Ciceri Collection

Ballet of the Nuns in the Opera "Robert Le Diable" by Giacomo Meyerbeer, 1831. Private Collection

Nine panoramic views of Rio de Janeiro: De Lado da Terra Morro de Senado, 1862 (litho)
828363 Nine panoramic views of Rio de Janeiro: De Lado da Terra Morro de Senado, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: A Prainha (da Saude), 1862 (litho)
828365 Nine panoramic views of Rio de Janeiro: A Prainha (da Saude), 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: Catette e entrada da Barra, 1862 (litho)
828361 Nine panoramic views of Rio de Janeiro: Catette e entrada da Barra, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho)
828360 Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: As Prais St. Luzia a Gloria, 1862 (litho)
828364 Nine panoramic views of Rio de Janeiro: As Prais St. Luzia a Gloria, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho)
828362 Nine panoramic views of Rio de Janeiro: Da Ilha das Cobras, 1862 (litho) by Benoist, Philippe (1813-c.1905) and Ciceri

Entree du village des Bains, 1831. Creators: Godefroy Engelmann, Eugene Ciceri
Entree du village des Bains, 1831. [Entrance to the village of Les Bains]

Pierre-Luc-Charles Ciceri, 1855-60. Creator: Nadar
Pierre-Luc-Charles Ciceri, 1855-60

Design for a Stage Set at the Opera, Paris, 1828-90. Creator: Eugene Ciceri
Design for a Stage Set at the Opera, Paris, 1828-90

Design for a Stage Set at the Opera, Paris, 1830-90. Creator: Eugene Ciceri
Design for a Stage Set at the Opera, Paris, 1830-90

Druskininkai in southern Lithuania, c1850. Private Collection

The dam across the Nile, the building of the Aswan Dam, Egypt, 1853

The floating battery Tonnante in the Ice near Kinburn, 1856. Artist: Ciceri, Eugene (1813-1890)
The floating battery Tonnante in the Ice near Kinburn, 1856. From a private collection

Lake Taupo, North Island, New Zealand, 1886. Artist: Eugene Ciceri
Lake Taupo, North Island, New Zealand, 1886

Official Birds Eye View Expo 1867, Paris, France, Ciceri, Eugene, 1813-1890, Lithographer

Drawings Prints, Print, Entry Village Bains, Voyages, pittoresques, et, romantiques
Drawings and Prints, Print, Entry to the Village of Bains, Voyages pittoresques et romantiques dans l ancienne France, Artist, Printer, Artist, Eugene Isabey, Godefroy Engelmann, Eugene Ciceri

Official birds eye view Expo 1867, paris, France, Ciceri, Eugene, 1813-1890, lithographer

Lisbon Quake / Ciceri
A panoramic view of the ruined city after the 9.30 am tremors have been followed by a succession of tsunami (tidal waves) and further destruction is being caused by fires

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"Ciceri: Capturing the Beauty of Rio de Janeiro and Beyond" Step into a world of breathtaking panoramic views, where the vibrant cityscape of Rio de Janeiro comes alive through the artistic lens of Ciceri. With lithographs dating back to 1862, these nine captivating scenes transport us to different corners of this enchanting Brazilian metropolis. From "De Lado da Terra Morro de Senado" to "A Prainha (da Saude)" and "Catette e entrada da Barra, " each lithograph unveils a unique perspective on Rio's natural wonders and architectural marvels. The meticulous attention to detail in Ciceri's work allows us to immerse ourselves in the splendorous beauty that surrounds this coastal paradise. As we journey through his masterpieces, we encounter iconic landmarks like "Da Ilha das Cobras" and witness the bustling atmosphere along "As Prais St. Luzia a Gloria. " These lithos not only capture the physical essence but also evoke emotions tied to these places – feelings of awe, tranquility, or even nostalgia for those who have experienced them firsthand. Ciceri's talent extends beyond capturing Rio de Janeiro alone. In collaboration with Godefroy Engelmann, he brings us an exquisite depiction of "Entree du village des Bains" from 1831, showcasing another picturesque location that invites us into its serene ambiance. The legacy continues with Pierre-Luc-Charles Ciceri's works from 1855-60 and Eugene Ciceri's designs for stage sets at Paris Opera during 1828-90. Their contributions demonstrate how artistry transcends geographical boundaries as they transport audiences into fantastical realms filled with grandeur and theatrical magic.