Cliffs Collection (page 100)

Russet-pated choughs, many in sort, Rising and cawing at the guns report
STC418754..Russet-pated choughs, many in sort, Rising and cawing at the guns report, illustration from Midsummer Nights Dream by William Shakespeare, 1908 (colour litho) by Rackham

The Valley of the Rocks (w / c & gouache heightened with white)
Ma360539 The Valley of the Rocks (w/c & gouache heightened with white) by Millais, William Henry (1828-99); 83.8x516.1 cm; Private Collection; (add.info.: Lynton)

QUIETNESS
Fiorenzo Carozzi

Tafoni Rocks
Aidong Ning

18 daowan of panshanwan highway
Simoon

Optimus prime
Simoon

Mountain lift, c. 1844-1853
880972 Mountain lift, c.1844-1853 by ShAcshA (fl.c.1844-53); 19.4x24.8 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs. Samuel H

Looking down onto the beach at Granville, pub. c. 1895 (postcard chromolithograph)
908211 Looking down onto the beach at Granville, pub. c.1895 (postcard chromolithograph) by German Photographer, (19th century); Private Collection; The Stapleton Collection; German, out of copyright

Portofino, Italy. Gola dell Inferno. Postcard sent in 1913
660412 Portofino, Italy. Gola dell Inferno. Postcard sent in 1913. by Italian Photographer, (20th century); Private Collection; © Look and Learn

Postcard of lovers on a cliff, sent in 1913 (hand-coloured photo)
660084 Postcard of lovers on a cliff, sent in 1913 (hand-coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Bamforth humorous postcard. ); © Look and Learn

Frinton from Cliffs, looking West (colour litho)
667932 Frinton from Cliffs, looking West (colour litho) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: Frinton from Cliffs, looking West.); © Look and Learn

Lower Sandgate Road, Folkestone (colour litho)
667878 Lower Sandgate Road, Folkestone (colour litho) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: Lower Sandgate Road, Folkestone.); © Look and Learn

Durdle Door near Lulworth (colour litho)
667871 Durdle Door near Lulworth (colour litho) by Quinton, Alfred Robert (1853-1934); Private Collection; (add.info.: Durdle Door near Lulworth.); © Look and Learn

Rocks at Tintagel (oil on canvas)
619272 Rocks at Tintagel (oil on canvas) by Richmond, William Blake (1842-1921); 49.5x38.7 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

On the Italian Coast, 1896 (w / c on paper)
Ma198264 On the Italian Coast, 1896 (w/c on paper) by Goodwin, Harry (d.1925); 33.5x23.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Source of the Doubs, 1871 (oil on canvas)
XIR175038 The Source of the Doubs, 1871 (oil on canvas) by Courbet, Gustave (1819-77); Musee des Beaux-Arts et d Archeologie, Besancon, France; (add.info.: Source of the Doubs rocks; ); French

The stream of the Breme emerging from the Puits Noir, 1865 (oil on canvas)
XIR175037 The stream of the Breme emerging from the Puits Noir, 1865 (oil on canvas) by Courbet, Gustave (1819-77); 73.5x92.5 cm; Musee des Beaux-Arts et d Archeologie, Besancon

The Avon from Observatory Hill, c. 1825
BAG12395 The Avon from Observatory Hill, c.1825 by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; English, out of copyright

View of Ilfracombe, Devon, 1842 (pen and w / c) (pair of 72971)
DRE72970 View of Ilfracombe, Devon, 1842 (pen and w/c) (pair of 72971) by Walters, J (fl.1799-1842); 27.2x45 cm; Private Collection; eDreweatt Neate Fine Art Auctioneers, Newbury, Berks, UK; English

Athos with Monks in the foreground, 1856 (pen and w / c)
DRE72843 Athos with Monks in the foreground, 1856 (pen and w/c) by Lear, Edward (1812-88); 22.8x15.2 cm; Private Collection; eDreweatt Neate Fine Art Auctioneers, Newbury, Berks, UK; English

