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Carrosse Collection

"The Last Carriage: A Journey through Time" Step into the world of carrosses, the elegant carriages that once graced the streets of Europe

Background imageCarrosse Collection: View of the Kremlin, the ancient palace of the tsars in Moscow, Russia, with the palace of terems

View of the Kremlin, the ancient palace of the tsars in Moscow, Russia, with the palace of terems
FLO4576174 View of the Kremlin, the ancient palace of the tsars in Moscow, Russia, with the palace of terems, the cathedral of the Assumption and the bell tower of the tower of Ivan the Great

Background imageCarrosse Collection: Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier circa 1853 by Jean Auguste

Esquisse pour l'Hôtel de Ville de Paris : Apothéose de Napoléon Ier circa 1853 by Jean Auguste Dominique Ingres

Background imageCarrosse Collection: C17 CARRIAGE

C17 CARRIAGE
A French carriage carries a group of ladies, while their male companions ride or walk. Date: close of 17th century

Background imageCarrosse Collection: Louis XIV: 'I almost waited' (1700), 1896 (illustration)

Louis XIV: "I almost waited" (1700), 1896 (illustration)
7304530 Louis XIV: "I almost waited" (1700), 1896 (illustration) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: "Louis XIV)

Background imageCarrosse Collection: Parisian mores: the fiacres - Caricature by Pigal, 19th century

Parisian mores: the fiacres - Caricature by Pigal, 19th century
LSE4080176 Parisian mores: the fiacres - Caricature by Pigal, 19th century by Pigal, Edme Jean (1798-1872); Private Collection; (add.info.: Parisian mores: the fiacres - Caricature by Pigal)

Background imageCarrosse Collection: Cebadax Square in Madrid Painting by Manuel de la Cruz (18th century) 18th century Madrid

Cebadax Square in Madrid Painting by Manuel de la Cruz (18th century) 18th century Madrid, Sorolla Museum
JLJ4652874 Cebadax Square in Madrid Painting by Manuel de la Cruz (18th century) 18th century Madrid, Sorolla Museum by De La Cruz, Manuel (1750-1792); Museo Sorolla, Madrid

Background imageCarrosse Collection: Brides leaving the town hall are expected by a fiacre, early 19th century

Brides leaving the town hall are expected by a fiacre, early 19th century
LSE4082472 Brides leaving the town hall are expected by a fiacre, early 19th century by Courboin, Eugene (1851-1915); Private Collection; (add.info)

Background imageCarrosse Collection: Rue de Rivoli, Paris. Lithography watercolour, illustration by E. de la Tramblais, in 'Album

Rue de Rivoli, Paris. Lithography watercolour, illustration by E. de la Tramblais, in "Album
LSE4313250 Rue de Rivoli, Paris. Lithography watercolour, illustration by E.de la Tramblais, in " Album, souvenirs de Paris", Daziaro editor, Paris, 1885

Background imageCarrosse Collection: View of the Grands Boulevards in Paris Painting by Fausto Giusto (20th century)

View of the Grands Boulevards in Paris Painting by Fausto Giusto (20th century)
JLJ4645682 View of the Grands Boulevards in Paris Painting by Fausto Giusto (20th century). 1900 Private collection by Giusto

Background imageCarrosse Collection: The Arrival of a Diligence in the Courtyard of Messageries Painting by Louis Leopold

The Arrival of a Diligence in the Courtyard of Messageries Painting by Louis Leopold
JLJ4565227 The Arrival of a Diligence in the Courtyard of Messageries Painting by Louis Leopold Boilly (1761-1845). 1803

Background imageCarrosse Collection: The Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais

The Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais
JLJ4564511 The Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais, the College of Four Nations, the grand gallery and the Louvre. Anonymous painting, 1665. Dim 0.68 x 0.88 m

Background imageCarrosse Collection: Entre de Charles X a Paris after the coronation on 6 / 06 / 1825

Entre de Charles X a Paris after the coronation on 6 / 06 / 1825
JLJ4645646 Entre de Charles X A Paris after the coronation on 6/06/1825. The royal carriage welcomed at the Barriere de la Villette by the municipal body of Paris having at its head the prefet of

Background imageCarrosse Collection: Freshwater Asia in Constantinople - Sweet living: group of men and women smoking

Freshwater Asia in Constantinople - Sweet living: group of men and women smoking
JLJ4577205 Freshwater Asia in Constantinople - Sweet living: group of men and women smoking, dancing - Painting by Johann Wittmer (1802-1880) 1837 Detail - Munich, Neue Pinakothek by Wittmer

