Coal Fire Collection

City Centre, Galsgow, 1950
Central Station, Glasgow, LANARKSHIRE, SCOTLAND facing South. NCAP: RAF: National Air Photograph Survey - 03/04/1950

An engraving depicting a parlour maid making up a coal fire. Illustrated by George John Pinwell (1842-1875)
5310781 An engraving depicting a parlour maid making up a coal fire. Illustrated by George John Pinwell (1842-1875) a British illustrator and Watercolourist

Ironing and calendaring machine, 1871
3479208 Ironing and calendaring machine, 1871; (add.info.: Ironing and calendaring machine, heated by steam, gas, jets or a coal fire)

The Races at Auteuil, part of a triptych (oil on canvas)
NUL121811 The Races at Auteuil, part of a triptych (oil on canvas) by Nittis, Giuseppe or Joseph de (1846-84); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio, Italy; French

Footballer Billy Wright Wolves and England captain seen here putting coal on the fire at home. December 1951

Press advertisment for British Coal, May 1966. Artist: Michael Walters
Press advertisment for British Coal, May 1966. In a photograph taken for a press ad, a couple sit in front of their modern built-in fire

Man dressed fur warming coal fire Title page
Man dressed in fur and warming himself by a coal fire Title page for: P.M. de la Martiniere, De noordsche weereld, 1685, Man dressed in fur coats himself by a coal fire

Smoking farmer with pipe, print maker: Matthijs Pool, Cornelis Dusart, 1696 - 1727

Burning coal flame

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"Embracing the Warmth: A Glimpse into Glasgow's Coal Fire Legacy" Step back in time to the bustling City Centre of Glasgow, circa 1950. Amidst the vibrant streets and lively atmosphere, a captivating triptych painting titled "The Races at Auteuil" adorns a gallery wall. Its rich oil on canvas strokes transport you to an era where coal fires were not just a necessity but also an art form. In May 1966, British Coal released a press advertisement that showcased their commitment to providing warmth and comfort for all. Renowned artist Michael Walters beautifully captured this sentiment through his masterful brushwork, evoking feelings of coziness as footballer Billy Wright, Wolves and England captain himself, tended to the crackling fire with care. Delving further into history, we stumble upon a page from the Army and Navy Stores Catalogue dating back to 1939-40. Litho-printed images depict men dressed in fur garments basking in front of roaring coal fires—a testament to how essential these fires were during challenging times. Returning once again to Michael Walters' iconic press advertisements for British Coal in May 1966, we witness his artistic prowess shining through multiple captivating pieces. Each artwork showcases individuals finding solace by their coal fires—embracing its warmth amidst chilly nights or simply cherishing moments of tranquility. As our journey continues through time, we encounter another fascinating depiction—an enchanting print created by Matthijs Pool and Cornelis Dusart between 1696 -1727. This smoking farmer with his trusty pipe embodies timeless traditions rooted in rural life—a scene made complete by the comforting presence of a nearby coal fire. These glimpses into history remind us that beyond being mere sources of heat and energy; coal fires held immense cultural significance throughout different eras. They symbolized unity within communities as families gathered around them for storytelling or shared meals.