Castrato Collection (page 2)

Italian Affectation, Real Characters, September 1, 1780. September 1, 1780
Italian Affectation, Real Characters, September 1, 1780

Italian Affectation, Real Characters, 1786-91. 1786-91. Creator: Thomas Rowlandson
Italian Affectation, Real Characters, 1786-91

Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641. Creator: Andrea Sacchi
Marcantonio Pasqualini (1614-1691) Crowned by Apollo, 1641

Portrait of Giusto Ferdinando Tenducci (1736-1790), known as il Senesino, ca 1770. Private Collection

Marcantonio Pasqualini Crowned by Apollo, 1641 (oil on canvas)
3432882 Marcantonio Pasqualini Crowned by Apollo, 1641 (oil on canvas) by Sacchi, Andrea (1599-1661); 243.8x194.3 cm; Metropolitan Museum of Art, New York

Senesino on the Stage, 1725, (1904). Francesco Bernardi, (31 October 1686 - 27 November 1758) was a celebrated Italian contralto castrato

Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth
Berenstat, Cuzzoni and Senesino c1725. The Italian opera singers Gaetano Berenstadt (c1687-1735), Francesca Cuzzoni Sandoni (1700-1770) and Francesco Bernardi

The Landing of Senesino, 1720. The Italian castrato opera singer (Francesco Bernardi, 1686-1758) arrives in England. Illustration from Social Caricature in the Eighteenth Century

Portrait of Carlo Broschi (1705-1782), known as Farinelli. Private Collection

Francesco Bernardi Senesino portrait Italian Castrato

Ferdinando Tenducci
GIUSTO FERDINANDO TENDUCCI Italian castrato singer, teacher and c omposer, working largely in England. Date: 1735? - 1790

Satire on a castrato singer, 1730-1740 (engraving)
XJF867860 Satire on a castrato singer, 1730-1740 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0612.1199); English, out of copyright

Thou Tuneful Scarecrow and Thou Warbling Bird, caricature of Farinelli
XJF441940 Thou Tuneful Scarecrow and Thou Warbling Bird, caricature of Farinelli, Cuzzoni and Heidegger (engraving) by Goupy

2920930; out of copyright

Portrait of Carlo Broschi (1705-82) Il Farinelli, after 1746 (oil on canvas)
XAL253909 Portrait of Carlo Broschi (1705-82) Il Farinelli, after 1746 (oil on canvas) by Giaquinto, Corrado (1690-1765); Civico Museo Bibliografico Musicale, Bologna

Carlo Broschi Il Farinelli (1705-82) (oil on canvas)
XIR237922 Carlo Broschi Il Farinelli (1705-82) (oil on canvas) by Amigoni, Jacopo (c. 1675-1752); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; Italian, out of copyright

FARINELLI (1705-1782). Nee Carlo Broschi. Italian soprano castrato. Caricature drawing by P.L. Ghezzi, 1724, of Farinelli playing a female role during a performance in Rome

GIROLAMO CRESCENTINI (1762-1846). Italian soprano castrato and composer. Aquatint, 18th century

CAFFARELLI (1710-1783). Nee Gaetano Majorano. Italian castrato. Line engraving, 18th century

FARINELLI (1705-1782). N

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Castrato, a term that evokes both fascination and controversy in the world of music. One cannot delve into this subject without mentioning the legendary figure of Farinelli, also known as Carlo Broschi. Born in 1705 and departing from this world in 1782, Farinelli left an indelible mark on opera history. But he was not alone. Luigi Marchesi, another Italian castrate who lived from 1754 to 1829 and was also known as Marchesini, showcased his vocal prowess through captivating performances. His portrait serves as a testament to his talent and enduring legacy. Carlo Farinelli's portrait further immortalizes him as one of the most renowned castrati of all time. With his mesmerizing voice and undeniable stage presence, he captivated audiences across Europe during the 18th century. Giuseppe Segni, or il Finalino as he was called, is depicted in a painting from the 17th century. This artwork pays homage to yet another remarkable Italian castrato whose talents echoed through generations. Filippo Balatri's portrait showcases an Italian castrato from the same era. The drawing captures his unique features while hinting at the extraordinary vocal range that made him stand out among his peers. Farinelli's collaboration with soprano Cuzzoni is beautifully captured in an image that speaks volumes about their musical chemistry and shared passion for their craft. Giusto Ferdinando Tenducci's engraving provides a glimpse into the life of yet another talented castrato who graced stages throughout Europe during the late 18th century. The painting depicting Giuseppe Millico transports us back to a time when these exceptional singers were revered for their ability to reach unimaginable heights with their voices. Giovanni Battista Longarini's portrait reminds us once again of how these gifted individuals shaped operatic history with their unparalleled vocal abilities and the emotions they evoked through their performances.