Chronos Collection

Phanes, the Orphic deity, Second quarter of the 2nd century. Creator: Klassische Antike Kunst
Phanes, the Orphic deity, Second quarter of the 2nd century. Found in the Collection of the Galleria Estense, Modena

Chronos Clipping the Wings of Cupid, c.1640. Creator: Unknown
Chronos Clipping the Wings of Cupid, c.1640

Allegory of Art: A Youth Inspired by the Spirit of Art, 1810. Creator: Carl Russ
Allegory of Art: A Youth Inspired by the Spirit of Art, 1810

Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses, 1526

Time Revealing Truth, c. 1650 (oil on canvas)
LST332891 Time Revealing Truth, c.1650 (oil on canvas) by Thulden, Theodore van (1606-79); 149.3x107.8 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; Flemish, out of copyright

Allegory of Time freeing Faith (oil on wood)
5058831 Allegory of Time freeing Faith (oil on wood) by Backer, Jacob de (c.1555-c.1585); 38 x 26 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Copy after Backer, Chronos, god of time)

Saturn, from Game of Mythology (Jeu de la Mythologie), 1644

Chronos, 1582-1585. Creator: Butteri, Giovanni Maria (c. 1540-1606)
Chronos, 1582-1585. Private Collection

Chronos, 1752, (1928). Artists: Giovanni Battista Tiepolo, Giovanni Domenico Tiepolo
Chronos, 1752, (1928). Chalk on paper. Study for the frescoes of the staircase-hall in the Wü rzburg Residence, Germany. Staatsgalerie, Stuttgart, Germany

Chronos and a Young Woman, mid 18th century, (1928). Artist: Giovanni Battista Tiepolo
Chronos and a Young Woman, mid 18th century, (1928). Chronos and a young woman (youth or beauty), pen with wash on paper. At one time known to have been in the collection of the late Professor W

Apollo, the Muses and Chronos, c1730, (1928). Artist: Giovanni Battista Tiepolo
Apollo, the Muses and Chronos, c1730, (1928). Design for a ceiling, pen with wash on paper. At one time known to have been in the collection of the Sartorio Collection, Trieste, Italy

Time displays ruins and masterpieces, 1822. Found in the Collection of Muse e du Louvre, Paris

Saturn, Mid of 16th cen.. Private Collection

Prudence prevents time from destroying ancient art, 1670s. Private Collection

Chronos and his child, Second Quarter of the 17th cen.. Found in the Collection of Muzeum Narodowe, Warsaw

The Triumph of Time, 1480-1490. Artist: Jacopo del Sellaio (1442-1493)
The Triumph of Time, 1480-1490. Found in the collection of Museo Bandini, Fiesole

Georges Gaudy Affiches D Art O De Rycker Automobile Club de Belgique
Georges Gaudy, Affiches D Art O. De Rycker, Automobile Club de Belgique - Course Bruxelles-Spa 25 26 Juin. Fetes et Concours, paper, lithograph, total: height: 128.50 cm; width: 93.00 cm, signed: u

Saturn Devouring one of his Sons, 1821-23 (mural transferred to canvas)
XIR546 Saturn Devouring one of his Sons, 1821-23 (mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 143.5x81.4 cm; Prado, Madrid

Kronos (Chronos) one of the Greek Titans, father of Zeus. Saturn in Roman mythology. Giacinto Brandi (1623-1691).Oil on Canvas. Private Collection

History allegory, 18th-century artwork
History allegory. 18th-century allegorical artwork of the discipline of history. A winged Father Time figure (with scythe) supports a winged putto writing a book

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"Chronos: The Eternal Keeper of Time and Truth" In Plate 1, we witness the chilling image of Saturn in a niche, his insatiable hunger driving him to devour his own son. Standing before a scythe, he symbolizes the relentless passage of time and its inevitable consequences. The painting "Time Revealing Truth" from c. 1650 captures the essence as an entity that unveils hidden realities with each passing moment. This oil on canvas masterpiece showcases how time is an unyielding force that brings forth ultimate truths. An everlasting calendar with a wooden stand from Dresden in the 18th century serves as a reminder of Chronos' omnipresence. It stands as a testament to our perpetual quest for understanding and measuring time's ceaseless flow. In "Allegory of Time freeing Faith, " depicted on wood, we witness Chronos liberating faith from its temporal constraints. This portrayal highlights how time can both confine and release our beliefs, shaping our perception of reality. From the Game of Mythology (Jeu de la Mythologie) comes Saturn once again, this time portrayed in 1644. Through this artwork, we are reminded that Chronos has been revered throughout history for his role as the personification of time itself. Giovanni Maria Butteri's creation "Chronos" from 1582-1585 showcases an intricate representation where every detail reflects the profound impact that Chronos holds over existence. His presence looms large, reminding us all that no one can escape his grasp. The works by Giovanni Battista Tiepolo further explore the relationship between Chronos and humanity. In "Chronos and a Young Woman, " we see their interaction through Tiepolo's masterful brushstrokes—a poignant depiction capturing both vulnerability and inevitability. "Apollo, the Muses and Chronos" painted around c1730 portrays these divine figures intertwined, emphasizing the interconnectedness of art, inspiration, and time.