Cathleen Collection

Bystander front cover - Marchioness of Queensberry
Cathleen Mann (1896-1959), Artist; second wife of Francis A. Kelhead, 11th Marquess of Queensbury; daughter of Harrington Mann

Theatre goes rural
With many London theatres closed, this production of On Approval was rehearsed in a barn in Buckinghamshire, then toured the provinces. Date: 1940

A scene from The Constant Nymph at New Theatre, London (1926) with Helen Spencer, Edna Best, Elissi Landi, Cathleen Newbitt and Cecil Parker Date: 1926

A scene (a burlesque on German student life) from An Und Aus, the Herman Haller revue at the Admiralspalast, Berlin 1926 Date: 1926

Review of Walter Greenwoods Love on the Dole at the Garrick Theatre in The Bystander magazine, complete with caricatures of the leading characters by Rouson. Date: 1935

Margaret Whigham at the Westminster Hospital Ball
A quartette of young society women at the Westminster Hospital Ball at the Dorchester Hotel in June 1931. From left, Miss Margaret Whigham, Miss Cathleen Nesbitt

Lady Queensberry with her children and Hon. Mrs. Rose
Cathleen Sabine Mann (1896-1959), Artist; former wife of 11th Marquess of Queensberry, and later wife of J. R. Follett; daughter of Harrington Mann with her children David Harrington Angus Douglas

Cathleen Mann, Marchioness of Queensberry as Pearls
Cathleen Mann (1896-1959), aka The Marchioness of Queensberry, wife of the 11th Marquess, artist and costume designer, here representing Pearls at the Jewels of the Empire Ball taking place on 26th

Cathleen Mann aka Marchioness of Queensberry
Cathleen Mann (1896-1959), Artist; second wife of Francis A. Kelhead, 11th Marquess of Queensbury; daughter of Harrington Mann

Kathleen Mason, 1928
Lady Aspinall, n饠 Kathleen Mason, gazes into a mirror. This photograph was published on the occasion of her wedding to Sir Algernon Aspinall

Cathleen Mann, 1928
Artist Cathleen Mann, The Marchioness of Queensbury (1896-1959). 1928

Cathleen Mann, 1940
Artist and costume designer Cathleen Mann, Lady Queensbury, alongside Rosaleen Forbes. Both women worked in the Mechanised Transport Corps during the War. 1940

Marchioness of Queensberry by Madame Yevonde
The Marchioness of Queensberry by Madame Yevonde, formerly Cathleen Sabine Mann (1896-1959). She was an artist who exhibited at various galleries in London

Miss Cathleen Nesbitt, A study by Olive Snell
Miss Cathleen Nesbitt (1888-1982) She starred in a wide variety of plays with styles from comic Shakesphere to Serious Drama, noteably The Merchant of Venice and Loyalties

Cathleen Nesbitt
CATHLEEN NESBITT English film and stage actress. Admired by the poet Rupert Brooke. Had a career spanning seventy years

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"Cathleen Mann: A Captivating Figure in the Theatrical World" In the Marchioness of Queensberry's captivating presence, Bystander magazine unveils a front cover that exudes elegance and grace. Known for her remarkable performances on both urban and rural stages, Cathleen Mann mesmerizes audiences with her talent. One cannot forget her unforgettable portrayal as Pearls in "The Constant Nymph" at New Theatre, London in 1926. Alongside Helen Spencer, Edna Best, Elissi Landi, Cathleen Newbitt, and Cecil Parker, she brought this timeless story to life. But it wasn't just London where Cathleen left an indelible mark. In Berlin's Admiralspalast during the same year of 1926, she showcased her versatility by participating in a burlesque performance titled "An Und Aus, " which humorously depicted German student life. Her talents were not limited to acting alone; she also received praise for her role as Lady Queensberry. With her children and Honorable Mrs. Rose by her side, she radiated poise at every event she attended – such as the Westminster Hospital Ball graced by Margaret Whigham herself. Cathleen Mann's influence extended beyond the stage lights; even American actress Bo Derek drew inspiration from this remarkable woman born in Long Island California back in 1956. Let us not forget Kathleen Mason's enchanting presence captured so beautifully in 1928 or how Cathleen Mann continued to captivate hearts throughout that same year. Her performances were nothing short of extraordinary - whether it was Love on the Dole at Garrick Theatre or any other production lucky enough to have her name attached. Cathleen Mann remains an icon whose legacy continues to inspire generations of performers today.