Charles B J F De Saint M And Xe9 Collection
"Capturing the Essence: Charles B. J. F
James Cuyler, 1796-1797. Creator: Charles Balthazar Julien Fevret de Saint-Mé
James Cuyler, 1796-1797
Chauncey Goodrich, 1799. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Chauncey Goodrich, 1799
John Thurman, 1797-1798. Creator: Charles Balthazar Julien Fevret de Saint-Mé
John Thurman, 1797-1798
Theodore Sedgwick, 1801. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Theodore Sedgwick, 1801
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"Capturing the Essence: Charles B. J. F. De Saint-Memin's Portraits of Prominent Figures in American History" Step back in time and explore the remarkable portraits created by Charles Balthazar Julien Fevret de Saint-Memin, a talented artist who immortalized some of America's most influential individuals during the late 18th and early 19th centuries. From military heroes to political leaders, his skillful hand captured their essence with precision and artistry. In 1806, John Cassin sat for de Saint-Memin, resulting in a portrait that showcased both his strength and determination. The same year, he also depicted John Smith, whose piercing gaze seemed to reveal a depth of character beyond words. One cannot overlook the striking portrayal of Thomas Truxtun from 1799; every line etched on his face spoke volumes about his experience as a naval officer. Similarly, Gray's portrait from 1802 exuded intelligence and wisdom through meticulously crafted details. De Saint-Memin was not limited to capturing men alone; Chanceaume's delicate features were beautifully rendered in her portrait from 1801. And it was not just faces that fascinated him - Daniel Kemper's full-length depiction demonstrated an attention to detail that extended beyond mere facial expressions. The artist returned to male subjects with James Breckinridge in 1808; here we see strength intertwined with vulnerability—a testament to de Saint-Memin's ability to capture complex emotions within each stroke of his brush. Charles Stewart's portrait from 1802 radiated authority and command while Andrew Sterett appeared resolute yet approachable in his likeness painted three years later. John Richards Triplett stood tall among these distinguished figures when he posed for de Saint-Memin in 1808 – an embodiment of elegance mixed with unwavering determination. Lastly, Brumaud’s image from 1800 revealed an individual marked by gracefulness combined with an air of mystery.