City Overview Collection (page 4)

Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper)
5859488 Cover and Frontispiece to Les Vieilles Histoires (Old Stories), 1893 (colour lithograph on cream wove paper) by Toulouse-Lautrec

The Chamberlain and his assistants before the Virgin, 1489 (painting on wood)
885904 The Chamberlain and his assistants before the Virgin, 1489 (painting on wood) by Cozzarelli, Guidoccio di Giovanno (1450-1517); Archivio di Stato, Siena

Duke Cosimo I de Medici arriving in Siena, 1560 (painting on wood)
885911 Duke Cosimo I de Medici arriving in Siena, 1560 (painting on wood) by Anonymous; Archivio di Stato, Siena, Italy; (add.info)

The Return of the Company of Saint Bernardino from L'Aquila in the Piazza del Campo Siena, 1610 (painting on wood)
885908 The Return of the Company of Saint Bernardino from L'Aquila in the Piazza del Campo Siena, 1610 (painting on wood) by Gregori, Antonio Taddeo di (1583-1646); Archivio di Stato, Siena

Banks of the Isere in Grenoble, mountain view 1864 (Oil on canvas)
7393519 Banks of the Isere in Grenoble, mountain view 1864 (Oil on canvas) by Unknown Artist, (19th century); 35 x 50 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

View of Grenoble in the 19th century (Oil on canvas)
7393514 View of Grenoble in the 19th century (Oil on canvas) by Guedy, Jules Jean-Baptiste (1805-1876); 111 x 192 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

View of Grenoble, the Belledonne mountain range in the background 1831 (Oil on canvas)
7393491 View of Grenoble, the Belledonne mountain range in the background 1831 (Oil on canvas) by Dagnan, Isidore (1794-1873); 50 x 65 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Panorama overlooking Istanbul and the Bosphorus, c. 1890 (b/w photo)
STC258395 Panorama overlooking Istanbul and the Bosphorus, c.1890 (b/w photo) by Sebah & Joaillier (fl.1888-1950); Private Collection; (add.info)

The surrender of the town of Colle Val d'Elsa near Siena, 1479 (painting on wood)
885909 The surrender of the town of Colle Val d'Elsa near Siena, 1479 (painting on wood) by Italian School, (15th century); Archivio di Stato, Siena

Riva degli Schiavoni, the Ducal Palace and the Campanile of St. Marks, c. 1819-1900 (graphite & w/c on paper)
7400191 Riva degli Schiavoni, the Ducal Palace and the Campanile of St. Marks, c.1819-1900 (graphite & w/c on paper) by Ruskin, John (1819-1900); 24.8x37 cm; Fitzwilliam Museum

Morning on the Giudecca, Venice, 1892 (oil on canvas)
885698 Morning on the Giudecca, Venice, 1892 (oil on canvas) by Ciardi, Guglielmo (1842/43-1917); 86 x 158 cm; Museo Civico Revoltella, Trieste, Italy; (add.info.: by Guglielmo Ciardi)

Saint-Eynard seen from Ile Verte 1875 (Watercolor on paper)
7393499 Saint-Eynard seen from Ile Verte 1875 (Watercolor on paper) by Jongkind, Johan-Barthold (1819-91); 25 x 33 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Grenoble, the gateway to France (Oil on canvas)
7393492 Grenoble, the gateway to France (Oil on canvas) by Ravanat, Theodore (1812-1882); 27 x 35 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Townscape, 19th century (w/c on paper)
7394171 Townscape, 19th century (w/c on paper) by Fair, Robert (19th century); 24x33 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

France, Biarritz, Pyrenees-Atlantiques, Europe, travel, 1910s, 1920s, (hand coloured glass slide)
UTD4904201 France, Biarritz, Pyrenees-Atlantiques, Europe, travel, 1910s, 1920s, (hand coloured glass slide) by Simon, Carl (1873-1952); Photo © Archiv Carl Simon/UA

The banks of the Isere Grenoble, the Green Island in the background (Oil on canvas)
7393490 The banks of the Isere Grenoble, the Green Island in the background (Oil on canvas) by French School, (19th century); 49, 5 x 65, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

