 1913 (blue and red pencil on simili Japan paper) by Klimt

Advertising poster for Ideale fabric dyes, 1927 (colour lithograph)
1770040 Advertising poster for Ideale fabric dyes, 1927 (colour lithograph) by D Ylen, Jean (1866-1938); 200x127 cm; Private Collection; (add.info.: Advertising poster for Ideale fabric dyes)

Head of a Young Girl, 1890 (oil on canvas)
987381 Head of a Young Girl, 1890 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 35.6x25.4 cm; Private Collection; (add.info.: Head of a Young Girl; Tete de Jeune Fille)

A Toast, 1896 (oil on canvas)
650625 A Toast, 1896 (oil on canvas) by Stewart, Julius Leblanc (1855-1919); 80x57.1 cm; Private Collection; (add.info.: A Toast. Julius Leblanc Stewart (1855-1919). Oil on canvas

The Visit, (oil on canvas)
985493 The Visit, (oil on canvas) by Stewart, Julius Leblanc (1855-1919); 130.2x96.9 cm; Private Collection; (add.info.: The Visit. Julius Leblanc Stewart (1855-1919). Oil on canvas

Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour)
824048 Portrait of Elizabeth Siddal, in Profile to the Right, (watercolour) by Rossetti, Dante Gabriel Charles (1828-82); 18.1x16.1 cm; Private Collection; (add.info.: Portrait of Elizabeth Siddal)

Liegender Frauenakt, 1911 (oil on canvas)
652883 Liegender Frauenakt, 1911 (oil on canvas) by Rohlfs, Christian (1849-1938); 80.6x60.4 cm; Private Collection; (add.info.: Liegender Frauenakt. Christian Rohlfs (1849-1938). Oil on canvas

The Man of Sorrows, (oil on panel)
827697 The Man of Sorrows, (oil on panel) by Morales, Luis de (1500-86); 37.2x27.2 cm; Private Collection; (add.info.: The Man of Sorrows. Luis de Morales (1500-1586). Oil on panel

Femme aux Seins nus, 1907 (oil on board)
656745 Femme aux Seins nus, 1907 (oil on board) by Lemmen, Georges (1865-1916); 44.5x35 cm; Private Collection; (add.info.: Femme aux Seins nus. Georges Lemmen (1865-1916). Oil on board

Woman with a Chair; Femme au Fauteuil, (oil on canvas)
652440 Woman with a Chair; Femme au Fauteuil, (oil on canvas) by Petitjean, Hippolyte (1854-1929); 81.3x65.8 cm; Private Collection; (add.info.: Woman with a Chair; Femme au Fauteuil)

Saint Veronica, c. 1630s (oil on canvas)
827739 Saint Veronica, c.1630s (oil on canvas) by Vouet, Simon (1590-1649); 59x47.5 cm; Private Collection; (add.info.: Saint Veronica. Simon Vouet (1590-1649). Oil on canvas

Femme Nue, c. 1889 (oil on canvas)
989594 Femme Nue, c.1889 (oil on canvas) by Gerome, Jean Leon (1824-1904); 32.5x41 cm; Private Collection; (add.info.: Femme Nue. Jean Leon Gerome (1824-1904). Oil on canvas. Painted circa 1889

A Nymph by the Sea, (oil on canvas)
827511 A Nymph by the Sea, (oil on canvas) by Kray, Wilhelm (1828-89); 112.4x76.2 cm; Private Collection; (add.info.: A Nymph by the Sea. Wilhelm Kray (1828-1889). Oil on canvas

Portrait of His Sister, the Archduchess Maria Christine, Seated, Three-Quarter Length
659328 Portrait of His Sister, the Archduchess Maria Christine, Seated, Three-Quarter Length, in a Gold Embroidered Blue Dress Holding a Garland of Flowers, (oil on canvas) by Meytens the Younger

Truth, (oil on canvas)
658700 Truth, (oil on canvas) by Joy, George William (1844-1925); 256.5x94.5 cm; Private Collection; (add.info.: Truth. George William Joy (1844-1925). Oil on canvas

Profile of a Young Woman, (oil on panel)
658222 Profile of a Young Woman, (oil on panel) by Boldini, Giovanni (1842-1931); 55.9x40 cm; Private Collection; (add.info.: Profile of a Young Woman. Giovanni Boldini (1842-1931). Oil on panel

Head of a Girl, (oil on canvas)
651272 Head of a Girl, (oil on canvas) by Henner, Jean-Jacques (1829-1905); 41.3x33.5 cm; Private Collection; (add.info.: Head of a Girl. Jean Jacques Henner (1829-1905). Oil on canvas

Heilandsgesicht: the Resurrection or The New Life II; Heilandsgesicht
825877 Heilandsgesicht: the Resurrection or The New Life II; Heilandsgesicht: Auferstehung or Das Neue Leben II, 1918 (oil on linen-finish paper laid down on cardboard) by Jawlensky

Spirit of Night, (oil on board)
822680 Spirit of Night, (oil on board) by Hale, Philip Leslie (1865-1931); 101.6x216.4 cm; Private Collection; (add.info.: Spirit of Night. Philip Leslie Hale (1865-1931). Oil on board

