Charcoal Collection (page 26)

Peat Stacks. Gilmer, Arthur 1882-1929

Bugler, Ulster Division (1916). Conor, William 1881-1968. Date: 1916

Off: The Ulster Division (1915). Conor, William 1881-1968. Date: 1915

A Reclining Girl Reading. Kaufmann, Angelica 1741 - 1807 (attributed to)

The Shanachie Frontispiece to Stephen Gwynns Fair Hills of
The Shanachie (1906) (Frontispiece to Stephen Gwynns Fair Hills of Ireland, 1906). Thomson, Hugh 1860 - 1920. Date: 1906

West Porch, Lichfield Cathedral. Rayner, Samuel fl.1821 - 1872 d.1874

The Snowstorm. Cox, David 1783 - 1859

Tapster Water. Bevan, Robert 1865-1925

Source Size = 3783 x 4791
Charcoal Burners in the Alps

Middlesborough, Kentucky: Charcoal Furnace, USA

Constant Troyon, French (1810-1865), Cows Under Trees, charcoal, with white and orange chalk on blue-gray laid paper

French 19th Century, A Landscape with a River, charcoal with stumping on laid paper

Domenico Piola I, Italian (1627-1703), Madonna Surrounded by Saints, charcoal with brown wash on laid paper

Ernst Barlach, Three Figures, German, 1870-1938, 1913, charcoal on wove paper

Edgar Degas, French (1834-1917), Study of Horses, c. 1886, charcoal and graphite on brown paper

Honora Daumier, French (1808-1879), Dancer, crayon over charcoal on laid paper
Honora© Daumier, French (1808-1879), Dancer, crayon over charcoal on laid paper

Georges Lacombe, French (1868-1916), Felled Tree, Normandy, 1898, charcoal with red-brown and yellow crayon

Florentine School, Standing Youth, c. 1475-1500, pen and brown ink with traces of charcoal on laid paper

Constant Troyon, French (1810-1865), Bathers by a Giant Oak, c. 1842-1844, charcoal and gouache on brown wove paper

William Turner of Oxford, Extensive Landscape with a Pond, British, 1789-1862, charcoal with touches of white heightening on two joined sheets of blue wove paper

John Vanderlyn, A Muse, American, 1775-1852, 1815-1818, charcoal and white chalk heightened with white on pinkish-tan paper, squared for transfer

Karl Stauffer-Bern, German (1857-1891), Adolph Menzel, 1885, charcoal and graphite touched with yellow pastel, on tan wove paper, incised for transfer

Domenico Maria Canuti (Italian, 1620 - 1684), A Male Herm, c. 1669, charcoal and white heightening on tan paper

Auguste Lepašre, Spring, French, 1849 - 1918, probably 1909, charcoal and colored chalk on laid blue-gray paper

Henri-Joseph Harpignies, Road at Ha risson, French, 1819 - 1916, 1911, brush with black
Henri-Joseph Harpignies, Road at Ha© risson, French, 1819 - 1916, 1911, brush with black and gray inks over charcoal on wove paper

Paula Modersohn-Becker, Fruit Tree in Bloom, German, 1876 - 1907, 1900-1902, charcoal on blue laid paper

Franazois-Aa'douard Bertin (French, 1797 - 1871), A Terrace and Garden on Capri [recto], c. 1822 or later, charcoal and white chalk on blue paper

Georg Pencz after Michelangelo (German, c. 1500 - 1550), The Flood, 1530s, pen and black ink with gray wash, heightened with white, over charcoal on brown prepared paper

Edgar Degas, Study of a Jockey (M. de Broutelles), French, 1834 - 1917, c. 1884, charcoal on cream paper

Arthur Frederick Payne, A Cathedral Nave, British, 1831 - active 1880s, charcoal and black chalk on wove paper

Benjamin Robert Haydon (British, 1786 - 1846), Study of the Statue of Diana in the Vatican, charcoal on laid paper

Honora Daumier (French, 1808 - 1879), The Smoker, pen and black ink and charcoal
Honora© Daumier (French, 1808 - 1879), The Smoker, pen and black ink and charcoal on laid paper

Egon Schiele, Dr. Koller, Austrian, 1890 - 1918, c. 1918, charcoal on japan paper

