Canezou Collection

Riding Habits 1834
Riding habits. Woman: imbecile sleeves, embroidered canezou, cravat & top hat. Boy: pantaloons, waistcoat with a roll collar, short jacket with gigot sleeves, ruff

Paris Fashions for June - Canezou, 1850. Creator: Unknown
Paris Fashions for June - Canezou, 1850. An Indian muslin Canezou, embroidered and trimmed with malines, open and buttoned up in the back. From "Illustrated London News", 1850

Fashionable woman in crepe morning bonnet, 1801 (handcoloured copperplate engraving)
5986467 Fashionable woman in crepe morning bonnet, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in crepe morning bonnet, 1801)

Fashionable couple at a ball, Paris, 1834
Dandyism in the Romantic Period, A ballroom in 1834. Fop in coat with tails, tight pants and top hat. Woman in fur-trim dress with feather in her hair. Handcoloured lithograph by R.V

A Lady in a Levantine hat, a tiered skirt and a velvet jacket
AFC90692 A Lady in a Levantine hat, a tiered skirt and a velvet jacket, plate 6 from the Incroyable et merveilleuse series of fashion plates

A review on the Square of the Invalides in 1835, 1898 (litho)
5913065 A review on the Square of the Invalides in 1835, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: A review on the Square of the Invalides, 1835)

Fashionable woman in cap and short jacket, 1801 (handcoloured copperplate engraving)
5986638 Fashionable woman in cap and short jacket, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in cap and short jacket, 1801)

Fashionable woman in canezou decorated with lace, 1801 (handcoloured copperplate engraving)
5986636 Fashionable woman in canezou decorated with lace, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in canezou decorated with lace)

Fashionable woman in an oblong headdress, 1801 (handcoloured copperplate engraving)
5986486 Fashionable woman in an oblong headdress, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman in an oblong headdress, 1801)

Celebrated Racehorses and Jockeys (engraving)
1601876 Celebrated Racehorses and Jockeys (engraving) by Prades, Alfred de (fl.c.1862-79); Private Collection; (add.info.: Celebrated Racehorses and Jockeys)

Surplice and Canezou, 1845-1871, (1911). Surplice (1845-1871) was a British Thoroughbred racehorse and sire. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Costume / Women / 1826
Front & back views of dress with gigot sleeves, skirt ornamented with tucks, plus a canezou-pelerine & belt. Hat trimmed profusely with wheat ears, flowers & bows. Date: circa 1826

Lace Caps Etc C. 1863
Chemisettes, habit-shirts, under-sleeves, a canezou or fichu, lace bonnets with lappets & flowers & a spoon bonnet trimmed with ostrich plumes

Hair, Hats & Canezous
Front & back views of: Apollo knot coiffure adorned with an arrow; a wide brimmed bonnet with plumes & decorative detailing under the brim & a lace canezou (cape style)

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"Canezou: A Fashionable Journey through Time" Step into the world of fashion and elegance as we explore the captivating history of the "canezou. " From its origins in the early 19th century to its influence on riding habits, ball gowns, and everyday attire, this garment has left an indelible mark on the world of style. In 1801, a fashionable woman adorned herself with a crepe morning bonnet and donned a canezou decorated with delicate lace. The handcoloured copperplate engraving captures her grace and sophistication, showcasing how this versatile piece could elevate any ensemble. Paris in 1834 was abuzz with excitement as couples twirled across ballrooms wearing their finest attire. Among them stood a couple exuding charm and refinement. The lady wore an oblong headdress paired with a tiered skirt and velvet jacket – all complemented by her exquisite canezou. It was clear that she embraced both tradition and innovation in her fashion choices. Meanwhile, another fashionable woman caught everyone's attention at the Square of the Invalides in 1835. Her Levantine hat added an exotic touch to her ensemble while she confidently sported a canezou that showcased her impeccable taste. This litho from 1898 immortalizes not only her outfit but also the spirit of Parisian fashion during that era. The allure of canezous extended beyond high society events; they were also incorporated into riding habits for women who enjoyed equestrian pursuits. In "Riding Habits 1834, " we witness how these garments seamlessly blended functionality with style – allowing women to express their love for horses without compromising their elegance. Fast forward to Surplice and Canezou from 1845-1871; this iconic image captured by artists in1911 showcases how even clergymen found inspiration from this timeless garment. Its versatility knew no bounds, transcending social classes and professions.