The Sand Castle (w / c)
MAL75169 The Sand Castle (w/c) by Coleman, William Stephen (1829-1904); 47x26 cm; Private Collection; eMallett Gallery, London, UK; English, out of copyright

Christ casting out devils (oil on copper)
WES67082 Christ casting out devils (oil on copper) by Brill or Bril, Paul (1554-1626); 25.5x34.4 cm; The Trustees of the Weston Park Foundation, UK; Flemish, out of copyright

Throwing the Spear, aborigines hunting birds from New South Wales engraved by Matthew
STC86587 Throwing the Spear, aborigines hunting birds from New South Wales engraved by Matthew Dubourg (f.1813-1820) pub. 1813 (litho) by Clark

On the Beach, 1880
BAL86108 On the Beach, 1880 by Heuffer, Catherine (1852-1927); Private Collection; Roy Miles Fine Paintings; English, out of copyright

General view of Falmouth, Cornwall, from the Trefusis family estate. Date: 1908

Seascape with Cow. At the Edge of the Cliff, 1888 (oil on canvas)
PWI83764 Seascape with Cow. At the Edge of the Cliff, 1888 (oil on canvas) by Gauguin, Paul (1848-1903); 72.5x61 cm; Musee d Orsay, Paris, France; (add.info.: Marine avec vache)

Anstys Cove, Babbacombe, Devon, 1861 (pencil & w / c on paper)
CW103343 Anstys Cove, Babbacombe, Devon, 1861 (pencil & w/c on paper) by Salter, John William (fl.1848-75); 38.1x54 cm; Private Collection; eChristopher Wood Gallery, London, UK; English

Port Looe, Cornwall, from A Voyage Around Great Britain Undertaken between the Years
STC240767 Port Looe, Cornwall, from A Voyage Around Great Britain Undertaken between the Years 1814 and 1825 (aquatint) by Daniell

The Rhines fair children, Bewailing their lost gold, weep
STC324227 The Rhines fair children, Bewailing their lost gold, weep, illustration from The Rhinegold and the Valkyrie, 1910 (colour litho) by Rackham

The Battle of the Alma from the French position on 20th September 1854
NAM250558 The Battle of the Alma from the French position on 20th September 1854, published by William Tegg and Company, 1854 (colour litho) by Maclane

Giant Standing Buddha, 5th-6th century (stone)
ALI259694 Giant Standing Buddha, 5th-6th century (stone) by Afghan School; Valley of the Buddhas, Bamyan, Afghanistan; (add.info)

Mediterranean Coastal Scene, 1746 (oil on canvas)
WES250982 Mediterranean Coastal Scene, 1746 (oil on canvas) by Vernet, Antoine Charles Horace (Carle) (1758-1836); 96.5x132 cm; The Trustees of the Weston Park Foundation, UK; French, out of copyright

Tangier, 1911 (w / c and gouache on paper)
FLF185788 Tangier, 1911 (w/c and gouache on paper) by Dixon, Charles Edward (1872-1934); 28.5x78.1 cm; Private Collection; English, out of copyright

Beach scene at Fecamp, northern France (oil on panel)
PWG186403 Beach scene at Fecamp, northern France (oil on panel) by Clovis, Francois Auguste Didier (1858-1918); 24x38 cm; Private Collection; Jonathan Cooper, Park Walk Gallery, London, UK; French

Capri Seascape (oil on panel)
ALG265692 Capri Seascape (oil on panel) by Gorbatov, Konstantin Ivanovich (1876-1928); 22x29 cm; Pinacoteca Provinciale, Bari, Italy; (add.info.: Marine a Capri; ); Russian, out of copyright

The Beach at Ventnor (w / c over pencil on paper)
AGN265340 The Beach at Ventnor (w/c over pencil on paper) by Cristall, Joshua (1767-1847); Private Collection; Photo eAgnew s, London; English, out of copyright

