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Canova Collection

Antonio Canova, a renowned Italian sculptor from the late 18th to early 19th century, left an indelible mark on the art world with his masterpieces

Background imageCanova Collection: CANOVA, Antonio (1757-1822). The Graces and Venus

CANOVA, Antonio (1757-1822). The Graces and Venus dancing in front of Mars. Circa 1798. Neoclassicism. Tempera. ITALY. Possagno. Museum of Antonio Canova

Background imageCanova Collection: MARS AND VENUS. Steel engraving after the sculpture by Antonio Canova

MARS AND VENUS. Steel engraving after the sculpture by Antonio Canova

Background imageCanova Collection: Eros and Psyche, by Canova

Eros and Psyche, by Canova
Eros and Psyche, close-up of the sculpture by Antonio Canova, Louvre Museum, Paris Date: circa 1910s

Background imageCanova Collection: CANOVA: HORSE. Model of a colossal horse by Antonio Canova (1757-1822)

CANOVA: HORSE. Model of a colossal horse by Antonio Canova (1757-1822). Steel engraving, 19th century

Background imageCanova Collection: Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova

Three Graces, 1840s. Creators: William Henry Fox Talbot, Antonio Canova
Three Graces, 1840s

Background imageCanova Collection: Amor and Psyche, photo 1920s (sculpture)

Amor and Psyche, photo 1920s (sculpture)
2843444 Amor and Psyche, photo 1920s (sculpture) by Canova, Antonio (1757-1822); (add.info.: The famous sculpture Amor and Psyche by the Italian sculptur Antonio Canova made in 1793)

Background imageCanova Collection: Portrait of Clemens XIII, 1784-86 (plaster)

Portrait of Clemens XIII, 1784-86 (plaster)
3359347 Portrait of Clemens XIII, 1784-86 (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Portrait of Clemens XIII, 1784-1786, Antonio Canova, 1757-1822)

Background imageCanova Collection: Relief portrait of an unidentified man, 1786 (marble)

Relief portrait of an unidentified man, 1786 (marble)
862859 Relief portrait of an unidentified man, 1786 (marble) by Canova, Antonio (1757-1822); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageCanova Collection: Hercules and Lichas, 1795-1815, Antonio Canova (sculpture)

Hercules and Lichas, 1795-1815, Antonio Canova (sculpture)
7063093 Hercules and Lichas, 1795-1815, Antonio Canova (sculpture) by Canova, Antonio (1757-1822); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageCanova Collection: Theseus and the minotaur, 1782, (marble)

Theseus and the minotaur, 1782, (marble)
7130128 Theseus and the minotaur, 1782, (marble) by Canova, Antonio (1757-1822); Victoria & Albert Museum, London, UK; (add.info.: Theseus and the minotaur, marble, 1782, by Antonio Canova)

Background imageCanova Collection: Venus Italica, 1812 (marble)

Venus Italica, 1812 (marble)
7130013 Venus Italica, 1812 (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Venus Italica, 1812, Antonio Canova, Pitti palace, Florence)

Background imageCanova Collection: The Tersicore, 1811 (marble)

The Tersicore, 1811 (marble)
7294376 The Tersicore, 1811 (marble) by Canova, Antonio (1757-1822); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: La Tersicore, detail, 1811, Antonio Canova, marble, fondazione Magnani Rocca)

Background imageCanova Collection: The Tersicore, 1811 (marble)

The Tersicore, 1811 (marble)
7294372 The Tersicore, 1811 (marble) by Canova, Antonio (1757-1822); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: La Tersicore, 1811, Antonio Canova, marble, fondazione Magnani Rocca, Parma)

Background imageCanova Collection: Venus Italica, 1812 (marble)

Venus Italica, 1812 (marble)
7130015 Venus Italica, 1812 (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Venus Italica, 1812, Antonio Canova, Pitti palace, Florence)

Background imageCanova Collection: Alexandrine de Bleschamp, first quarter of the 18th century, (marble)

Alexandrine de Bleschamp, first quarter of the 18th century, (marble)
7129756 Alexandrine de Bleschamp, first quarter of the 18th century, (marble) by Canova, Antonio (1757-1822); Museo Napoleonico, Rome, Italy; (add.info.: Alexandrine de Bleschamp)

Background imageCanova Collection: Bust of the Catholic Religion (plaster)

Bust of the Catholic Religion (plaster)
3359351 Bust of the Catholic Religion (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Bust of the catholic religion, 1814, Antonio Canova, 1757-1822)

Background imageCanova Collection: Perseus with the Head of Medusa, c. 1800 (marble)

Perseus with the Head of Medusa, c. 1800 (marble)
3914204 Perseus with the Head of Medusa, c.1800 (marble) by Canova, Antonio (1757-1822); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageCanova Collection: Venus Italica, 1812 (marble)

Venus Italica, 1812 (marble)
7130011 Venus Italica, 1812 (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Venus Italica, 1812, Antonio Canova, Pitti palace, Florence)

Background imageCanova Collection: Calliope, (marble)

Calliope, (marble)
7130029 Calliope, (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Calliope, Antonio Canova, Pitti palace, Florence, Italy); Photo © Stefano Baldini

