Carita Collection

Charity, 1792 (plaster)
6343141 Charity, 1792 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: La Carita, 1792, di Antonio Canova (1757 - 1822), gesso.); Ghigo Roli

Feeding the Hungry, detail, 1795 (plaster)
6342968 Feeding the Hungry, detail, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Feeding the Hungry, 1795 (plaster)
6342967 Feeding the Hungry, 1795 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Dare da mangiare agli affamati, 1795)

Mausoleum of St. Pius V (marble)
3928831 Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce, Bosco Marengo, Alessandria, Piedmont

St. Ignatius taking care of the sick and the poor, 1685 (fresco)
3928860 St. Ignatius taking care of the sick and the poor, 1685 (fresco) by Pozzo, Andrea (1642-1709); Sant Ignazio, Rome, Italy; (add.info.: Interior, the bowl shaped vault of the apse Roma)

Statue representing the Charity, detail of the Mausoleum of St. Pius V (marble)
3928842 Statue representing the Charity, detail of the Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce, Bosco Marengo, Alessandria, Piedmont

Charity, c. 1320 (marble)
875258 Charity, c.1320 (marble) by Tino di Camaino (c.1280-1337); Museo e Galleria Mozzi Bardini, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian, out of copyright

Charity (oil on panel)
BEN109799 Charity (oil on panel) by Luini, Bernardino (c.1480-1532); Museo Stibbert, Florence, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Carita, c. 1320 (marble)
875180 Carita, c.1320 (marble) by Tino di Camaino (c.1280-1337); 136x71 cm; Museo e Galleria Mozzi Bardini, Florence, Tuscany

Charity landscape trees woman lying cloth breastfeeding
Charity, In a landscape among trees, a woman lying on a cloth is breastfeeding her child, holding a cross in her left hand. Another child is watching on the left

Charity Charity title object three divine virtues
Charity Charity (title on object) The three divine virtues (series title), The personification of Love, one of the three divine virtues, with three children sitting by a tree

Commemorated occasion marriage Jonas Witsen Isabella Maria Hooft
Commemorated on the occasion of the marriage of Jonas Witsen and Isabella Maria Hooft, Allegorical performance with a commemorative needle on the occasion of the marriage of Jonas Witsen

Canaletto (1697A?i?1768). The StonemasonA?o?s Yard (1726-1
Giovanni Antonio Canal (1697A?i?1768) known as Canaletto. Venetian painter. The StonemasonA?o?s Yard (1726-1730). Known as Campo San Vidal and Santa Maria della Carita. Oil painting

Tatler front cover, Entertaining issue, 1964
Front cover of The Tatler magazine showing a girl acting hostess, representing Tatlers devotion to autumn entertaining in this particular issue

Personifications of Faith, Hope and Love, engraved by Pietro Monaco, c. 1750 (engraving)
XJF486483 Personifications of Faith, Hope and Love, engraved by Pietro Monaco, c.1750 (engraving) by Tiepolo, Giovanni Battista (1696-1770) (after); Private Collection; (add.info)

MEXICO: IXMIQUILPAN FRESCO. Fresco painting of a fanciful battle scene, depicting an Aztec warrior fighting a horse with a human head, hands holding weapons and sandaled feet

All Professionally Made to Order for Quick Shipping

"Carita: A Legacy of Compassion and Generosity" In the realm of art, there exists a profound depiction of humanity's innate goodness - Carita. This timeless concept transcends time and space, embodying the essence of charity in its various forms. Dating back to 1320, an exquisite marble sculpture titled "Charity" captures the very essence of selflessness. Its delicate features evoke a sense of tenderness as it stands as a testament to mankind's capacity for love and compassion. Fast forward to 1792, where another masterpiece emerges - "Charity (plaster)". This creation serves as a reminder that acts of kindness know no boundaries or limitations. It symbolizes the power within each individual to make a difference in someone else's life. Feeding the hungry has always been at the core of charitable endeavors. In 1795, an intricately detailed plaster artwork titled "Feeding the Hungry" showcases this noble act with utmost sincerity. The artist skillfully portrays empathy through every stroke, emphasizing our duty to alleviate suffering wherever we encounter it. Moving from plaster to marble, we find ourselves immersed in St. Pius V's Mausoleum adorned with statues representing Charity itself. These magnificent sculptures serve as beacons guiding us towards benevolence and reminding us that even in death, one can leave behind an everlasting legacy rooted in care for others. The year 1685 introduces us to St. Ignatius taking care of the sick and poor through a mesmerizing fresco painting. With vibrant colors dancing across walls, this artwork narrates tales of healing hands extended towards those most vulnerable among us – inspiring all who witness it to follow suit. Canaletto's renowned piece "The Stonemason’s Yard" transports us into bustling streets where artisans shape stones destined for grand structures like mausoleums or churches dedicated to acts such as feeding the hungry or caring for the sick.