Candelabras Collection

Our Lady of Loretto, late 18th century (coloured engraving)
CHT182083 Our Lady of Loretto, late 18th century (coloured engraving) by French School, (18th century); Bibliotheque des Arts Decoratifs, Paris

Design for a mantel clock and two candelabra, c.1825-c.1835. Creator: Adrien Louis Marie Cavelier
Design for a mantel clock and two candelabra, c.1825-c.1835

The International Exhibition: group of glass by Powell and Sons, 1862. Creator: Unknown
The International Exhibition: group of glass by Powell and Sons, 1862. Within the memory of many of our readers, art was applied almost exclusively to the decoration of works for the wealthier

Testimonials presented to the Right Hon. Thomas Milner Gibson, M.P. by the Association... 1862. Creator: Unknown
Testimonials presented to the Right Hon. Thomas Milner Gibson, M.P. by the Association for the Abolition of the Taxes on Knowledge, 1862. Mr

Wedding gfits presented to the Duke & Duchess of Edinburgh
Wedding gift presented to the Duke and Duchess of Edinburgh by the Corporation of the City of London. Date: 1875

French department at The Great Exhibition 1851
French display of objects in bronze. 1851

Our Lady of Loretto, 18th century (coloured engraving)
CHT290517 Our Lady of Loretto, 18th century (coloured engraving) by French School, (18th century); Bibliotheque des Arts Decoratifs, Paris

Pilgrims visiting the shrine of Our Lady of Loretto, 18th century (coloured engraving)
CHT290514 Pilgrims visiting the shrine of Our Lady of Loretto, 18th century (coloured engraving) by French School, (18th century); Bibliotheque des Arts Decoratifs, Paris

Shop front for Hancock and Dixon, Pall Mall East, London (engraving)
583723 Shop front for Hancock and Dixon, Pall Mall East, London (engraving) by Whittock, Nathaniel (1791-1860); Private Collection; (add.info.: Shop front for Hancock and Dixon, Pall Mall East)

Testimonial presented by the Liberal Electors of Halifax to Mr James Stansfeld, MP (engraving)
1103307 Testimonial presented by the Liberal Electors of Halifax to Mr James Stansfeld, MP (engraving) by English School, (19th century); Private Collection; (add.info)

Table garniture, Elkington & Co. London, 1879 (silver & silver-gilt)
2562079 Table garniture, Elkington & Co. London, 1879 (silver & silver-gilt) by English School, (19th century); Private Collection; (add.info.: Comprising an oval centrepiece)

Advert for Mappin & Webbs candelabras 1893 Advert for Mappin & Webbs candelabras
Silver plate ornate candelabras. Date: 1893

Stone of Anointing, Church of the Holy Sepulchre, Jerusalem
The Stone of Anointing (also Stone of the Anointing or Stone of Unction ) within the Church of the Holy Sepulchre (Ecclesia Sancti Sepulchri)

Victory goddesses decorate candelabras and sacrifice bulls
Roman art. Victory goddesses decorate candelabras and sacrifice bulls. Part of the frieze from the central building of Trajans Forum in Rome completed in 112 AD. Glyptothek. Munich. Germany

Advert for Mappin & Webb electic candelabras 1906
Fitted electric candelabras. Date: 1906

Architectural design full of candelabras, rotundas, calami, etc.. Wall painting excavated in Resina showing a busy, riotous architectural design full of candelabras, rotundas, thin columns or calami

Horse chestnut (Aesculus hippocastanum) flower candelabras, Wiltshire, England, United Kingdom, Europe

Christening Silver 1818
Silver candelabras and candlesticks, also Russian samovar and silver dish with ewer, used at the christening of King Christian IX (father of Queen Alexandra), 1818. Date: 1930s

Candelabra / Soap / Cole's Wattle On the Mitchell Plateau near the King Edward River, Western Australia
DH-4279 Candelabra / Soap / Cole's Wattle On the Mitchell Plateau near the King Edward River, Western Australia. Acacia colei var ileocarpa Don Hadden Please note that prints are for personal

Roman home Lighting
Well-to-do Romans on special occasions light their homes with torches and bronze candelabras : more commonly, clay oil lamps are used

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"Candelabras: Illuminating Elegance Through the Ages" Step into the enchanting world of candelabras, where history and artistry intertwine to create mesmerizing pieces that have stood the test of time. Our Lady of Loretto, a late 18th-century coloured engraving, showcases the ethereal beauty these masterpieces possess. From wedding gifts presented to the Duke & Duchess of Edinburgh to being displayed at the French department during The Great Exhibition in 1851, they have always been cherished symbols of grandeur and sophistication. Pilgrims visiting the shrine of Our Lady of Loretto in another 18th-century coloured engraving were captivated by their radiant glow. In London's Pall Mall East, Hancock and Dixon proudly showcased their exquisite candelabra designs through an elegant shop front engraving. Even during somber occasions like the funeral of a Prince of Saxony in early 18th century black-and-white photo engravings, candelabras added a touch of solemn grace. These magnificent creations also played significant roles beyond aesthetics. As seen in an engraving depicting victory goddesses adorning candelabras while sacrificing bulls, they symbolized power and triumph throughout ancient times. The craftsmanship continued to evolve with Elkington & Co. 's table garniture from 1879; silver and silver-gilt combined harmoniously to create stunning works that adorned lavish dining tables. Mappin & Webb's iconic advert for their candelabras in 1893 further solidified them as timeless treasures sought after by discerning connoisseurs. Traveling afar brings us to Jerusalem's Church of Holy Sepulchre where even sacred spaces are graced by these luminous wonders - notably seen near the Stone of Anointing. Candlelight dances upon intricate details carved into each piece; every flicker casting shadows reminiscent of centuries past. Candelabras remain more than mere objects.