Catlin Collection (#8)

Native Americans hunting buffalo, 1841. Artist: Myers and Co
Native Americans hunting buffalo, 1841. A print from North American Indians, Wiley and Putnam, 1841

The Sioux tribe performing a beggar dance, 1841. Artist: Myers and Co
The Sioux tribe performing a beggar dance, 1841. A print from North American Indians, Wiley and Putnam, 1841

The Sioux tribe performing a bear dance, 1841. Artist: Myers and Co
The Sioux tribe performing a bear dance, 1841. A print from North American Indians, Wiley and Putnam, 1841

Black Rock, chief of the Nee-caw-wee-gee tribe, 1841. Artist: Myers and Co
Black Rock, chief of the Nee-caw-wee-gee tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

The Pure Fountain, wife of the chief of the Ponca tribe, 1841. Artist: Myers and Co
The Pure Fountain, wife of the chief of the Ponca tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

Smoke, chief of the Ponca tribe, 1841. Artist: Myers and Co
Smoke, chief of the Ponca tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

The Bloody Hand, One of the chiefs of the Riccaree tribe, 1841. Artist: Myers and Co
The Bloody Hand, One of the chiefs of the Riccaree tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

The Twin, matron of the Riccaree tribe, 1841. Artist: Myers and Co
The Twin, matron of the Riccaree tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

He Who Ties His Hair Before, Native American Male of the Minataree tribe, 1841. Artist: Myers and Co
He Who Ties His Hair Before, Native American Male of the Minataree tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

Two Crows, Native American male of the Minataree tribe, 1841. Artist: Myers and Co
Two Crows, Native American male of the Minataree tribe, 1841. A print from North American Indians, Wiley and Putnam, 1841

Native American male with weapons and headdress, riding a horse, 1841. Artist: Myers and Co
Native American male with weapons and headdress, riding a horse, 1841. A print from North American Indians, Wiley and Putnam, 1841

Medicine men dance around a cooking pot giving thanks to the Great Spirit, 1841. Artist: Myers and Co
Medicine men dance around a cooking pot giving thanks to the Great Spirit, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Black Moccasin, Chief of the Minnetarees, 1841. Artist: Myers and Co
Portrait of Black Moccasin, Chief of the Minnetarees, 1841. A print from North American Indians, Wiley and Putnam, 1841

Medicine man and teepee interior, 1841. Artist: Myers and Co
Medicine man and teepee interior, 1841. A print from North American Indians, Wiley and Putnam, 1841

Religious Ceremony, Mandan Village. Artist: Myers and Co
Religious ceremony in a Mandan village, North America, 1841. Young men run in a circle dragging elk skulls behind them. The Mandan are a Native American tribe that historically lived on the banks of

Native American horse race, 1841. Artist: Myers and Co
Native American horse race, 1841. A print from North American Indians, Wiley and Putnam, 1841

Exploits of Four Bears, Native American warrior, 1841. Artist: Myers and Co
Exploits of Four Bears, Native American warrior, 1841. Scenes depicting the killing of a Cheyenne chief, battling the Assinneboines, killing two Ojibbeway women, and battling the Sioux

Native American hunters dancing wearing buffalo masks, 1841. Artist: Myers and Co
Native American hunters dancing wearing buffalo masks, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Mink, Native American woman, 1841. Artist: Myers and Co
Portrait of Mink, Native American woman, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Mint, Native American woman, 1841. Artist: Myers and Co
Portrait of Mint, Native American woman, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Mouse Coloured Feather, Native American man, 1841. Artist: Myers and Co
Portrait of Mouse Coloured Feather, Native American man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of He Who Rushes Through the Middle, Native American man, 1841. Artist: Myers and Co
Portrait of He Who Rushes Through the Middle, Native American man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Mandan village, Upper Missouri, America, 1841. Artist: Myers and Co
Mandan village, Upper Missouri, America, 1841. The Mandan are a Native American tribe that historically lived on the banks of the Missouri and its tributaries in what is now North and South Dakota

Interior of a Teepee, 1841. Artist: Myers and Co
Interior of a Teepee, 1841. A print from North American Indians, Wiley and Putnam, 1841

Canyon, North America, 1841. Artist: Myers and Co
Canyon, North America, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of a Native American man, 1841. Artist: Myers and Co
Portrait of a Native American man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Native American Woman and Baby. Artist: Myers and Co
Native American Woman and Baby. A print from North American Indians, Wiley and Putnam, 1841

