Charles Bird King Collection
Charles Bird King was a renowned American artist known for his exceptional portraits and depictions of Native American leaders
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Charles Bird King was a renowned American artist known for his exceptional portraits and depictions of Native American leaders. One of his notable works is "Asseola, A Seminole Leader, " created in 1844 as a colored lithograph. This artwork beautifully captures the strength and dignity of Asseola, showcasing King's attention to detail. Another striking piece by Charles Bird King is "To-kat-con, " an exquisite hand-finished color lithograph completed after 1875. The image portrays the essence of this Native American leader with remarkable precision, highlighting King's mastery in capturing human expression. In his painting titled "Apples, Pears, Plums and Grapes, " executed on canvas using oil paints, King demonstrates his versatility as an artist beyond portraiture. This still life composition showcases his ability to capture vibrant colors and textures while depicting everyday objects with remarkable realism. King's talent for portraying Native American chiefs shines through in "Okee-Makee-Quid. " Created between 1842-1844 as a color lithograph, this artwork immortalizes the Chippeway chief with great respect and authenticity. One cannot overlook King's contribution to preserving history through portraiture. His depiction of influential figures like John Caldwell Calhoun showcases not only their physical appearance but also their character and influence during that era. Furthermore, Charles Bird King had a knack for capturing the beauty of women in society. In "Miss Satterlee, " he skillfully portrays her gracefulness and elegance through meticulous brushwork. His ability to depict multiple subjects within one composition can be seen in "Young Omahaw, War Eagle, Little Missouri, and Pawnees. " Painted in 1821, this masterpiece brings together different tribal leaders from various backgrounds into one harmonious portrayal. Additionally noteworthy is King's representation of No Heart (Nan-che-ning-ga), painted in 1837.