Colletage Collection
"Captivating Colletage
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"Captivating Colletage: A Glimpse into the Alluring Necklines of Art" Step into a world where the gaze is drawn to the delicate curves and graceful lines of the colletage. In Pierre-Louis Pierson's masterpiece, "The Gaze, " created in 1856-57, we witness the mesmerizing power of this alluring feature. Pierson continues his exploration with "La Comtesse de Castiglione en Reine de la Nuit" from 1863-67, where he captures the enchanting beauty of a noblewoman adorned with an exquisite neckline. Moving forward in time, Aubrey Beardsley's "Arbuscula" and "The Lady with the Rose, " both from 1897, showcase his unique style that accentuates not only facial expressions but also highlights the elegance and sensuality of a woman's neck. Traveling back to earlier centuries, we encounter portraits such as Elizabeth Grant Bankson Beatty and her daughter Susan from around 1805. The artist skillfully portrays their refined colletages as symbols of grace and sophistication. John Singleton Copley takes us even further back with his depictions of Mrs. Henry Hill (Anna Barrett) in circa 1765/70 and Mrs. Daniel Hubbard (Mary Greene) in circa 1764. These paintings reveal how colletages were celebrated during this era for their ability to exude poise and charm. Johan Hesselius' portrait titled "Mrs. William Carmichael" from 1764/78 showcases another example of how artists captured women's necklines as captivating focal points within their compositions. Shifting our focus to Japanese artistry, Katsukawa Shunjo presents Segawa Kikunojo III around 1785. This woodblock print emphasizes not only traditional attire but also draws attention to an elegant colletage that adds to the allure of the subject.