Fraud Blocker Skip to main content

Coats Of Arms Collection

"Unveiling the Rich Heritage: Exploring Coats of Arms Through Time" Step into a world where history is etched upon every crest

Background imageCoats Of Arms Collection: The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving)

The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving)
XJF328605 The Union of the Roses of the Families of Lancaster and York, 1589 (plate engraving) by Hondius, Jodocus (1567-1611); Private Collection; (add.info)

Background imageCoats Of Arms Collection: Tournament in the Piazza del Campo, Siena, 1607-10 (oil on panel)

Tournament in the Piazza del Campo, Siena, 1607-10 (oil on panel)
XAL885929 Tournament in the Piazza del Campo, Siena, 1607-10 (oil on panel) by Italian School, (17th century); Archivio di Stato, Siena, Italy; (add.info.: Tournoi sur la piazza del Campo, eSienne)

Background imageCoats Of Arms Collection: The Jacobean stone screen in the hall, Bramshill, Hampshire, from The English Country House

The Jacobean stone screen in the hall, Bramshill, Hampshire, from The English Country House (b/w photo)
CLF306243 The Jacobean stone screen in the hall, Bramshill, Hampshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built by Edward Zouche)

Background imageCoats Of Arms Collection: The Palace Guard, 1892 (oil on canvas)

The Palace Guard, 1892 (oil on canvas)
989239 The Palace Guard, 1892 (oil on canvas) by Deutsch, Ludwig (1855-1935); 132.4x83.8 cm; Private Collection; (add.info.: The Palace Guard. Ludwig Deutsch (1855-1935). Oil on canvas

Background imageCoats Of Arms Collection: A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving)

A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving)
985982 A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving) by Saxton, Christopher (c.1542-c.1610); 38x48.5 cm; Private Collection; (add.info)

Background imageCoats Of Arms Collection: Pennants in Eyre Square representing the tribes (families) of Galway

Pennants in Eyre Square representing the tribes (families) of Galway, County Galway, Connacht, Republic of Ireland, Europe

Background imageCoats Of Arms Collection: A Map of the Union of South Africa, 1931 (colour litho)

A Map of the Union of South Africa, 1931 (colour litho)
1198400 A Map of the Union of South Africa, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Background imageCoats Of Arms Collection: Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w / c on paper)

Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w / c on paper)
2831879 Heraldic Bearings on Tomb of Walter Frampton in St Johns Church (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageCoats Of Arms Collection: Palazzo Rosso, Genoa, Liguria, Italy, Europe, World Heritage Site

Palazzo Rosso, Genoa, Liguria, Italy, Europe, World Heritage Site

Background imageCoats Of Arms Collection: Fireplace, Brereton Hall (b/w photo)

Fireplace, Brereton Hall (b/w photo)
CLF294300 Fireplace, Brereton Hall (b/w photo) by Evans, Frederick Henry (1853-1943); (add.info.: built by Sir William Brereton (1550-1631) in 1586;); © Country Life

Background imageCoats Of Arms Collection: Interior of Westminster Abbey (b/w photo) (see also 294192)

Interior of Westminster Abbey (b/w photo) (see also 294192)
CLF294192 Interior of Westminster Abbey (b/w photo) (see also 294192) by Evans, Frederick Henry (1853-1943); (add.info.: main part of present building begun by King Henry III in 1245;)

Background imageCoats Of Arms Collection: Tapestry armorial cushion cover, possibly from Lower Saxony, made in 17th century (wool)

Tapestry armorial cushion cover, possibly from Lower Saxony, made in 17th century (wool)
3576273 Tapestry armorial cushion cover, possibly from Lower Saxony, made in 17th century (wool) by German School, (17th century); 63.5x59 cm; Burrell Collection, Glasgow

Background imageCoats Of Arms Collection: Tomb at Westminster Abbey, London (b/w photo)