The Porte de France, Grenoble, early 20th century (Oil on panel)
7393539 The Porte de France, Grenoble, early 20th century (Oil on panel) by Bertier, Charles Alexandre (1860-1924); 15, 8 x 22 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Panoramic view of Dordrecht, seen from an elevated point to the west, 1545
7394160 Panoramic view of Dordrecht, seen from an elevated point to the west, 1545 (pen and brown ink with watercolour over traces of black chalk) by Wyngaerde

The reception of Martin Luther in Worms, 1521, 1850s (engraving)
UTD4915228 The reception of Martin Luther in Worms, 1521, 1850s (engraving) by Konig, Gustav Ferdinand Leopold (1808-69); (add.info.: Together with his friends Nicolaus von Amsdorf (1483-1565)

A General View of the City of Paris taken from an Eminence in the Village of Chaillot
7405571 A General View of the City of Paris taken from an Eminence in the Village of Chaillot, 1749 (hand-coloured engraving on laid paper)) by Parr, Nathaniel (1723-60); Yale Center for British Art

Father Gapon's demonstration, Russia, 1905 (litho)
7143175 Father Gapon's demonstration, Russia, 1905 (litho) by French School, (20th century); Private Collection; (add.info.: History. Russia. 1905 strike of Saint Petersburg)

Liberty leading the People, July the 28th, 1830 (oil on canvas)
JLJ4643536 Liberty leading the People, July the 28th, 1830 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 260 x 325 cm; Louvre, Paris

Havana, Cuba c. 1904 (b/w photo)
2962904 Havana, Cuba c.1904 (b/w photo) by American Photographer, (20th century); Private Collection

Moscow - view of the Russian capital and the Moskva River, c. 1738 (engraving)
3794192 Moscow - view of the Russian capital and the Moskva River, c. 1738 (engraving); (add.info.: Moscow - view of the Russian capital and the Moskva River, c. 1738)

Adams Square, Boston, Massachusetts, c. 1905 (b/w photo)
778477 Adams Square, Boston, Massachusetts, c.1905 (b/w photo) by American Photographer, (20th century); Private Collection

Coblenz, Germany, 1880 (w/c on paper)
7387226 Coblenz, Germany, 1880 (w/c on paper) by Severn, Joseph Arthur Palliser (1842-1931); Sheffield Galleries and Museums Trust

Venice: the Bacino di San Marco from San Giorgio Maggiore (painting)
3524235 Venice: the Bacino di San Marco from San Giorgio Maggiore (painting) by Canaletto, (Giovanni Antonio Canal) (1697-1768); (add.info.: Venice)

Paris, banks of the Seine, c. 1920-30 (oil on canvas)
7388939 Paris, banks of the Seine, c.1920-30 (oil on canvas) by Brulhart, Ernest Hiram (1878-1947); 41.5x35.5 cm; Private Collection; (add.info.: Artist)

Lysaker river, 1901
7388595 Lysaker river, 1901 by Thaulow, Fritz (1847-1906); Private Collection; (add.info.: Frits Thaulow (1847-1906)); Photo © O. Vaering

Detroit Photographic Co. 229 5th Ave. New York, c. 1900-05 (b/w photo)
778478 Detroit Photographic Co. 229 5th Ave. New York, c.1900-05 (b/w photo) by American Photographer, (20th century); Private Collection

View of Venice: Piazza San Marco (oil on canvas)
PCT4295841 View of Venice: Piazza San Marco (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: View of Venice (Venezia, Italia)

View of Venice: Basilica of San Giorgio Maggiore (oil on canvas)
PCT4295824 View of Venice: Basilica of San Giorgio Maggiore (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info)

Street section from Groenland (Oslo), 1906
7388596 Street section from Groenland (Oslo), 1906 by Thaulow, Fritz (1847-1906); 55x65 cm; Private Collection; (add.info.: Frits Thaulow (1847-1906)); Photo © O. Vaering

No title, 1905
7388590 No title, 1905 by Thaulow, Fritz (1847-1906); Private Collection; (add.info.: Frits Thaulow (1847-1906)); Photo © O. Vaering

View of Fribourg (oil on canvas)
7388998 View of Fribourg (oil on canvas) by Pilloud, Ignace Nazaire Oswald (1873-1946); 46x38 cm; Private Collection; (add.info.: Artist)

