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Capital Punishment Collection

"Exploring the Grim Reality: Capital Punishment in Art" Delving into the depths of history

Background imageCapital Punishment Collection: Death warrant for convicted pirates, 18th century (manuscript)

Death warrant for convicted pirates, 18th century (manuscript)
7339184 Death warrant for convicted pirates, 18th century (manuscript) by Unknown artist, (18th century); 52.2x73.3 cm; National Maritime Museum, London

Background imageCapital Punishment Collection: Brutus condemning his sons to death (engraving)

Brutus condemning his sons to death (engraving)
8635794 Brutus condemning his sons to death (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Lucius Junius Brutus condemning his sons, Titus and Tiberius)

Background imageCapital Punishment Collection: Portrait of a french forger Emmanuel Jean de la coste condemned to pillory, 1760 (engraving)

Portrait of a french forger Emmanuel Jean de la coste condemned to pillory, 1760 (engraving)
ELD4923868 Portrait of a french forger Emmanuel Jean de la coste condemned to pillory, 1760 (engraving); (add.info.: In 1760)

Background imageCapital Punishment Collection: Anne Dubourg accused before Henry II, 1559 (litho)

Anne Dubourg accused before Henry II, 1559 (litho)
8661240 Anne Dubourg accused before Henry II, 1559 (litho) by Laurens, Jean Paul (1838-1921) (after); Private Collection; (add.info.: Anne Dubourg accused before Henry II, 1559)

Background imageCapital Punishment Collection: Daniel in the lion's den (engraving)

Daniel in the lion's den (engraving)
UIG5416229 Daniel in the lion's den (engraving); (add.info.: Old Testament.); PHAS/UIG.

Background imageCapital Punishment Collection: Charles I leaving Westminster Hall after Sentence, 1649 (litho)

Charles I leaving Westminster Hall after Sentence, 1649 (litho)
8661385 Charles I leaving Westminster Hall after Sentence, 1649 (litho) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: Charles I leaving Westminster Hall after Sentence, 1649)

Background imageCapital Punishment Collection: Le Proces de la bande Bonnot Bande a Bonnot - Cover of 'The Eye of the Police', 1913 (engraving)

Le Proces de la bande Bonnot Bande a Bonnot - Cover of "The Eye of the Police", 1913 (engraving)
ICA4950487 Le Proces de la bande Bonnot Bande a Bonnot - Cover of "The Eye of the Police", 1913 (engraving); Private Collection; Photo © Caricadoc.

Background imageCapital Punishment Collection: Print of the Capture of Jacobins, Titled 'The Propaganda Tree', 7 April 1792

Print of the Capture of Jacobins, Titled 'The Propaganda Tree', 7 April 1792
2604751 Print of the Capture of Jacobins, Titled 'The Propaganda Tree', 7 April 1792; (add.info.: the capture of Jacobins by Bender's soldiers)

Background imageCapital Punishment Collection: Edward V and the Duke of York in the Tower, 1836 (engraving)

Edward V and the Duke of York in the Tower, 1836 (engraving)
JAB4120691 Edward V and the Duke of York in the Tower, 1836 (engraving) by Delaroche, Hippolyte (Paul) (1797-1856) (after); (add.info.: Edward V (1470-1483) and Richard of York (or Plantagenet)

Background imageCapital Punishment Collection: Daniel's Answer to the King, 1890 (oil on canvas)

Daniel's Answer to the King, 1890 (oil on canvas)
3082374 Daniel's Answer to the King, 1890 (oil on canvas) by Riviere, Briton (1840-1920); 120.5x187.9 cm; Manchester Art Gallery

Background imageCapital Punishment Collection: The martyrdom of Saint Stephen, 1635 (Etching)

The martyrdom of Saint Stephen, 1635 (Etching)
7393370 The martyrdom of Saint Stephen, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12, 4 x 10, 4 cm; Fondation Glenat, Grenoble, France; (add.info.: By Rembrandt); © Fonds Glenat

Background imageCapital Punishment Collection: Christ carrying the cross, end of 15th century, (tempera on wood)

