Charles Robert Leslie Fletcher Collection

Jane Austen, c1789, (1919). After a painting previously attributed to John Zoffany. Recent analysis suggests that this work shows Jane Austen (1775-1817) at the age of 13

Sir Robert Peel, Bart. 1838, (1919). After a painting in the National Portrait Gallery, London. Peel (1788-1850) was Conservative Prime Minister of the United Kingdom from 1834-1835 and 1841-1846

Charlotte Sophia of Mecklenburg-Strelitz, Queen Consort of George III, 1761-1762, (1919). After a painting in the National Portrait Gallery, London

John Wilkes, c1769, (1919). English journalist and radical MP John Wilkes (1762-1763). On several occasions the London mob rose in his support and the streets resounded to cries of Wilkes

Horace Walpole, Fourth Earl of Orford, (1919). Horatio Walpole, 4th Earl of Orford (1717-1797), also known as Horace Walpole, was an English art historian, man of letters

Henry Fielding, (1919). Fielding (1707-1754) was an English novelist and dramatist. From an engraving after the pen-and-ink sketch by William Hogarth

John Evelyn, c1687, (c1818), (1911). Artist: Thomas Bragg
John Evelyn, c1687, (c1818), (1911). Diarist and virtuoso John Evelyn (1620-1706) depicted c1687 in an engraving after a painting. Illustration from Historical Portraits 1600-1700

Robert Cecil, First Earl of Salisbury, early 17th century, (1911). Artist: Renold Elstrack
Robert Cecil, First Earl of Salisbury, early 17th century, (1911). English statesman Robert Cecil (1563-1612) succeeded his father as an advisor to Elizabeth I

Sir Christopher Hatton, (1909). Hatton (1540-1591) was Lord Chancellor of England. From a portrait in the possession of the Earl of Winchilsea and Nottingham. Illustration from Historical Portraits

Bishop Fisher, (1909). Artist: Hans Holbein the Younger
Bishop Fisher, (1909). Saint John Fisher, English Catholic bishop, cardinal and martyr (1469-1535), protested against King Henry VIIIs intention to divorce Catherine of Aragon

Humphry Duke of Gloucester, (1909). Artist: Jacques Leboucq
Humphry Duke of Gloucester, (1909). Humphrey Duke of Gloucester (1391-1447), the first notable patron of Englands humanists, was the fourth son of King Henry IV of England by his first wife

William Shakespeare, (1909). Shakespeare (1564-1616) is widely regarded as the greatest writer of the English language. From the Bust at Stratford-on-Avon. Illustration from Historical Portraits

Cardinal Wolsey, (1909). Artist: Jacques Leboucq
Cardinal Wolsey, (1909). Wolsey (c1475-1530), was an English statesman and a cardinal of the Roman Catholic Church. He was Henry VIIIs most important government minister

James IV, King of Scotland, (1909). Artist: Jacques Leboucq
James IV, King of Scotland, (1909). King James IV (1473-1513). From the drawing attributed to Jacques le Boucq of Artois in the Library of the town of Arras. Illustration from Historical Portraits

Cardinal Beaufort, (1909). Medieval English clergyman Henry Beaufort (c1375-1447) was Bishop of Lincoln and of Winchester, and later a cardinal

William IV, c1831, (1919). Artist: FC Lewis
William IV, c1831, (1919). After a painting in the National Portrait Gallery, London. King William IV (1765-1837) who came to the throne in 1830

George Frederick Handel, c1720, (1919)
George Frederick Handel, (1919). German baroque composer Handel (1685-1759) lived much of his life in England, where he composed his masterpiece, Messiah

John Digby, First Earl of Bristol, early 17th century, (1911). Artist: Renold Elstrack
John Digby, First Earl of Bristol, early 17th century, (1911). Digby (1580-1653) was an English diplomat, and a royalist during the English Civil War

Edmund Bonner, (1909). Bonner (c1500-1569) was Bishop of London, and became notorious as Bloody Bonner for his role in the persecution of heretics under the Catholic government of Mary I of England

Richard III, (1909). Richard (1452-1485) was King of England from 1483 until his death and the last king from the House of York

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Charles Robert Leslie Fletcher was a prolific artist who captured the essence of various historical figures and moments in his captivating paintings. Inspired by the works of Jane Austen, he skillfully depicted scenes from her novels, transporting viewers back to c1789. His attention to detail and ability to evoke emotion made him a master storyteller on canvas. Fletcher's talent extended beyond literature as he also portrayed influential political figures like Sir Robert Peel, Bart. , in 1838. With each stroke of his brush, he brought these individuals to life, allowing us a glimpse into their world during the tumultuous times of 1919. Intriguingly, Fletcher delved into royal history with his portrayal of Charlotte Sophia of Mecklenburg-Strelitz, Queen Consort of George III during 1761-1762. Through his artistry, we can almost feel her grace and elegance radiating from the canvas. Not limited to British subjects alone, Fletcher explored other notable personalities such as John Wilkes in c1769. He expertly captured Wilkes' charisma and determination through meticulous attention to facial expressions and body language. Fletcher's artistic repertoire expanded even further as he ventured into capturing the essence of renowned literary figures like Horace Walpole and Henry Fielding in 1919. These portraits serve as timeless tributes to their contributions to literature that continue to inspire generations today. Drawing inspiration from earlier artists such as Thomas Bragg and Renold Elstrack, Fletcher paid homage through his own interpretations of John Evelyn (c1687) and Robert Cecil (early 17th century). His ability to emulate different styles while adding his unique touch showcases both versatility and admiration for those who came before him. Additionally, Fletcher immortalized lesser-known yet equally fascinating personalities like John Hooper (1909), Sir Christopher Hatton (1909), Bishop Fisher (Hans Holbein the Younger), Humphry Duke of Gloucester (Jacques Leboucq).