Native American woman and child, 1841. Artist: Myers and Co
Native American woman and child, 1841. A print from North American Indians, Wiley and Putnam, 1841

Teepee, 1841. Artist: Myers and Co
Teepee, 1841. A print from North American Indians, Wiley and Putnam, 1841

Native American pipe dance, 1841. Artist: Myers and Co
Native American pipe dance, 1841. A print from North American Indians, Wiley and Putnam, 1841

Chief of the Blackfoot nation, 1841. Artist: Myers and Co
Chief of the Blackfoot nation, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Woman Who Strikes Many, Native American woman, 1841. Artist: Myers and Co
Portrait of Woman Who Strikes Many, Native American woman, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Iron Horn, Native American man, 1841. Artist: Myers and Co
Portrait of Iron Horn, Native American man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of White Buffalo, Native American man, 1841. Artist: Myers and Co
Portrait of White Buffalo, Native American man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of Eagle Ribs, Native American Man, 1841. Artist: Myers and Co
Portrait of Eagle Ribs, Native American Man, 1841. A print from North American Indians, Wiley and Putnam, 1841

Portrait of a Native American woman, 1841. Artist: Myers and Co
Portrait of a Native American woman, 1841. A print from North American Indians, Wiley and Putnam, 1841

Six year old Native American chief, 1841. Artist: Myers and Co
Six year old Native American chief, 1841. A print from North American Indians, Wiley and Putnam, 1841

Buffalo attacking a cowboy on a horse, 1841. Artist: Myers and Co
Buffalo attacking a cowboy on a horse, 1841. A print from North American Indians, Wiley and Putnam, 1841

Buffalo, 1841. Artist: Myers and Co
Buffalo, 1841. A print from North American Indians, Wiley and Putnam, 1841

Painting a portrait of a Native American, 1841. A print from North American Indians, Wiley and Putnam, 1841

Osceola, Chief of the Seminoles, c1837 (c1880). Osceola was a war chief who led a small band of warriors in the Second Seminole War which broke out when the US Government attempted to have

Tuscarora Indians tracking fugitives, late 17th-early 18th century (c1880). A print from Cassells History of the United States, by Edmund Ollier, Volume I, Cassell Petter and Galpin, London, c1880

Indian medicine man, c1700(?) (c1880). A print from Cassells History of the United States, by Edmund Ollier, Volume I, Cassell Petter and Galpin, London, c1880

A Distinguished Ball Player, 1841. Artist: Myers and Co
A Distinguished Ball Player, 1841. A Choctaw lacrosse player. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway

Creeks and Choctaws, 1841. Artist: Myers and Co
Creeks and Choctaws, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Cherokees, 1841. Artist: Myers and Co
Cherokees, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Shawnees, 1841. Artist: Myers and Co
Shawnees, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

Flatheads, Nez Perces and Chinooks, 1841. Artist: Myers and Co
Flatheads, Nez Perces and Chinooks, 1841. A print from Letters and Notes on the Manners, Customs and Condition of the North American Indians, by Wiley and Putnam, 161 Broadway, New York, 1841

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"Catlin: A Glimpse into the Native American World through Art" Step back in time with these captivating artworks by George Catlin, a renowned artist of the 19th century. In his color lithograph from 1845, James Ackerman beautifully captures Catlin's vision, showcasing the vibrant cultural heritage of Native Americans. One such portrayal is that of Keokuk, a Sauk chief whose strength and wisdom shine through in Catlin's oil on canvas masterpiece from 1835. The intricate details bring to life the rich history and traditions of this noble leader. Traveling further back in time, we encounter Sieur de La Salle, a French explorer who ventured into uncharted territories. Catlin's oil painting from 1847 depicts La Salle's party feasting in an Illinois Village—an immersive scene that transports us to their world. It also delves into spiritual realms with his depiction of a Native American shaman in 1841. Through Myers and Co. 's artistic collaboration, we witness the mysticism and reverence for nature ingrained within indigenous cultures. To better understand the vastness of North America's native tribes during this era, Myers and Co. 's map from 1841 provides invaluable insights. It serves as a visual guide to comprehend their diverse locations across this vast continent—a testament to their resilience and adaptability. Beyond George Catlin's artistry lies another notable figure bearing the same name—Chris Catlin—the embodiment of equestrian excellence. With horses like Ba Foxtrot, Capable Guest, Magic Glade, and Bahia Breeze under his belt (or rather saddle), Chris has left an indelible mark on horse racing history. From historical narratives captured on canvas to modern-day triumphs at racetracks worldwide—each "Catlin" offers its own unique story worth exploring.