Construction of the London and Birmingham Railway, c. 1835 (pencil with wash on paper)
7389716 Construction of the London and Birmingham Railway, c.1835 (pencil with wash on paper) by Bourne, John Cooke (1814-96); 14x21 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

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View of the castle and the church of Gruyeres, c. 1925-30 (oil on cardboard)
7388995 View of the castle and the church of Gruyeres, c.1925-30 (oil on cardboard) by Pilloud, Ignace Nazaire Oswald (1873-1946); 24x30 cm; Private Collection; (add.info.: Artist)

From Pantheon square in Rome, 1904
7388594 From Pantheon square in Rome, 1904 by Peterssen, Hjalmer Eilif Emanuel (1852-1928); 161x204 cm; Private Collection; (add.info.: Eilif Peterssen (1852-1928)); Photo © O. Vaering

View of Venice, 18th century (oil on canvas)
PCT4295820 View of Venice, 18th century (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60x96 cm; Private Collection; (add.info)

The vision of st. Bernard, 1504-07, (oil on panel)
7146460 The vision of st. Bernard, 1504-07, (oil on panel) by Fra Bartolomeo (1475-1517); 213x220 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The vision of st)

Annunciation, 1489-90 circa, (tempera on wood)
7146313 Annunciation, 1489-90 circa, (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

The adoration of the Magi, 1481 (oil on panel)
7146910 The adoration of the Magi, 1481 (oil on panel) by Vinci, Leonardo da (1452-1519); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The adoration of the Magi, 1481)

Portrait of Pietro Secco Suardo, 1563 (oil on canvas)
7146887 Portrait of Pietro Secco Suardo, 1563 (oil on canvas) by Moroni, Giovanni Battista (c.1525-79); 183x104 cm; Galleria degli Uffizi, Florence, Tuscany

Portrait of Bartolomeo Panciatichi, 1541-45, (oil on wood panel)
7146793 Portrait of Bartolomeo Panciatichi, 1541-45, (oil on wood panel) by Bronzino, Agnolo di Cosimo (1503-72); Galleria degli Uffizi, Florence, Tuscany

Evening on the Seine, 1893 (oil on canvas)
7381652 Evening on the Seine, 1893 (oil on canvas) by Gierymski, Alexander (1850-1901); 121 x 185 cm; National Museum, Krakow, Poland; (add.info.: by Aleksander Gierymski (1850-1901))

Entrance of Charles VIII to Florence, 1515-17 circa, (oil on canvas)
7146506 Entrance of Charles VIII to Florence, 1515-17 circa, (oil on canvas) by Granacci, Francesco (1477-1543); Galleria degli Uffizi, Florence, Tuscany

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A captivating journey through time and space, these engravings and paintings offer a mesmerizing city overview. From the bustling streets of Newcastle-on-Tyne to the historic charm of York in 1738, each image transports us to a different era. St. Clement Danes Church stands tall on Strand, its timeless beauty captured in an enchanting 1817 engraving. As we delve further into history, "Alone in London" depicts a melancholic scene from c. 1894, evoking emotions that transcend time. Artistic masterpieces also grace this collection; "Mars, surrounded by the Arts and Sciences, " painted in 1605, portrays knowledge triumphing over ignorance with breathtaking detail. San Samuele in Venice showcases delicate watercolors that bring this iconic location to life while "Old Houses at Clapham Common" offers a glimpse into London's past through lithography. Traveling across continents, our eyes are drawn to Berlin's architectural wonders as seen from above in an intricate engraving titled "Birds-Eye View of Berlin. " The picturesque town and harbor of Dunedin captivate us with their natural beauty in another stunning engraving. London's foggy ambiance takes center stage as Waterloo Bridge is beautifully depicted amidst misty hues in a remarkable oil painting from 1903. Equally captivating is Charing-Cross Bridge portrayed during the early 20th century – both artworks capturing the essence of London's ever-changing atmosphere. Lastly, we find ourselves transported to Quito through an intricately detailed engraving taken just before a devastating earthquake struck. This view from the Convent of San Juan serves as a poignant reminder of both nature's power and human resilience. These diverse artworks provide not only glimpses into various cities but also windows into different periods throughout history – showcasing how art can immortalize moments for generations to come.