View of Jamestown and the Harbour, St. Helena, engraved by T. Picken, c. 1846 (engraving)
PEM216898 View of Jamestown and the Harbour, St. Helena, engraved by T. Picken, c.1846 (engraving) by Stack, Lt. F.R. (19th century); Peabody Essex Museum, Salem, Massachusetts

The Waterfall, 1912 (oil on canvas)
NUL445543 The Waterfall, 1912 (oil on canvas) by Marc, Franz (1880-1916); 165x158 cm; Private Collection; German, out of copyright

Tynemouth from Cullercoats (oil on board)
TW427069 Tynemouth from Cullercoats (oil on board) by Carmichael, John Wilson (1800-68); 24.9x35.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

Haymaking, 1893-1900 (oil on canvas)
TW426683 Haymaking, 1893-1900 (oil on canvas) by Jobling, Isabella (1851-1926); 45.5x36 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; British, out of copyright

Old Cullercoats, Spate Gatherers (oil on canvas)
TW426578 Old Cullercoats, Spate Gatherers (oil on canvas) by Parker, Henry Perlee (1795-1873); 85x125.7 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English

Figures and Bathing Machines in the Bay below Tynemouth Castle (oil on canvas)
TW427343 Figures and Bathing Machines in the Bay below Tynemouth Castle (oil on canvas) by Waters, Ralph I (1720-98); 72.1x112.4 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Gorge at Menton, 1882 (w / c on paper)
WAR15924 The Gorge at Menton, 1882 (w/c on paper) by Holden, S. (19th century); Warrington Museum and Art Gallery, Cheshire, UK; eWarrington Museum & Art Gallery; English, out of copyright

The Casa of Tasso in Sorrento (engraving)
729426 The Casa of Tasso in Sorrento (engraving) by Spanish School, (19th century); Private Collection; (add.info.: The Casa of Tasso in Sorrento. Unknown artist)

Sailor Boy on the beach, Christmas Card. (chromolitho)
731326 Sailor Boy on the beach, Christmas Card. (chromolitho) by English School, (19th century); Private Collection; (add.info.: Sailor Boy on the beach)

Man Friday finds his father (chromolitho)
735904 Man Friday finds his father (chromolitho) by European School, (19th century); Private Collection; (add.info.: Man Friday finds his father)

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"Captivating Cliffs: A Journey Through Time and Beauty" Discover the breathtaking cliffs that have captivated hearts for generations. From the rugged beauty of Cornwall to the dramatic landscapes of Scotland, these natural wonders have inspired artists, intrigued explorers, and provided solace to wanderers seeking tranquility. In 1938, a GWR poster showcased the majestic cliffs of Cornwall. Standing tall against the crashing waves, they beckoned adventurers to explore their untamed beauty. Fast forward to the 1950s when a BR poster titled "Downland Rambles" invited nature enthusiasts to witness the awe-inspiring vistas along England's coastlines. But it was not just their scenic allure that made these cliffs remarkable; they played an essential role in history too. During times of war, they served as protectors, deceiving invaders with their ever-changing tides at Cuckmere Haven in East Sussex. The Seven Sisters white chalk cliffs stood tall as guardians along Swanage Beach in Dorset on England's Jurassic Coast. Venturing further north, we find ourselves at Dunnottar Castle outside Stonehaven in Aberdeenshire where ancient ruins perch precariously atop towering cliffs. Meanwhile, on Isle of Lewis' Butt of Lewis stands a lighthouse overlooking sheer drops into tumultuous waters - a testament to man's resilience amidst nature's might. Artists like JMW Turner immortalized Whitby's enchanting cliffside scenery in 1824 while locomotives chugged past Carbis Bay's picturesque coastline during the 1950s. Exmouth Cliffs in Devon offer panoramic views across Europe from its lofty heights. Not forgetting Yorkshire's charm, rocky shorelines below Carr Naze near Filey Brigg showcase nature’s artistry carved by wind and water over centuries.