George Bellows, Society Ball, American, 1882 - 1925, c. 1907, charcoal and pastels on wove paper

George Bellows, Ghost of Sergeant Pelly, American, 1882 - 1925, 1918, charcoal, gray wash, and graphite with brush and black ink on wove paper

Leandro Bassano, Italian (1557-1622), A Man Bending over to Pick up a Bundle, c. 1592, charcoal, some oiled (?), with red-brown chalk, heightened with white chalk on blue laid paper

Juan Gris, Man and Woman on Bench, Spanish, 1887 - 1927, 1908-1909, charcoal, gouache, and watercolor

Max Liebermann (German, 1847 - 1935), East Frisian Peasants Eating Supper, 1893, charcoal
Max Liebermann, German (1847-1935), East Frisian Peasants Eating Supper, 1893, charcoal and black chalk heightened with white on light green wove paper

Jean-Honora Fragonard, Don Quixote about to Strike the Helmet, French, 1732 - 1806
Jean-Honora© Fragonard, Don Quixote about to Strike the Helmet, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper, laid down

Jean-Honora Fragonard, Don Quixote Attacking the Biscayan, French, 1732 - 1806, 1780s
Jean-Honora© Fragonard, Don Quixote Attacking the Biscayan, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper

Edgar Degas, Laundress Carrying Linen, French, 1834 - 1917, c. 1885-1895, charcoal on laid paper

Jean-Honora Fragonard, Don Quixote Defeated by the Windmill, French, 1732 - 1806
Jean-Honora© Fragonard, Don Quixote Defeated by the Windmill, French, 1732 - 1806, 1780s, brush with brown and gray washes over charcoal on laid paper

Elihu Vedder, The Shipwreck, American, 1836 - 1923, c. 1880, charcoal, watercolor, and gouache on blue laid paper

John La Farge, Angel - Trinity Church Mural, American, 1835 - 1910, 1876, charcoal, graphite, and pen and brown ink, squared with graphite

John La Farge, Study for Moses - Trinity Church, Boston, American, 1835 - 1910, 1876, charcoal on laid paper

Winslow Homer, A Shell in the Trenches before Richmond [recto], American, 1836 - 1910, c. 1862, charcoal and graphite with watercolor on wove paper

Horatio Greenough, Classical Head in Profile, American, 1805 - 1852, graphite and charcoal on wove paper

Jerome Myers, Self-Portrait, American, 1867 - 1940, 1906, charcoal heightened with white on light brown laid paper

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"Exploring the Versatility of Charcoal: From Artistic Masterpieces to Mouthwatering BBQ" Charcoal has been a timeless medium for artists throughout history, capturing the essence of various subjects with its rich tones and velvety texture. Olimpio Fusco's charcoal masterpiece, created by the talented John Singer Sargent in the early 20th century, showcases the incredible skill and depth that can be achieved with this versatile material. In Cape Washington, Antarctica, Emperor Penguin Chicks are immortalized through high key photography techniques and soft focus. The delicate details of their fluffy feathers come to life against a snowy backdrop, reminding us of nature's beauty captured through charcoal. Transitioning from art to fashion, Victor Stiebel Suit exudes elegance and sophistication. This tailored ensemble is brought to life by intricate charcoal sketches that highlight every stitch and fold. On a different note, who can resist the tantalizing aroma of BBQ grilled chicken? Whether it's succulent pieces sizzling on a grill or rotating skewers dripping with flavor, charcoal plays an essential role in creating that smoky taste we all crave during summer gatherings. But let's not forget about design. Charcoal lends itself perfectly to wallpaper patterns featuring leaves and flowers or even friezes adorned with majestic sailing ships. These intricate designs add depth and character to any space they grace. Taking us back in time, we discover ancient cave paintings depicting boars using none other than charcoal as their medium. These primitive yet captivating artworks remind us of our ancestors' creativity and resourcefulness. Fast forward to modern times; we find ourselves amidst charcoal burners in Epping Forest near London or Mark Ash Wood in New Forest England. These hardworking men utilize this natural fuel source for various purposes – heating homes or producing activated carbon filters – showcasing how traditional practices still have relevance today. From artistic expression to culinary delights and functional uses like heating or filtration systems – these glimpses into the world demonstrate its timeless appeal and versatility.