Christ carrying the cross, end of 15th century, (tempera on wood)
7130034 Christ carrying the cross, end of 15th century, (tempera on wood) by Zaganelli, Bernardino di Bosio (c.1460-c.1510) ; Museo Nazionale del Palazzo di Venezia, Rome

Background imageCapital Punishment Collection: Christ's ascent to Calvary, First half of the 18th century (oil on canvas)

Christ's ascent to Calvary, First half of the 18th century (oil on canvas)
7352720 Christ's ascent to Calvary, First half of the 18th century (oil on canvas) by Ferrari, Lorenzo de (1680-1744); 280x300 cm; Oratorio di San Pietro, Imperia

Background imageCapital Punishment Collection: Daniel in the lion's den from Daniel Bible (print)

Daniel in the lion's den from Daniel Bible (print)
3770090 Daniel in the lion's den from Daniel Bible (print) by Rubens, Peter Paul (1577-1640) (after); (add.info.: Daniel in the lions den-biblical illustration by Peter Paul Rubens old testament)

Background imageCapital Punishment Collection: Deposition of Christ, 1560-61, (oil on wood)

Deposition of Christ, 1560-61, (oil on wood)
7129051 Deposition of Christ, 1560-61, (oil on wood) by Bronzino, Agnolo di Cosimo (1503-72); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Deposition of Christ, 1560-61)

Background imageCapital Punishment Collection: Ramon Cabrera going to death, 16th feb 1836 (engraving)

Ramon Cabrera going to death, 16th feb 1836 (engraving)
CUL4866281 Ramon Cabrera going to death, 16th feb 1836 (engraving) by Ayguals de Izco, Wenceslao (1801-1875); Biblioteca Nacional, Madrid, Spain; (add.info.: By AYGUALS DE IZCO)

Background imageCapital Punishment Collection: Rioters (maillotins) refusing to pay a tax on food are thrown into the Seine (1382)

Rioters (maillotins) refusing to pay a tax on food are thrown into the Seine (1382), 1896 (Illustration)
7304381 Rioters (maillotins) refusing to pay a tax on food are thrown into the Seine (1382), 1896 (Illustration) by Job, pseudonym for Onfray de Breville

Background imageCapital Punishment Collection: Way of the Cross, Saint-Mandet Church, Ferriere-sur-Larcon 1931

Way of the Cross, Saint-Mandet Church, Ferriere-sur-Larcon 1931
7301849 Way of the Cross, Saint-Mandet Church, Ferriere-sur-Larcon 1931 by Richon, Paule (active c.1925-1950); (add.info.: Jesus is condemned to death)



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"Exploring the Grim Reality: Capital Punishment in Art" Delving into the depths of history, we encounter various artistic representations that shed light on the controversial topic of capital punishment. Each brushstroke and etching captures a moment frozen in time, reflecting society's attitudes towards this ultimate form of punishment. From Daniel's Answer to the King to Christ carrying the cross, these artworks serve as poignant reminders of humanity's capacity for both mercy and cruelty. In "Daniel's Answer to the King" (1890), an oil painting on canvas, we witness a biblical tale where Daniel escapes death through divine intervention. This piece raises questions about justice and power dynamics within society, urging us to contemplate whether capital punishment truly serves its intended purpose. "The martyrdom of Saint Stephen" (1635) immortalizes a tragic event through an intricate etching. As Stephen becomes a victim of religious persecution, his execution highlights how differing beliefs can lead to extreme consequences. Similarly, "Martyrdom of Saint Catherine of Alexandria" (1605-06) portrays another gruesome scene where faith clashes with oppression. The haunting "Crucifixion" (1500-05 circa) tempts viewers with its vivid tempera colors on panel. Through this iconic image depicting Jesus' sacrifice for mankind's sins, one cannot help but ponder upon the paradoxical nature between redemption and brutal execution. "Martyrdoms, " such as that depicted in "Saint John the Baptist" (post 1640), remind us that even revered figures are not immune from violence when their convictions challenge societal norms. Meanwhile, St Sebastian endures arrows piercing his body in an oil painting from 1480-90 – symbolizing resilience against adversity despite imminent death. Turning our attention towards Lady Jane Grey's fate in "Execution of Lady Jane Grey" (1554), an engraving captures her final moments before facing beheading due to political intrigue.