Charles Philibert Lasteyrie Du Saillant Collection

Head of a Warrior, 1816. Creator: Charles-Philibert de Lasteyrie
Head of a Warrior, 1816

The Little Shoe-Shine Boy, n.d. Creator: Charles-Philibert de Lasteyrie
The Little Shoe-Shine Boy, n.d

Portrait of a Child, c. 1816. Creator: Charles-Philibert de Lasteyrie
Portrait of a Child, c. 1816

View of Lake Nemi, c. 1820. Creator: Charles-Philibert de Lasteyrie
View of Lake Nemi, c. 1820

Profile Portrait of the Printers Brunet and Lasteyrie, 1816. Creator: Vivant Denon
Profile Portrait of the Printers Brunet and Lasteyrie, 1816

View of Tivoli, 1817. Creator: Claude Thiénon
View of Tivoli, 1817

Ruins of the Commanding Post of the Order of Malta, Clisson, 1817. Creator: Claude Thiénon
Ruins of the Commanding Post of the Order of Malta, Clisson, 1817

View From the Banks of the Teverone, 1817. Creator: Claude Thiénon
View From the Banks of the Teverone, 1817

View of Albano, 1817. Creator: Claude Thiénon
View of Albano, 1817

View from La Riccia, 1817. Creator: Claude Thiénon
View from La Riccia, 1817

Baths of Diocletian, Rome, 1817. Creator: Claude Thiénon
Baths of Diocletian, Rome, 1817

View of the Road from Cascatelles to Tivoli, 1817. Creator: Claude Thiénon
View of the Road from Cascatelles to Tivoli, 1817

View of the Villa d'Este, 1817. Creator: Claude Thiénon
View of the Villa d'Este, 1817

View in the Trastevere Quarter, Rome, 1817. Creator: Claude Thiénon
View in the Trastevere Quarter, Rome, 1817

View of a Convent on the Site of the House of Horace, c. 1817. Creator: Claude Thiénon
View of a Convent on the Site of the House of Horace, c. 1817

View of the Temple of the Sun and Moon from the Coliseum in Rome, 1817. Creator: Claude Thiénon
View of the Temple of the Sun and Moon from the Coliseum in Rome, 1817

View From the Second Terrace of the Villa d'est at Tivoli, 1817. Creator: Claude Thiénon
View From the Second Terrace of the Villa d'est at Tivoli, 1817

Portrait of Dr. Broussais, 1817. Creators: Giuseppe Maria Crespi, Charles-Philibert de Lasteyrie
Portrait of Dr. Broussais, 1817

Self-Portrait in a Dark Cloth Coat and Self-Portrait in a Fur-Collared Coat, c. 1817

Portrait of Mme. Laurent, c. 1820. Creators: Jean Antoine Laurent, Charles-Philibert de Lasteyrie
Portrait of Mme. Laurent, c. 1820

Portrait of a Woman in a Turban, n. d. Creators: Jean Antoine Laurent, Charles-Philibert de Lasteyrie
Portrait of a Woman in a Turban, n.d

Self-Portrait in a Dark Cloth Coat, c. 1817. Creators: Jean Antoine Laurent, Charles-Philibert de Lasteyrie
Self-Portrait in a Dark Cloth Coat, c. 1817

Portrait of M. Chenard, n. d. Creators: Jean Antoine Laurent, Charles-Philibert de Lasteyrie
Portrait of M. Chenard, n.d

Bouchers de Rome, 1817. Creator: Theodore Gericault
Bouchers de Rome, 1817

The Picnic. Creator: Charles Philibert Lasteyrie du Saillant (French, 1759-1849)
The Picnic. Lithography did not really get under way in France until 1816 when Lasteyrie and Godefroy Engelmann, both trained in the shop of lithography inventor Alois Senefelder (1771-1834)

B. Bergami, c1820. Creator: Charles-Philibert de Lasteyrie
B. Bergami, c1820. Portrait of Bartolommeo Bergami (c1783-1842), Italian servant and companion of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV)

Picnic Alexandre Moitte French 1750-1828 Charles Philibert Lasteyrie du Saillant
The Picnic. After Alexandre Moitte (French, 1750-1828), Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Lithograph; sheet: 31 x 23.4 cm (12 3/16 x 9 3/16 in.); image

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Charles-Philibert de Lasteyrie (1759-1849), a versatile French artist, collaborated with Jean Antoine Laurent on a series of captivating portraits. In self-portraits, Lasteyrie donned dark cloth coats (c. 1817) and a fur-collared coat, showcasing his mastery of various painting techniques. Their collaborative works include the enchanting portrait of Mme. Laurent (c. 1820) and the intriguing portrait of a woman in a turban (nd). Lasteyrie also ventured into genre painting, creating lively scenes like 'The Picnic' (nd). Meanwhile, Theodore Gericault's 'Bouchers de Rome' (1817) and Bergami's portrait (c1820) highlight the dynamic artistic partnership between Lasteyrie and Laurent. Their collaborative works continue to intrigue art enthusiasts, offering a glimpse into the rich artistic landscape of the early 19th century.