Caprichos Collection

Los Caprichos by Francisco de Goya (1746-1828)
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera

Goya (1746-1828). Spanish painter and printmaker. Los Capric
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Donde va mama? (Where are you going mum?). Number 65. Aquatint. 1799. Plate 43. Reproduction by M. Segui i Riera

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 24: No hubo remedio (There was no help), first edition, 1799

Until Death, Plate 55 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Until death. Plate 55 of Los Caprichos, etching and burnished aquatint. Etching;

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint)
3112271 La Filiacion, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint)
3112268 Nadie Nos Ha Visto, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Chiton, plate from Los Caprichos, 1799 (etching & aquatint)
3112267 Chiton, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint)
3112272 Duendecitos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Soplones, plate from Los Caprichos, 1799 (etching & aquatint)
3112266 Soplones, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Of what ill will he die? (Capricho No 40). Artist: Goya, Francisco, de (1746-1828)
Of what ill will he die? (Capricho No 40). Private Collection

Duendecitos. (Hobgoblins). From Los Caprichos, 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Duendecitos. (Hobgoblins). From Los Caprichos, 1797-1798. Private Collection

The Sleep of Reason Produces Monsters. (Capricho No 43). Artist: Goya, Francisco, de (1746-1828)
The Sleep of Reason Produces Monsters. (Capricho No 43). Found in the collection of State Hermitage, St. Petersburg

The shameful one (Capricho No 54). Artist: Goya, Francisco, de (1746-1828)
The shameful one (Capricho No 54). Found in the collection of Real Academia de Bellas Artes de San Fernando, Madrid

Que sacrificio! (What a Sacrifice!). (Capricho No 14), 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Que sacrificio! (What a Sacrifice!). (Capricho No 14), 1797-1798. Found in the collection of the State Hermitage, St. Petersburg

Despacha Que Dispiertan (Be quick, they are waking up), plate 78 from Los Caprichos, 1799. From a private collection

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Aquellos Polvos. Aquatint n 23 published in 1799

Los Caprichos Caprichos Bad Night 1799 Francisco de Goya
Los Caprichos: The Caprichos: A Bad Night, 1799. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint; sheet: 26.3 x 20 cm (10 3/8 x 7 7/8 in.); image

Caprichos Plenty Suck 1799 Francisco de Goya
Caprichos: There is Plenty to Suck, 1799. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint

Caprichos Blow 1799 Francisco de Goya Spanish
Caprichos: Blow, c. 1799. Francisco de Goya (Spanish, 1746-1828). Etching, aquatint, drypoint and engraving

Francisco de Goya, Los caprichos: Estan Calientes, Spanish, 1746 - 1828, published 1799, etching and burnished aquatint on laid paper

GOYA Y LUCIENTES, Francisco de (1746-1828). Caprices
" GOYA Y LUCIENTES, Francisco de (1746-1828). Caprices. This Is Certainly Reading. 1797-1799. Plate 29 of " Los Caprichos", etching, burnished aquatint and drypoint. Romanticism

No one has seen us. Plate 79 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). No one has seen us. Plate 79 of Los Caprichos, etching, burnished aquatint

There they go, plucked. Plate 20 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint

Los Caprichos. Preparatory drawing for plate 72
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing

Los Caprichos. Preparatory drawing for plate 32
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 32 of Los Caprichos. Drawing

They ve already got a seat. Plate 60 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). They ve already got a seat. Plate 60 of Los Caprichos, etching and burnished

Because she was susceptible. Plate 32 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. Plate 32 of Los Caprichos, etching. Engraving

Blow. Plate 69 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin

Yes, he broke the pot. Plate 25 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Yes, he broke the pot. Plate 25 of Los Caprichos, etching, aquatint

Poor little girls!. Plate 22 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Poor little girls!. Plate 22 of Los Caprichos, etching and burnished aquatint

Here comes the bogeyman. Plate 3 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Here comes the bogeyman. Plate 3 of Los Caprichos, etching and burnished aquatint

Be quick, they are waking up. Plate 78 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching

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"Exploring the Enigmatic World of Caprichos: Francisco de Goya's Masterpieces" Discover the captivating world of "Los Caprichos" by Francisco de Goya (1746-1828), a renowned Spanish painter and printmaker. This series of etchings, created in 1799, offers a glimpse into Goya's imaginative mind and his profound social commentary. One notable piece from this collection is "Aguarda Que Te Unten, " an intriguing plate that showcases Goya's mastery of etching and aquatint techniques. The intricate details draw you into a scene filled with mystery and suspense. In Plate 55, titled "Until Death, " Goya delves into the theme of mortality, reminding us that death is an inevitable part of life. Through his expressive strokes, he captures the fragility and transience of human existence. Goya's genius shines through in works like "Disparate de tontos" (Fool's folly) and "Lo Mismo" (The Same). These pieces demonstrate his exceptional skill in etching, drypoint, burnishing, burin techniques—creating visually striking images that provoke thought. "No Hay Quien Los Socorra" (There is no one to help them) depicts societal neglect towards those in need—a powerful statement on compassion or lack thereof. It serves as a reminder to be aware of our collective responsibility towards others. "The Dream of Reason Produces Monsters" presents a surreal vision where reason falters and irrationality takes over—an eternal struggle between logic and chaos depicted through exquisite etching and aquatint methods. Goya continues to astound with works such as "Modo de volar" (A way of flying), showcasing his versatility in combining various printmaking techniques seamlessly. Meanwhile, "No hay que dar voces" (It's no use crying out) reflects on futile attempts at seeking help when faced with adversity.