Chippewa Collection

EXPL2A-00128
Landing of Jean Nicolet on the Wisconsin shore of Lake Michigan, 1634, the first European to reach that region. Hand-colored halftone of a 19th-century illustration

Native American Indian Picture Writing (Medicine Mans Chant) of the Chippewa or Ojibbewa Indians. Date: circa 1890s

Canada - Ojibwa Girl cleaning the catch
The Ojibwa is the largest group of Native American peoples north of Mexico. They are equally divided between the United States and Canada

Chippewa Magician
A magician of the Chippewa people attempts to destroy a girl by a beam of sunlight and the spirit of a fox

The Assiniboine and Saskatchewan Exploring Expedition - Ojibway Encampment near the Falls... 1858. Creator: Unknown
The Assiniboine and Saskatchewan Exploring Expedition - Ojibway Encampment near the Falls of the Rainy River, 1858. The Ojibways of the Lake of the Woods are the most warlike

Main Street (and Chippewa Hotel), Mackinac Island, Mich. between 1902 and 1920. Creator: Unknown
Main Street (and Chippewa Hotel), Mackinac Island, Mich. between 1902 and 1920

Kah-Ge-Ga-Gah-Bowh, the Ojibbeway Chief...Drury-Lane Theatre, 1850. Creator: Unknown
Kah-Ge-Ga-Gah-Bowh, the Ojibbeway Chief, sketched during the Temperance Meeting in Drury-Lane Theatre, 1850. Missionary minister the Rev

Hole-in-the-Day (Younger). Chippewa, Indian delegate, 1864. Creator: Unknown
Hole-in-the-Day (Younger). Chippewa, Indian delegate, 1864

Ojibwa Grave-Posts (engraving)
980475 Ojibwa Grave-Posts (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Grave-Posts)

Mide dancing garters (colour litho)
980442 Mide dancing garters (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Mide dancing garters)

Sacred Birch Bark Records (colour litho)
980440 Sacred Birch Bark Records (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred Birch Bark Records)

Ojibwa Facial Decoration (colour litho)
980436 Ojibwa Facial Decoration (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Facial Decoration)

Ojibwa mother and baby, c. 1821 (colour litho)
PNP246200 Ojibwa mother and baby, c.1821 (colour litho) by American School, (19th century); Private Collection; Peter Newark American Pictures; American, out of copyright

Portraits of an Indian man and Native American
Portrait and profile of an Indian man, Soorjo Coomar Chucherbutty, age 20, from Decca, and U-je-jock, or Pelican, age 10, son of a chief of the Ojibwe Nation, Lake Huron

Okeemakeequid, a Chippeway chief
3780713 Okeemakeequid, a Chippeway chief by King, Charles Bird (1785-1862); (add.info.: Okeemakeequid, a Chippeway chief. Native American chief of the Chippeway (Ojibwe) tribe. Portrait by Charles B

Pah-Tah-Se-Gay (engraving)
1617043 Pah-Tah-Se-Gay (engraving) by English School, (19th century); Private Collection; (add.info.: Pah-Tah-Se-Gay. Illustration for The Illustrated London News, 13 May 1843)

Chippewa scaffold burial (colour litho)
980522 Chippewa scaffold burial (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Chippewa scaffold burial)

Jesakkid removing disease (engraving)
980438 Jesakkid removing disease (engraving) by American School, (19th century); Private Collection; (add.info.: Jesakkid removing disease. Engraving by Harold L MacDonald, 1890)

Chippeway widow (colour litho)
980532 Chippeway widow (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Chippeway widow)

Sacred bark scroll and contents (colour litho)
980441 Sacred bark scroll and contents (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred bark scroll and contents)

Sacred Posts of Midewigan (colour litho)
980439 Sacred Posts of Midewigan (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Sacred Posts of Midewigan)

Ojibwa Facial Decoration (colour litho)
980435 Ojibwa Facial Decoration (colour litho) by American School, (19th century) (after); Private Collection; (add.info.: Ojibwa Facial Decoration)

Chippeway Squaw and Child, pub. by F. O. W. Greenough, 1838 (colour litho)
STC90588 Chippeway Squaw and Child, pub. by F.O.W. Greenough, 1838 (colour litho) by Bowen, John T. (1801-c.1856); Private Collection; The Stapleton Collection; American, out of copyright

The Snow Shoe Dance, from Catlins North American Indian Portfolio
4071312 The Snow Shoe Dance, from Catlins North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, pub

Ud-je-jock, Pelican, a Boy, 1845. Creator: George Catlin
Ud-je-jock, Pelican, a Boy, 1845

Au-nim-muck-kwa-um, Tempest Bird, 1845. Creator: George Catlin
Au-nim-muck-kwa-um, Tempest Bird, 1845

Cah-be-mub-bee, He Who Sits Everywhere, a Brave, 1835. Creator: George Catlin
Cah-be-mub-bee, He Who Sits Everywhere, a Brave, 1835

Ju-ah-kis-gaw, Woman With Her Child in a Cradle, 1835. Creator: George Catlin
Ju-ah-kis-gaw, Woman With Her Child in a Cradle, 1835

Four Dancers, 1843-1844. Creator: George Catlin
Four Dancers, 1843-1844

Jack-o-pa (The Six), 1827. Creator: Charles Bird King
Jack-o-pa (The Six), 1827

Canoe Race Near Sault Ste. Marie, 1836-1837. Creator: George Catlin
Canoe Race Near Sault Ste. Marie, 1836-1837