Background imageCanova Collection: Calliope, (marble)

Calliope, (marble)
7130031 Calliope, (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Calliope, Antonio Canova, Pitti palace, Florence, Italy); Photo © Stefano Baldini

Background imageCanova Collection: Socrates rescuing Alcibiades at Potidaea, 1797 (plaster)

Socrates rescuing Alcibiades at Potidaea, 1797 (plaster)
3359348 Socrates rescuing Alcibiades at Potidaea, 1797 (plaster) by Canova, Antonio (1757-1822); Accademia di San Luca, Rome, Italy; (add.info.: Socrates rescuing Alcibiades at Potidaea, 1797)

Background imageCanova Collection: The Tersicore, 1811 (marble)

The Tersicore, 1811 (marble)
7294382 The Tersicore, 1811 (marble) by Canova, Antonio (1757-1822); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: La Tersicore, 1811, Antonio Canova, marble, fondazione Magnani Rocca, Parma)

Background imageCanova Collection: Hercules and Lichas, 1795-1815, Antonio Canova (sculpture)

Hercules and Lichas, 1795-1815, Antonio Canova (sculpture)
7063087 Hercules and Lichas, 1795-1815, Antonio Canova (sculpture) by Canova, Antonio (1757-1822); Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageCanova Collection: Venus Italica, 1812 (marble)

Venus Italica, 1812 (marble)
7130017 Venus Italica, 1812 (marble) by Canova, Antonio (1757-1822); Palazzo Pitti, Florence, Italy; (add.info.: Venus Italica, 1812, Antonio Canova, Pitti palace, Florence)

Background imageCanova Collection: Perseus with the Head of Medusa, c. 1800 (marble)

Perseus with the Head of Medusa, c. 1800 (marble)
SBL426305 Perseus with the Head of Medusa, c.1800 (marble) by Canova, Antonio (1757-1822); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageCanova Collection: Helen of Troy, after 1812 (marble)

Helen of Troy, after 1812 (marble)
862858 Helen of Troy, after 1812 (marble) by Canova, Antonio (1757-1822); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Background imageCanova Collection: Damosseno By Antonio Canova, Vatican City, c. 1910 (sculpture)

Damosseno By Antonio Canova, Vatican City, c. 1910 (sculpture)
1582260 Damosseno By Antonio Canova, Vatican City, c.1910 (sculpture) by Canova, Antonio (1757-1822); (add.info.: Vatican City: c)

Background imageCanova Collection: Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo)

Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo)
6338569 Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo) by Canova, Antonio (1757-1822); (add.info.: XIX century); © Mark Edward Smith

Background imageCanova Collection: Antonio Canova, 1 November 1757, 13 October 1822, was an Italian sculptor

Antonio Canova, 1 November 1757, 13 October 1822, was an Italian sculptor
7279200 Antonio Canova, 1 November 1757, 13 October 1822, was an Italian sculptor by Unknown Artist, (19th century); Private Collection; (add.info.: Antonio Canova, 1 November 1757, 13 October 1822)

Background imageCanova Collection: Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo)

Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo)
6338568 Antonio Canova, conovian temple, XIX century, Possagno, Veneto, Italy (photo) by Canova, Antonio (1757-1822); (add.info.: XIX century); © Mark Edward Smith

Background imageCanova Collection: Psyche revived by the kiss of Love, 18 th century (sculpture)

Psyche revived by the kiss of Love, 18 th century (sculpture)
GNG5276878 Psyche revived by the kiss of Love, 18 th century (sculpture) by Canova, Antonio (1757-1822); Louvre, Paris, France; (add.info.: Louvre Museum)

Background imageCanova Collection: Hebe, from the statue by Canova, in the collection of His Grace the Duke of Devonshire at

Hebe, from the statue by Canova, in the collection of His Grace the Duke of Devonshire at Chatsworth (engraving)
5199014 Hebe, from the statue by Canova, in the collection of His Grace the Duke of Devonshire at Chatsworth (engraving) by Roffe, F

Background imageCanova Collection: Napoleons Mother, Napoleonis Mater, from the statue by Canova

Napoleons Mother, Napoleonis Mater, from the statue by Canova, in the collection of His Grace the Duke of Devonshire at
5199003 Napoleons Mother, Napoleonis Mater, from the statue by Canova, in the collection of His Grace the Duke of Devonshire at Chatsworth (engraving) by Roffe, F

Background imageCanova Collection: Bas-relief du cippe funeraire de la comtesse d Haro, fille du marquis de Santa-Cruz (engraving)

Bas-relief du cippe funeraire de la comtesse d Haro, fille du marquis de Santa-Cruz (engraving)
3645150 Bas-relief du cippe funeraire de la comtesse d Haro, fille du marquis de Santa-Cruz (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageCanova Collection: Cartoon, The Three Graces -- A New Version (Queen Victoria)

Cartoon, The Three Graces -- A New Version (Queen Victoria)
Cartoon, The Three Graces -- A New Version. England, Scotland and Ireland, represented by three female figures posing as the classical Three Graces, hold a diminutive figure of Queen Victoria