Tomb at Westminster Abbey, London (b/w photo)
CLF294184 Tomb at Westminster Abbey, London (b/w photo) by Evans, Frederick Henry (1853-1943); © Country Life

Background imageCoats Of Arms Collection: Tapestry, Verdure with Arms of Miro, 1500-25 (wool & silk)

Tapestry, Verdure with Arms of Miro, 1500-25 (wool & silk)
3576185 Tapestry, Verdure with Arms of Miro, 1500-25 (wool & silk) by European School, (16th century); 353x330.2 cm; Burrell Collection, Glasgow

Background imageCoats Of Arms Collection: Mille fleurs tapestry depicting verdure, shield of arms and a wild man, c. 1500 (wool)

Mille fleurs tapestry depicting verdure, shield of arms and a wild man, c. 1500 (wool)
3576186 Mille fleurs tapestry depicting verdure, shield of arms and a wild man, c.1500 (wool) by European School, (16th century); 299.9x305.8 cm; Burrell Collection, Glasgow

Background imageCoats Of Arms Collection: Tapestry with the Royal Arms of Edward VI and Arms of le Grys, made probably in Enghien, Flanders

Tapestry with the Royal Arms of Edward VI and Arms of le Grys, made probably in Enghien, Flanders, Belgium, c
3576239 Tapestry with the Royal Arms of Edward VI and Arms of le Grys, made probably in Enghien, Flanders, Belgium, c.1547-53 (wool) by Belgian School

Background imageCoats Of Arms Collection: Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool)

Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool)
3576137 Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool) by European School, (16th century); 195.5x127 cm; Burrell Collection, Glasgow

Background imageCoats Of Arms Collection: Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges

Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges, made in Paris or Arras (wool)
3576093 Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges, made in Paris or Arras (wool) by French School, (14th century); 236x135 cm; Burrell Collection, Glasgow

Background imageCoats Of Arms Collection: Christuskirche, old town hall, market church, Sachsenross, Hannover, Lower Saxony, Germany

Christuskirche, old town hall, market church, Sachsenross, Hannover, Lower Saxony, Germany, postcard with text
accurate, administration building, administrative building, administrative buildings, animal depiction, animal depictions, animal figure, animal figures, animal form, animal motiv, animal-like

Background imageCoats Of Arms Collection: Girl with a Mass, Masskrug, beer mug, symbolic of Muenchner Kindl

Girl with a Mass, Masskrug, beer mug, symbolic of Muenchner Kindl, meaning Munich child in the Bavarian German dialect
1 person, 1900s, 19th-century, alcohol, alcoholic, art work, arts, artwork, artworks, badges, bavarian, bayern, beer, beer mug, beer mugs, beers, beverage, black, black-and-white, black-white

Background imageCoats Of Arms Collection: Westgate, Winchester (oil on canvas)

Westgate, Winchester (oil on canvas)
MAN329189 Westgate, Winchester (oil on canvas) by Rooker, Michael (Angelo) (1743-1801); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageCoats Of Arms Collection: The King at Arms shows the Duc de Bourbon

The King at Arms shows the Duc de Bourbon
3785961 The King at Arms shows the Duc de Bourbon by French School, (19th century); (add.info.: The King at Arms shows the Duc de Bourbon the Armorial Bearings of the Chevaliers who are to take part)

Background imageCoats Of Arms Collection: Portrait of a Family, 1599 (oil on panel)

Portrait of a Family, 1599 (oil on panel)
471559 Portrait of a Family, 1599 (oil on panel) by Netherlandish School; 196x126 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageCoats Of Arms Collection: Reverse of Portrait of Juan Pardo II and his wives Anna Ingenieulandt and Maria Anchemant

Reverse of Portrait of Juan Pardo II and his wives Anna Ingenieulandt and Maria Anchemant, 1580 (oil on panel)
490174 Reverse of Portrait of Juan Pardo II and his wives Anna Ingenieulandt and Maria Anchemant, 1580 (oil on panel) by Claeissins or Claeissens, Anthuenis (Antoon) (1536-1613); Groeningemuseum

