Charles Antoine Coypel Collection

Plate 30: Don Quixote consults the enchanted head at Don Antonio Morenos house (Don Quich... 1745)
Plate 30: Don Quixote consults the enchanted head at Don Antonio Morenos house (Don Quichotte consulte la teste enchantee chez Don Antonio Mereno), 1745

Frontispiece copperplate engraving by Charles Simonneau l aine after a drawing by Charles-Antoine Coypel from C
6338864 Frontispiece copperplate engraving by Charles Simonneau l aine after a drawing by Charles-Antoine Coypel from C by Simonneau

Don Quichotte (Don Quixote) (Furnishing Fabric), France, c. 1785. Creator: Unknown
Don Quichotte (Don Quixote) (Furnishing Fabric), France, c. 1785. Possibly after design by Jean Jacques Lagrenee le Jeune after engravings by Charles Nicolas Cochin l Aine

Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets), 1714-39

Ecce Homo, 1720-62. Creator: Francois Joullain
Ecce Homo, 1720-62

Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain
Rinaldo abandoning Armida, 1720-62

Jacob crying into his sons robe while his other sons pull it away from him, 1724. [Tunica filii mei est, fera pessima, comedit eum, bestia devoravit Joseph

Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain
Heads after the Ecce Homo, 1720-78. Principales tetes du Tableau de l oratoire. (Principle heads of the Oratory Painting)

The Cheerful Democritus, 1746 (oil on canvas)
990346 The Cheerful Democritus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Cheerful Democritus. Charles Antoine Coypel (1694-1752)

The Drunken Silenus, (oil on canvas)
659369 The Drunken Silenus, (oil on canvas) by Coypel, Antoine (1661-1722); 99x81.3 cm; Private Collection; (add.info.: The Drunken Silenus. Charles-Antoine Coypel (1694-1752). Oil on canvas

Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window
659330 Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window, 1733 (oil on canvas) by Coypel, Antoine (1661-1722); 146.7x96.4 cm; Private Collection; (add.info)

The Head of an Angel, Looking up to the Left, (red, brown
827564 The Head of an Angel, Looking up to the Left, (red, brown, black and white chalk on light blue paper) by Coypel, Antoine (1661-1722); 39.7x30.5 cm; Private Collection; (add.info)

Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window
659329 Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window, 1733 (oil on canvas) by Coypel

The Sorrowful Heraclitus, 1746 (oil on canvas)
990347 The Sorrowful Heraclitus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Sorrowful Heraclitus. Charles Antoine Coypel (1694-1752)

Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain
Aymon Premier, 1726

Spring (Le Printemps), 1742-62 Creator: Simon Francois Ravenet
Spring (Le Printemps), 1742-62

Plate 13: entrance of Love and Wealth to Gamaches wedding (Entré
Plate 13: entrance of Love and Wealth to Gamaches wedding (Entree de L amour et de la Richesse aux Noces de Gamache), 1745

Portrait of Adrienne Lecouvreur as Cornelia in Corneilles "La Mort de Pompé
Portrait of Adrienne Lecouvreur as Cornelia in Corneilles " La Mort de Pompee", 1730

Youth under the clothing of decrepitude (La jeunesse sous les habillements de la dé
Youth under the clothing of decrepitude (La jeunesse sous les habillements de la decrepitude), 1751

Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue,s entretenant de nuit avec Don Quichotte)

Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie
Childrens Games (Jeux des Enfants), 1731

The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie
The Coquettish Widow, 1724

Cupid teaching (L Amour-Precepteur), 1730. Creator: Francois Bernard Lepicie
Cupid teaching (L Amour-Precepteur), 1730

The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

Cat atop a tomb, 1714-52. 1714-52. Creator: Charles-Antoine Coypel
Cat atop a tomb, 1714-52

Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49. 1744-49
Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49

The Coquettish Widow, 1747. 1747. Creator: Simon Nicolas Duflos
The Coquettish Widow, 1747

