Chiara Ripa Collection

Cameo with the triumph of Germanicus and Agrippina, Jan Dam Steuerwald, 1815 - 1869

Allegory of the majority of William V, 1766, print maker: Cornelis van Noorde, 1766

Fame, Eternity and Writing Arts, Pieter van Gunst, 1731

Allegory of the Peace of Rijswijk, 1697, Cornelis van Dalen (I), Govert Flinck, 1649

Allegory of the birth of Princess Maria Amalia of Nassau-Dietz, daughter of Hendrik Casimir, January 29, 1689, around the crib with the child kneel Minerva, Juno and Cupid and Flora

Allegory of Fame and History, Anonymous, Hendrick Goltzius, Franco Estius, 1645 - 1706

Allegory of the tragedy and continue, Pieter Serwouters, Cornelis Lodewijcksz. van der Plasse, 1622

Portrait of King George I of Great Britain, Arnoud van Halen, 1714 - 1732

Fame and Minerva point to the tomb of Philippe Quinault, Caspar Luyken, Antoine Schelte, 1697

Allegory Frederick Henry after the conquest of Den Bosch, Wesel and Grol, 1629-1630, Crispijn van den Queborn, Adriaen Pietersz. van de Venne, Staten-Generaal, 1630

Death fights against humanity, Boetius Adamsz. Bolswert, David Vinckboons, Abraham Allard, 1610

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"Chiara Ripa: A Journey Through Allegorical Art and Historical Significance" Step into the world of Chiara Ripa, where art meets history in a captivating blend of allegory and symbolism. From Jan Dam Steuerwald's cameo depicting the triumph of Germanicus and Agrippina to Pieter van Gunst's portrayal of Fame, Eternity, and Writing Arts, each artwork tells a unique story. Cornelis van Noorde's print "Allegory of the majority of William V" takes us back to 1766, showcasing the power dynamics during that time. Meanwhile, Govert Flinck's "Allegory of the Peace of Rijswijk" transports us to 1697 when peace was celebrated after a long conflict. Intriguingly, Hendrick Goltzius' anonymous work "Allegory of Fame and History" captures our attention with its intricate details. The birth of Princess Maria Amalia is commemorated through an allegorical composition by Felix Meritis created in 1784. Pieter Serwouters' depiction titled "Allegory of Tragedy and Continuity" invites contemplation on life's eternal cycle. Arnoud van Halen immortalizes King George I in his portrait while Caspar Luyken portrays Fame and Minerva pointing towards Philippe Quinault's tomb. The conquests achieved by Frederick Henry are showcased in an allegorical piece from 1629-1630 by Wesel and Grol. Lastly, Philibert Bouttats' map provides insight into the heerlijkheid Maarsseveen in The Netherlands during his time. Through Chiara Ripa’s collection, we embark on a visual journey that unveils historical events intertwined with artistic expression. Each artwork carries its own significance—a testament to human creativity throughout centuries past.