Portrait of the Archduke Joseph, Later Emperor Joseph II of Austria, Half Length
659327 Portrait of the Archduke Joseph, Later Emperor Joseph II of Austria, Half Length, in a Gold Embroidered Pink Velvet Jacket with Ermine Trim

The Water of the Serpentine, in Hyde Park (engraving)
1608971 The Water of the Serpentine, in Hyde Park (engraving) by English School, (19th century); Private Collection; (add.info.: The Water of the Serpentine, in Hyde Park)

Portrait of Miss Addison Head of San Francisco, 1874 (oil on canvas)
1197588 Portrait of Miss Addison Head of San Francisco, 1874 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 66x55.9 cm; Private Collection; Photo eChristies Images; French

Bather Washing her Hair; Baigneuse Se Lave les Cheveux, 1903 (oil on canvas)
652431 Bather Washing her Hair; Baigneuse Se Lave les Cheveux, 1903 (oil on canvas) by Petitjean, Hippolyte (1854-1929); 81.6x54.3 cm; Private Collection; (add.info)

Personification of Music, (oil on canvas)
990307 Personification of Music, (oil on canvas) by Fragonard, Jean-Honore (1732-1806) (attr. to); 82x105 cm; Private Collection; (add.info.: Personification of Music)

Portrait of Miss Joan Knatchbull, seated half length Wearing a Mauve Dress
824249 Portrait of Miss Joan Knatchbull, seated half length Wearing a Mauve Dress and a Pearl Necklace, (oil on canvas) by Romney

Portrait of a Young Girl at a Desk, 1904 (oil on canvas)
651301 Portrait of a Young Girl at a Desk, 1904 (oil on canvas) by Verdier, Jules (1862-1926); 92.5x73.5 cm; Private Collection; (add.info.: Portrait of a Young Girl at a Desk)

The Sisters, (oil on board)
651279 The Sisters, (oil on board) by Veith, Edouard (1856-1925); 66x86 cm; Private Collection; (add.info.: The Sisters. Edouard Veith (1856-1925). Oil on board

A Measure, 1904 (oil on canvas)
651120 A Measure, 1904 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 216x138.2 cm; Private Collection; (add.info.: A Measure. Edwin Austin Abbey (1852-1911). Oil on canvas

Portrait of Mrs Arbuckle and Son, (oil on canvas)
650778 Portrait of Mrs Arbuckle and Son, (oil on canvas) by Peale, Charles Willson (1741-1827); 121.5x92 cm; Private Collection; (add.info.: Portrait of Mrs Arbuckle and Son)

Flower Arranging, (oil on canvas)
659048 Flower Arranging, (oil on canvas) by Stevens, Alfred Emile (1823-1906); 91.4x55.9 cm; Private Collection; (add.info.: Flower Arranging. Alfred Stevens (1823-1906). Oil on canvas

Woman with a Mask; La Femme au Masque, c. 1888 (oil on thick paper laid on board)
656274 Woman with a Mask; La Femme au Masque, c. 1888 (oil on thick paper laid on board) by Rops, Felicien (1833-98); 28x13 cm; Private Collection; (add.info.: Woman with a Mask; La Femme au Masque)

Gulnihal, (oil on canvas)
659842 Gulnihal, (oil on canvas) by Leighton, Frederic (1830-96); 55.3x40 cm; Private Collection; (add.info.: Gulnihal. Frederic, Lord Leighton (1830-1896). Oil on canvas. 55.3 x 40cm

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"Unveiling the Hidden Spectrum: Exploring the World of Colourless" Step into a world where colours transcend their vibrant hues, and discover the enchanting realm of "colourless. " Inspired by Newton's Opticks and his groundbreaking study on light, we embark on a captivating journey. Like a Rubik's cube waiting to be solved, this concept challenges our perception. Artwork comes alive as it plays with absence and presence, leaving us mesmerized by its intricate simplicity. A glass prism becomes our guide, refracting the colour spectrum into dazzling fragments that dance before our eyes. It reminds us that even in transparency lies beauty beyond imagination. Venturing deep underground in United Kingdom's Chalcopyrite mines, we encounter nature's hidden treasures. Quartz and Minor Sphalerite intertwine with Chalcopyrite like delicate brushstrokes on an artist's canvas. In Ashover, Derbyshire, England, Galena takes center stage alongside Sphalerite, Bitumen and Fluorite. A symphony of minerals creates an ethereal tableau that captivates both geologists and art enthusiasts alike. Earl Ferrers Mine unveils Galena's raw elegance against the backdrop of Staunton Harold in Leicestershire. Uncertain Locality adds mystery to Galena's allure as it harmonizes with Quartz from Derbyshire – a testament to nature’s artistic prowess. Staunton Harold strikes again with Galena embracing Sphalerite; together they form an exquisite partnership that showcases nature’s ability to create breathtaking masterpieces beneath Earth’s surface. Herodsfoot Mine in Cornwall reveals Bournonite standing tall amidst Quartz formations – a stunning display of contrasting elements coexisting harmoniously within one another. Chalcopyrite dances once more but this time accompanied by Calcite and Galena at Staunton Harold mine. Their interplay is reminiscent of artists blending colors on their palette - a true testament to the beauty of collaboration.