Background imageCarrosse Collection: View of the Place Royale around 1660, passage of the carriage of King Louis XIV The

View of the Place Royale around 1660, passage of the carriage of King Louis XIV The
JLJ4600773 View of the Place Royale around 1660, passage of the carriage of King Louis XIV The present place des Vosges in Paris. Anonymous painting of the 17th century. Dim

Background imageCarrosse Collection: Place Louis XV View of Place Louis XV current Place de la Concorde in Paris

Place Louis XV View of Place Louis XV current Place de la Concorde in Paris
JLJ4567460 Place Louis XV View of Place Louis XV current Place de la Concorde in Paris. Painting by Jean Baptiste Leprince (1734-1781), 1775

Background imageCarrosse Collection: Solemn entry of King Louis XIV (1638-1715) and Queen Marie-Therese of Austria to Douai

Solemn entry of King Louis XIV (1638-1715) and Queen Marie-Therese of Austria to Douai
JLJ4626960 Solemn entry of King Louis XIV (1638-1715) and Queen Marie-Therese of Austria to Douai on 23/08/1667 (the queen in her carriage receives the tribute of the dingins of the city as their)

Background imageCarrosse Collection: View of the Escorial Palace in Spain built by Philip II in the 16th century

View of the Escorial Palace in Spain built by Philip II in the 16th century
JLJ4632272 View of the Escorial Palace in Spain built by Philip II in the 16th century. Anonymous Spanish painting of the 17th century. Oil on canvas. Dim: 1, 89 x 2, 41m

Background imageCarrosse Collection: Caleche et cortege Detail of 'the entrance to Arras by Louis XIV

Caleche et cortege Detail of "the entrance to Arras by Louis XIV
JLJ4596497 Caleche et cortege Detail of " the entrance to Arras by Louis XIV and Marie Therese on July 30, 1667" Painting by Adam Van der Meulen (1632-1690) 1667 by Meulen

Background imageCarrosse Collection: Le Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with

Le Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with
JLJ4643532 Le Pont Neuf seen from the entrance to Place Dauphine, the Quai Malaquais with the College of Four Nations and the Grande Galerie and Louvre Anonymous painting. 1669

Background imageCarrosse Collection: Paris Five Sous Carriage

Paris Five Sous Carriage
CAROSSE A CINQ SOLS Public carriage carries Parisians for five sous a journey

Background imageCarrosse Collection: Return of the French Royal Family to Paris on the 25th June 1791 (coloured engraving)

Return of the French Royal Family to Paris on the 25th June 1791 (coloured engraving)
XIR39155 Return of the French Royal Family to Paris on the 25th June 1791 (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageCarrosse Collection: C17 Carriage

C17 Carriage
A French CARROSSE - the earliest type of private carriage


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"The Last Carriage: A Journey through Time" Step into the world of carrosses, the elegant carriages that once graced the streets of Europe. From the C17 carriage favored by Louis XIV to its depiction in historical illustrations, these vehicles hold a captivating history. In 1700, Louis XIV famously remarked, "I almost waited, " as he impatiently awaited his carriage. This anecdote reflects both the importance and grandeur associated with these luxurious modes of transportation. One such illustration depicts the assassination of Henri IV by Ravaillac in Octave Uzanne's book "La locomotion dans travers les ages. " The vivid imagery transports us back to this tragic event that shook France during the 19th century. Parisian mores come alive through caricatures like Pigal's portrayal of fiacres - horse-drawn cabs popular in 19th-century Paris. These whimsical drawings offer a glimpse into everyday life and transport us to bustling city streets filled with these iconic vehicles. Traveling beyond Paris, we find ourselves in Madrid's Cebadax Square captured beautifully by Manuel de la Cruz in an 18th-century painting displayed at Sorolla Museum. The scene showcases a lively atmosphere where carriages play a vital role in daily routines. Brides leaving town halls were often greeted by fiacres during the early 19th century. These romantic images evoke nostalgia for a time when love and tradition intertwined seamlessly on picturesque streets. The Rue de Rivoli lithography watercolor illustrates another facet of carriage culture in Paris. Created by E. de la Tramblais for "Album, souvenirs de Paris, " it captures the essence of this iconic street and its connection to carriages throughout history. Grands Boulevards also take center stage as Fausto Giusto paints their vibrant energy onto canvas during the 20th century. Here, carriages blend harmoniously with modernity, showcasing the enduring allure of these vehicles.