Background imageCoats Of Arms Collection: Map of the Castellany of Bruges (oil on canvas)

Map of the Castellany of Bruges (oil on canvas)
489859 Map of the Castellany of Bruges (oil on canvas) by Claeissens, Pieter II (fl.1571-d.1623); 322.5x151 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageCoats Of Arms Collection: View of the port and fortified city of Saint Malo, located on the coast of Brittany

View of the port and fortified city of Saint Malo, located on the coast of Brittany
IND388249 View of the port and fortified city of Saint Malo, located on the coast of Brittany by French School; Private Collection; (add.info.: Vista del puerto y la ciudad fortificada de Saint Malo)

Background imageCoats Of Arms Collection: Louis VII embarking for the Holy Land with some Cistercian monks in 1145

Louis VII embarking for the Holy Land with some Cistercian monks in 1145, miniature from Ogier le Danois, printed by A
IND325869 Louis VII embarking for the Holy Land with some Cistercian monks in 1145, miniature from Ogier le Danois, printed by A

Background imageCoats Of Arms Collection: Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)

Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)
1195833 Battle between the Georgians and the Mountain Tribes, 1826 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Background imageCoats Of Arms Collection: St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of

St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez
986337 St.James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez, 1606 (illuminated manuscript on vellum) by Spanish School

Background imageCoats Of Arms Collection: George II cup and cover, 1739 (gold) (see also 619081)

George II cup and cover, 1739 (gold) (see also 619081)
619080 George II cup and cover, 1739 (gold) (see also 619081) by Willaume, David (1658-1741); height: 32 cm; Private Collection; (add.info)

Background imageCoats Of Arms Collection: A Map of the Irish Free State & Northern Ireland, 1929 (colour litho)

A Map of the Irish Free State & Northern Ireland, 1929 (colour litho)
1198397 A Map of the Irish Free State & Northern Ireland, 1929 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Background imageCoats Of Arms Collection: Ewer basin from the service of Charlotte Aglae d Orleans, Duchess of Modena and Reggio

Ewer basin from the service of Charlotte Aglae d Orleans, Duchess of Modena and Reggio, 1719 (silver-gilt)
6081934 Ewer basin from the service of Charlotte Aglae d Orleans, Duchess of Modena and Reggio, 1719 (silver-gilt) by Besnier, Nicolas (1686-1754) (attr)

Background imageCoats Of Arms Collection: The Great Western, Crests and Coats-Of-Arms (colour litho)

The Great Western, Crests and Coats-Of-Arms (colour litho)
5222841 The Great Western, Crests and Coats-Of-Arms (colour litho) by Stokoe, W. J.(fl.1910-40); Private Collection; (add.info.: The Great Western, Crests and Coats-Of-Arms)

Background imageCoats Of Arms Collection: George Edward Baker (oil on canvas)

George Edward Baker (oil on canvas)
3035891 George Edward Baker (oil on canvas) by Rothenstein, William (1872-1945); 73x60.5 cm; Magdalen College, Oxford, UK; (add.info.: George Edward Baker (1846-1924), fellow of Magdalen College

Background imageCoats Of Arms Collection: A Map of New Zealand, 1931 (colour litho)

A Map of New Zealand, 1931 (colour litho)
1198398 A Map of New Zealand, 1931 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Background imageCoats Of Arms Collection: Rudolph Valentino in the Black Falcon, 1925 (oil on canvas)

Rudolph Valentino in the Black Falcon, 1925 (oil on canvas)
658210 Rudolph Valentino in the Black Falcon, 1925 (oil on canvas) by Beltran-Masses, Federico Armando (1885-1949); 228.6x134.6 cm; Private Collection; (add.info)

Background imageCoats Of Arms Collection: George II cup and cover, 1739 (gold) (detail of 619080)

George II cup and cover, 1739 (gold) (detail of 619080)
619081 George II cup and cover, 1739 (gold) (detail of 619080) by Willaume, David (1658-1741); Private Collection; (add.info.: Inverted bell-shaped cup on circular foot with moulded borders)