Background imageCanova Collection: Venezia, Monumento a Canova (b / w photo)

Venezia, Monumento a Canova (b / w photo)
6012948 Venezia, Monumento a Canova (b/w photo) by Italian Photographer, (19th century); Private Collection; (add.info.: Venezia, Monumento a Canova. Illustration for Ricordo di Venezia (np, c 1900)

Background imageCanova Collection: Buonarroti and Canova (chromolitho)

Buonarroti and Canova (chromolitho)
734884 Buonarroti and Canova (chromolitho) by European School, (19th century); Private Collection; (add.info.: Buonarroti and Canova)

Background imageCanova Collection: 'The days of our years are threescore years and ten, 'Canova, Psalm xc 10 (engraving)

"The days of our years are threescore years and ten, "Canova, Psalm xc 10 (engraving)
2781766 " The days of our years are threescore years and ten, " Canova, Psalm xc 10 (engraving) by English School

Background imageCanova Collection: Italy - Tomb of Canova, in the church of Santa Maria Gloriosa dei Frari, Venice (engraving)

Italy - Tomb of Canova, in the church of Santa Maria Gloriosa dei Frari, Venice (engraving)
729456 Italy - Tomb of Canova, in the church of Santa Maria Gloriosa dei Frari, Venice (engraving) by European School, (19th century); Private Collection; (add.info.: Italy - Tomb of Canova)

Background imageCanova Collection: Canova (engraving)

Canova (engraving)
666594 Canova (engraving) by English School, (19th century); Private Collection; (add.info.: Canova. Illustration from The Gallery of Portraits (Charles Knight, 1836)

Background imageCanova Collection: Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes

Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes
827882 Portrait of Antonio Canova (1757-1822), three-quarter length, in brown robes, (oil on canvas) by Lampi, Johann Baptist I (1751-1830); 74.6x58.8 cm; Private Collection; (add.info)

Background imageCanova Collection: In the Land of Napoleons Birth (b / w photo)

In the Land of Napoleons Birth (b / w photo)
1039058 In the Land of Napoleons Birth (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: In the Land of Napoleons Birth)

Background imageCanova Collection: Chatsworth (engraving)

Chatsworth (engraving)
1056107 Chatsworth (engraving) by English School, (19th century); Private Collection; (add.info.: Chatsworth. Illustration for The Graphic)

Background imageCanova Collection: Canova and the Butter Lion (engraving)

Canova and the Butter Lion (engraving)
967815 Canova and the Butter Lion (engraving) by English School, (19th century); Private Collection; (add.info.: Canova and the Butter Lion)

Background imageCanova Collection: Paris leaning on tree stump, back view. from 'Oeuvre de Canova: Recueil de Statues

Paris leaning on tree stump, back view. from "Oeuvre de Canova: Recueil de Statues
Paris leaning on tree stump, back view. from " Oeuvre de Canova: Recueil de Statues...", 1817

Background imageCanova Collection: Ajax, front view. from 'Oeuvre de Canova: Recueil de Statues... ', 1817

Ajax, front view. from "Oeuvre de Canova: Recueil de Statues... ", 1817
Ajax, front view. from " Oeuvre de Canova: Recueil de Statues...", 1817

Background imageCanova Collection: Venus, frontal view. from 'Oeuvre de Canova: Recueil de Statues... ', 1817

Venus, frontal view. from "Oeuvre de Canova: Recueil de Statues... ", 1817
Venus, frontal view. from " Oeuvre de Canova: Recueil de Statues...", 1817



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Antonio Canova, a renowned Italian sculptor from the late 18th to early 19th century, left an indelible mark on the art world with his masterpieces. One of his most famous works is "The Graces and Venus, " a captivating sculpture that showcases his exceptional talent for capturing grace and beauty in stone. Another notable creation by Canova is "Psyche Revived by Cupid's Kiss, " which mesmerizes viewers with its delicate portrayal of love and tenderness. This masterpiece can be admired at Antonia Canovas sculpture exhibition. "Mars and Venus" is another exquisite piece that demonstrates Canova's ability to breathe life into marble. The steel engraving after this sculpture perfectly captures the artist's attention to detail and skillful craftsmanship. In "Eros and Psyche, " we witness Canova's mastery in depicting mythical tales through sculptures. This particular artwork beautifully narrates the story of forbidden love between Eros, the god of desire, and Psyche, a mortal princess. It also showcased his versatility as an artist with his colossal horse model. The intricately designed horse stands as a testament to his ability to create grandeur even in non-human forms. One remarkable architectural marvel attributed to the Stuart Monument, designed during 1817-1819. This neoclassical structure pays homage to British royalty while showcasing Canova's expertise in creating monumental sculptures. "The Three Graces" further exemplifies Canova's fascination with classical mythology. These enchanting figures embody elegance, charm, and harmony - characteristics synonymous with Antonio Canovas' artistic style. "Cupid and Psyche" graces the Louvre Museum in Paris as one of its prized possessions. This ethereal sculpture immortalizes their timeless tale within its intricate details carved by Antonio himself. An old photograph from the 1920s captures another rendition of Amor (Cupid) embracing Psyche.