Big Buffalo (Chippewa), 1832-1833. Creator: Henry Inman
Big Buffalo (Chippewa), 1832-1833

White Man in Chippewa Costume, late 19th-early 20th century. Creator: George Prince
White Man in Chippewa Costume, late 19th-early 20th century

Snow Shoe Dance - Ojibbeway, 1861 / 1869. Creator: George Catlin
Snow Shoe Dance - Ojibbeway, 1861/1869. Hunters, with songs of thanks to the Great Spirit, when the first snow of winter falls, to improve their hunting

Three Celebrated Ball Players - Choctaw, Sioux and Ojibbeway, 1861. Tul-lock-chish-ko (of the Chocktaw), Wee-chush-ta-doo-ta (Sioux) and Ah-no-je-nahge

A Sioux War Party, 1861 / 1869. Creator: George Catlin
A Sioux War Party, 1861/1869. Reconnoitering an Ojibbeway village, at sunset. Calhoun, upper Mississippi. 1832

Nine Ojibbeway Indians in London, 1861 / 1869. Creator: George Catlin
Nine Ojibbeway Indians in London, 1861/1869. Ah-quee-we-zaints (chief), with Pat-o-a-quat-o-wee-be, Wee-nish-ka-wee-be, Sa-mah, Gish-e-gosh-e-gee, Not-een-a-akm (interpreter)

Ojibbeway Indians in Paris, 1861 / 1869. Creator: George Catlin
Ojibbeway Indians in Paris, 1861/1869. Maun-gua-daus (chief) with warriors, women and children taken to Paris as representatives from Canada in 1845

Buffalo Chase in the Snow Drifts - Ojibbeway, 1861 / 1869. Creator: George Catlin
Buffalo Chase in the Snow Drifts - Ojibbeway, 1861/1869

Facsimile of an Ojibbeway Robe, 1861 / 1869. Creator: George Catlin
Facsimile of an Ojibbeway Robe, 1861/1869. A collection of Indian totems

Ojibbeway Indians, 1861 / 1869. Creator: George Catlin
Ojibbeway Indians, 1861/1869. Sha-co-pay (chief) with his sons

An Aged Ojibbeway Chief and Three Warriors, 1861 / 1869. Creator: George Catlin
An Aged Ojibbeway Chief and Three Warriors, 1861/1869. Gitch-e-gaw-ga-osh (elderly chief), with On-daig, I-an-be-wa-dick and Cah-be-mub-be sitting in council

Two Ojibbeway Warriors and a Woman, 1861 / 1869. Creator: George Catlin
Two Ojibbeway Warriors and a Woman, 1861/1869. Ka-bes-kunk and O-ta-wa (warriors in war dess with pipes) and Ju-a-kiss-gaw (wife of Ka-bes-kunk) at the fall of St. Anthony. 1834

Two Chippewyan Warriors and a Woman, 1855 / 1869. Creator: George Catlin
Two Chippewyan Warriors and a Woman, 1855/1869. Gua-be-med-gwin-ne (warrior), Nin-jee (warrior) and Ha-te-qua

Boy Chief - Ojibbeway, 1843. Creator: George Catlin
Boy Chief - Ojibbeway, 1843

Red Bird, Chippeway, from the American Indian Chiefs series (N2) for Allen &
Red Bird, Chippeway, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Noon Day, Chippeway, from the American Indian Chiefs series (N2) for Allen &
Noon Day, Chippeway, from the American Indian Chiefs series (N2) for Allen & Ginter Cigarettes Brands, 1888

Large Iron Ore Boat Coming into Sabin Locks. Sault Ste. Marie, Mich. c1930s. Creator: Unknown
Large Iron Ore Boat Coming into Sabin Locks. Sault Ste. Marie, Mich. c1930s. Canal locks on the St Marys River in Sault Sainte Marie, Chippewa, Michigan. From " Tour of the World"

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"Exploring the Rich Heritage of the Chippewa: A Glimpse into Native American Culture" Step back in time and immerse yourself in the captivating world of the Chippewa, a prominent Native American tribe. From their intricate picture writing to their vibrant cultural practices, this diverse community has left an indelible mark on history. In Canada, we witness an Ojibwa girl diligently cleaning her catch, showcasing the tribe's deep connection with nature and their resourcefulness. Meanwhile, a Chippewa magician mesmerizes us with his mystical abilities, reminding us of their spiritual beliefs and reverence for supernatural powers. Hole-in-the-Day (Younger), a notable Chippewa figure from 1864, emerges as a powerful Indian delegate who played a crucial role in shaping tribal diplomacy during that era. The unknown creator captures his commanding presence through an enigmatic portrait. Moving beyond portraits, we encounter engraved Ojibwa grave-posts that serve as poignant reminders of ancestral ties and traditions. These sacred markers speak volumes about the importance placed on honoring ancestors within Chippewa culture. The Mide dancing garters come alive in vivid color lithographs - symbols of pride and identity for those initiated into this secret society. Such ceremonial dances were integral to preserving ancient customs among the Chippewa people. Delving deeper into their heritage reveals another fascinating aspect - sacred birch bark records meticulously preserved by generations past. These colorful lithographs provide glimpses into historical events and narratives passed down through oral tradition. Ojibwa facial decoration showcases intricate patterns adorning faces - expressions of individuality intertwined with communal belonging. This art form reflects both personal expression and adherence to cultural norms within Chippewa society. A heartwarming scene unfolds as we witness an Ojibwa mother cradling her baby circa 1821; it serves as a testament to enduring maternal love and the continuation lineage through generations.