Cerrito Collection

Mlle. Cerrito in Orfa at the Academie Imperiale de Musique
5855423 Mlle. Cerrito in Orfa at the Academie Imperiale de Musique; (add.info.: Mlle. Fanny Cerrito in Mazilier's "Orfa" at the Academie Imperiale de Musique)

Carlotta Grisi (left), Marie Taglioni (center), Lucille Grahn (right back), and Fanny Cerrito (right front) in the Pugni Pas de, c1840. Private Collection

Fanny Cerrito (1817-1909) and Arthur Saint-Leon (1821-1870) in La Polka by Cesare Pugni, c. 1843. Private Collection

Fanny Cerrito, Italian ballerina and choreographer
Francesca (Fanny) Cerrito (1817-1909), Italian ballerina and choreographer. circa 1840s

Music cover, La Vivandiere, ballet music
Music cover, La Vivandiere (The Washerwoman), ballet danced at the opera by Cerrito and Leon, music by Pugni and Leon, quadrille by Marcailhou. circa 1850s

Mlle Fanny Cerrito in Maziliers Orfa at the
Mlle. Fanny Cerrito in Maziliers Orfa at the Academie Imperiale de Musique.. Cerrito (1817-1909) was born in Naples and became one of the most famous ballerinas of the 19th century

Jules Perrot (1810-1894) French dancer, choreographer and ballet master, and Fanny (Francesca) Cerito or Cerrito (c1817-1909) Italian ballerina

BALLET: ONDINE, 1843. Shadow dance from a performance of Ondine, choreographed by Jules Perrot with music by Cesare Pugni. Fanny Cerrito in the title role. English wood engraving, 1843

Fanny Elssler / 3 Graces
FANNY ELSSLER (centre) Austrian ballet dancer, seen here with Marie Taglioni (left) and Fanny Cerrito (right) in The Three Graces Date: 1810 - 1884

Fanny Cerrito / Ondine
FANNY CERRITO Italian ballet dancer, seen here in Ondine

Fanny Cerrito / Lituana
FANNY CERRITO Italian ballet dancer, seen here in La Lituana

Fanny Cerrito / St Leon
FANNY CERRITO Italian ballet dancer, seen here with Arthur Saint Leon in La Redowa Polka

Fanny Cerrito / Alma 1842
FANNY CERRITO Italian ballet dancer, seen here in Alma

All Professionally Made to Order for Quick Shipping

Fanny Cerrito, the renowned Italian ballerina and choreographer, left an indelible mark on the world of ballet. Alongside legendary dancers Carlotta Grisi, Marie Taglioni, and Lucille Grahn, she graced stages with her unparalleled talent. In the mid-19th century, Fanny Cerrito captivated audiences in Cesare Pugni's La Polka. Her graceful movements and exquisite technique brought this ballet to life. With Arthur Saint-Leon by her side, they created a mesmerizing performance that enchanted all who witnessed it. Not limited to performing alone, Fanny it also showcased her skills as a choreographer. She collaborated with Jules Perrot on various productions like Maziliers Orfa and Ondine. Their artistic partnership resulted in breathtaking dances that pushed boundaries and delighted spectators. One cannot mention Fanny Cerrito without acknowledging her versatility. From portraying the enchanting title role in Ondine to embodying the elegance of Lituana or Alma 1842, she effortlessly transformed into different characters on stage. Her contributions extended beyond individual performances; Fanny Cerrito's influence reached far and wide. As seen in music covers for La Vivandiere or alongside fellow dancer Fanny Elssler as part of the iconic Three Graces ensemble, she embodied gracefulness both on and offstage. Fanny Cerrito's legacy lives on through these glimpses into her remarkable career. Her dedication to dance continues to inspire generations of aspiring ballerinas worldwide.