Background imageCoats Of Arms Collection: Crucifixion, 1521 (fresco)

Crucifixion, 1521 (fresco)
2562705 Crucifixion, 1521 (fresco) by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona)

Background imageCoats Of Arms Collection: A Map of England and Wales, 1928 (colour litho)

A Map of England and Wales, 1928 (colour litho)
1198396 A Map of England and Wales, 1928 (colour litho) by Gill, Leslie MacDonald (Max) (1884-1947); 102x153 cm; Private Collection; (add.info.: Gill)

Background imageCoats Of Arms Collection: Almanach Royal, 1756 (morocco leather gilt, mica, gouache)

Almanach Royal, 1756 (morocco leather gilt, mica, gouache)
985925 Almanach Royal, 1756 (morocco leather gilt, mica, gouache) by Derome, Jacques Antoine (1698-1760) (attr.to); 19x122.2 cm; Private Collection; (add.info.: Almanach Royal)

Background imageCoats Of Arms Collection: Betrothal Portrait

Betrothal Portrait
SCG53409 Betrothal Portrait by Swedish School; Private Collection; Swedish, out of copyright

Background imageCoats Of Arms Collection: Crucifixion, detail of 2562703 and 2562705, 1521 (fresco)

Crucifixion, detail of 2562703 and 2562705, 1521 (fresco)
2562704 Crucifixion, detail of 2562703 and 2562705, 1521 (fresco) by Pordenone, Giovanni Antonio (1484-1539); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy

Background imageCoats Of Arms Collection: The Virgin protecting Siena against earthquakes in 1466, 1467 (oil on panel)

The Virgin protecting Siena against earthquakes in 1466, 1467 (oil on panel)
XIR444285 The Virgin protecting Siena against earthquakes in 1466, 1467 (oil on panel) by Martini, Francesco di Giorgio (1439-1502); Archivio di Stato, Siena

Background imageCoats Of Arms Collection: Arms and devices for public schools, late 19th century (colour litho)

Arms and devices for public schools, late 19th century (colour litho)
3245529 Arms and devices for public schools, late 19th century (colour litho) by British School, (19th century); Private Collection; Peter Newark Pictures



All Professionally Made to Order for Quick Shipping

"Unveiling the Rich Heritage: Exploring Coats of Arms Through Time" Step into a world where history is etched upon every crest, as we delve into the captivating realm of coats of arms. From the Union of the Roses to the vibrant Tournament in Siena's Piazza del Campo, these emblems tell tales that span centuries. In 1589, a plate engraving immortalized The Union of the Roses, symbolizing the merging families of Lancaster and York. A visual representation of unity amidst conflict, it stands as a testament to resilience and reconciliation. Transporting us further back in time is an oil on panel masterpiece capturing a Tournament in Siena's Piazza del Campo between 1607-10. This vivid artwork breathes life into an era when chivalry reigned supreme and honor was won through skillful combat. Moving forward to 1928, an enchanting engraving showcases The College of St Mary in Winchester or New College. Its intricate details invite us to appreciate architectural marvels that have withstood generations while nurturing knowledge within their hallowed halls. Journeying across continents brings us to South Africa in 1931. A color lithograph Map reveals not only geographical boundaries but also serves as a reminder of diverse cultures united under one nation's flag – a tapestry woven from different threads. Closer to home lies Eyre Square adorned with pennants representing Galway's tribes or families. These fluttering symbols evoke pride and belonging for those who call this land their own – each tribe leaving its indelible mark on Ireland's rich heritage. Venturing beyond borders, souvenir clogs from Amsterdam beckon our attention. Crafted with care by skilled artisans, they encapsulate Dutch traditions and offer visitors tangible memories infused with European charm. Stepping inside Brereton Hall through a black-and-white photograph unveils an exquisite fireplace that once warmed hearts during grand gatherings.