Joseph Recognized by his Brothers, 18th century. Creator: Charles-Antoine Coypel
Joseph Recognized by his Brothers, 18th century

Design for a Tapestry Seat of a Sofa, 1721. Creator: Charles-Antoine Coypel
Design for a Tapestry Seat of a Sofa, 1721

Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Seré
Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Sere de Rieux, 1724-1795), 1743

Louis of Bourbon, Duke of Orleans, (1849). Artist: J Brown
Louis of Bourbon, Duke of Orleans, (1849). Louis of Bourbon, Duke of Orleans, (1703-1752), the only son of Philippe II, Duke of Orleans, the regent Orleans and Francoise-Marie de Bourbon

Apollo, Mercury, and the Shepherdesses, Fable X in La Motte, Fables Nouvelles, 1719

Design Tapestry Seat Sofa 1721 Gouache oil Silhouetted
Artokoloro

River God Another Male Figure 18th century Black chalk
Artokoloro

Medea ca5 Pastel 11 9 / 16 x 8 1 / 8 29. 4 20. 6 cm
Artokoloro

Joseph Recognized Brothers 18th century Red black chalk
Artokoloro

Drawings Prints, Print, Aymon Premier, Artist, Charles Antoine Coypel, Charles-Francois Jouillan
Drawings and Prints, Print, Aymon Premier, Artist, Artist, After, Charles Antoine Coypel, Charles-Francois Jouillan, Anne Claude Philippe de Tubieres, comte de Caylus, French, Paris 1694-1752 Paris

Allegorical Figure Painting early 18th century
Artokoloro

Pierre Louis de Surugue after Charles-Antoine Coypel (French, 1710 or 1716 - 1772), Mme. de M en habit de bal, 1746, etching and engraving

Charles-Antoine Coypel, Diana and Endymion, French, 1694 - 1752, 1720s, black chalk heightened with white and squared for transfer on brown paper

Self-Portrait; Charles-Antoine Coypel, French, 1694 - 1752; 1734; Pastel on paper; Unframed: 98.1 x 80 cm (38 5/8 x 31 1/2 in.)

Study of a Woman (Rodugune) Turned toward the Left; Charles-Antoine Coypel, French, 1694 - 1752; about 1749; Black and white chalk on blue-gray paper; squared in black chalk; 43.8 x 32.9 cm

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Charles-Antoine Coypel was a renowned French artist who left an indelible mark on the world of art with his captivating works. One of his notable creations is Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house, a masterpiece that showcases Coypel's exceptional talent for storytelling through art. This enchanting piece, engraved by Jakob van Schley, transports us to the whimsical world of Don Quixote as he seeks guidance from a mystical source. Coypel's artistic prowess is further exemplified in the frontispiece copperplate engraving after his own drawing by Charles Simonneau l'aîné. This exquisite artwork captures the essence of Don Quixote and serves as a visual introduction to this timeless literary character. In addition to his contributions to literature-inspired art, Coypel also delved into bold satire with pieces like "Satire audacieux dans le fond des forets. " Through this work, he fearlessly critiques societal norms and challenges conventional thinking. Furthermore, Coypel showcased versatility in his craft by exploring various themes such as religious subjects. His portrayal of "Ecce Homo" and "Rinaldo abandoning Armida" demonstrates his ability to evoke powerful emotions through intricate details and masterful brushstrokes. Coypel's talent extended beyond traditional paintings; he also created stunning fabric designs like "Don Quichotte (Don Quixote) Furnishing Fabric. " This unique blend of artistry and functionality showcases Coypel's ability to transform everyday objects into works of beauty. The artist was not limited to grand narratives or historical scenes; he excelled in capturing intimate moments too. In Jacob crying into his son's robe while others pull it away from him, we witness raw human emotion depicted with sensitivity and empathy. Coypel collaborated with other artists like Francois Joullain on projects such as Heads after Ecce Homo.