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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

C07th Gallery

Available as Prints and Gift Items

Choose from 175 pictures in our C07th collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Icon depicting Abbott Mena with Christ, from Baouit, 6th-7th century (tempera on panel)
Icon depicting Abbott Mena with Christ, from Baouit, 6th-7th century (tempera on panel)
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Carthaginian pendant, c.7th - 6th century BC (gold)
Carthaginian pendant, c.7th - 6th century BC (gold)
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Pilgrim's Flask with Saint Menas, 500-700 (terracotta)
Pilgrim's Flask with Saint Menas, 500-700 (terracotta)
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Solidus with Heraclius and his Son Heraclius Constantine (reverse), c
Solidus with Heraclius and his Son Heraclius Constantine (reverse), c
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Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)
Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)
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Brooch, 600s (bronze and silver overlay)
Brooch, 600s (bronze and silver overlay)
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Flute, City of David, c.799-600 BC (bone)
Flute, City of David, c.799-600 BC (bone)
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Figurines of Asherah, Canaanite, 999-600 BC (clay)
Figurines of Asherah, Canaanite, 999-600 BC (clay)
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Figurines of fertility goddesses and the moulds from which they were cast, c
Figurines of fertility goddesses and the moulds from which they were cast, c
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Figurine of a female lute player excavated in Beit Shean, 7th-6th century BC (bronze)
Figurine of a female lute player excavated in Beit Shean, 7th-6th century BC (bronze)
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Sphere, Diquis, Costa Rica, 500-700 (stone)
Sphere, Diquis, Costa Rica, 500-700 (stone)
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Solon, illustration from History of Greece by Victor Duruy
Solon, illustration from History of Greece by Victor Duruy
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Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint) Featured Print

Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)

491224 Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint) by Sasanian School; h:30.80 cm; Cleveland Museum of Art, OH, USA; (add.info.: From about AD 224 until about 650, the Sasanian kings ruled a rich and powerful empire that stretched from Iran and Iraq to Afghanistan and Georgia (Russia). The Sasanians, named for Sasan, their first king, controlled parts of the lucrative Silk Route, and with their accrued wealth they built great palaces furnished with luxurious silks and lavish vessels made of silver mined in their own territories. The Sasanians were Zoroastrians--worshippers of Ahuramazda, the spirit of Good, who was in constant struggle with Evil. On some of the works of art shown here, the hunting scenes or the scenes of combat between two species of animal or between man and animal reflect Zoroastrian beliefs. On other works, scenes of wine-drinking, dancing, and other forms of revelry are similar to favorite decorations on Greek and Roman vases in pottery and precious metal. The Sasanians, who ruled the major trading routes through Central Asia, decorated their palace architecture with painted stucco. A favorite motif of many ancient Near East Cultures depicted goats standing on their hind legs to eat leaves or berries from the "Tree of Life"
); Gift of Heeramaneck Galleries; Iranian, out of copyright

© Gift of Heeramaneck Galleries / Bridgeman Images

First introduction of Christianity into Britain (litho)
First introduction of Christianity into Britain (litho)
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Votive Corinthian style helmet, 7th century BC (bronze)
Votive Corinthian style helmet, 7th century BC (bronze)
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Men Trussing an Ox, 667-647 BC (limestone)
Men Trussing an Ox, 667-647 BC (limestone)
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Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria
Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria
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Seated Couple: Mentuemhat's Ancestors, c.667-647 BC (limestone)
Seated Couple: Mentuemhat's Ancestors, c.667-647 BC (limestone)
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Tab, 600s (gold)
Tab, 600s (gold)
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Columbarium Tomb Plaque with the Monogram of Christ, 500-800 (terracotta)
Columbarium Tomb Plaque with the Monogram of Christ, 500-800 (terracotta)
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Belt Buckle, 600s (iron with silver overlay)
Belt Buckle, 600s (iron with silver overlay)
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Finial, Geometric Period, c.8th-7th century BC (bronze)
Finial, Geometric Period, c.8th-7th century BC (bronze)
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Langobardic strap-end (bronze)
Langobardic strap-end (bronze)
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Statuette of a Phoenician goddess, from the Phoenician coast, c
Statuette of a Phoenician goddess, from the Phoenician coast, c
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Belt decoration found at Saint-Denis, France (metal)
Belt decoration found at Saint-Denis, France (metal)
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Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria Featured Print

Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria

491377 Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria, c.500
(silver) by Byzantine School, (6th century); h:32.20 d:3.49 cm; Cleveland Museum of Art, OH, USA; (add.info.: These four liturgical silver vessels--a paten and three chalices (1950.378-381)--form what is now called the Beth Misona Treasure, named for the village in northern Syria for which the objects were made. While nothing is known about the exact location and circumstances of the treasure's discovery, the people of the village of Beth Misona were, like other Christian communities in Syria and Palestine, probably forced to bury their church silver to hide it from the Persians or Arabs, who conquered their lands in the first half of the 7th century. The paten, which held pieces of Eucharistic bread used during Mass, is decorated with an engraved Latin cross surrounded by a dedicatory inscription that names the paten's donor--Domnos--and its original location--the church of Saint Sergios in Beth Misona. The chalices, which contained the Eucharistic wine used during Mass, feature broad cups decorated with portrait busts of Saints Peter and Paul, Christ, and the Virgin. One chalice bears a dedicatory inscription naming its donor--Kyriakos, Domnos's son--and the priest of the church that received the pious gift--Zeno.
the Greek inscription surrounding the cross in the center translates as: + Having vowed, DOMNOS, son of ZACHEOS, has offered (this paten) to St. Sergois of the village of Beth Misona.
); Purchase from the J. H. Wade Fund; out of copyright

© Purchase from the J. H. Wade Fund / Bridgeman Images

Genius holding a bowl of fruit, symbolising plenty, from a spandrel of an aivans
Genius holding a bowl of fruit, symbolising plenty, from a spandrel of an aivans
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Seated statue of Imhotep (fl.c.2980 BC) holding an open papyrus scroll
Seated statue of Imhotep (fl.c.2980 BC) holding an open papyrus scroll
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Two pyx with reliefs depicting the resurrection of Lazarus
Two pyx with reliefs depicting the resurrection of Lazarus
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Bracelet (gold & filigree)
Bracelet (gold & filigree)
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Silk fragment showing the Senmurv, Sassanian Dynasty (226-651) (textile)
Silk fragment showing the Senmurv, Sassanian Dynasty (226-651) (textile)
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Stele depicting a musician (terracotta)
Stele depicting a musician (terracotta)
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Chalcophone, c.8th - 6th century BC (bronze)
Chalcophone, c.8th - 6th century BC (bronze)
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The Stag of St. Hubert (655-727), cover illustration from a hunting journal
The Stag of St. Hubert (655-727), cover illustration from a hunting journal
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Statue of Aesop (stone)
Statue of Aesop (stone)
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Wilfrid with the South Saxons, illustration from The Church of England
Wilfrid with the South Saxons, illustration from The Church of England
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Oswald erecting the Cross, illustration from The Church of England
Oswald erecting the Cross, illustration from The Church of England
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Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)
Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)
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Mounted Rock Crystal, 500s-600s (gold, quartz, almandine) Featured Print

Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)

491473 Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)
by Byzantine School (7th century); h:10.20 w:1.90 d:1.60 cm; Cleveland Museum of Art, OH, USA; (add.info.: When this object was acquired, it was thought to be a container for holy oil or another sacred relic or substance. However, closer examination revealed that the rock crystal prism at the object's core is completely solid, leaving no room in which to insert such matter. The object's original function thus remains unclear. It may have served as an amulet, a magical object meant to protect its owner from evil and mishaps.
); Purchase from the J. H. Wade Fund; out of copyright

© Purchase from the J. H. Wade Fund / Bridgeman Images

Men Bearing Tomb Equipment, 667-647 BC (limestone)
Men Bearing Tomb Equipment, 667-647 BC (limestone)
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Mentuemhat in Ecclesiastical Dress, c.667-647 BC (limestone)
Mentuemhat in Ecclesiastical Dress, c.667-647 BC (limestone)
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Male Offering Bearer, c.667-647 BC (limestone)
Male Offering Bearer, c.667-647 BC (limestone)
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Buckle, 600s (gold)
Buckle, 600s (gold)
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Belt Plate, 600s (iron with silver overlay)
Belt Plate, 600s (iron with silver overlay)
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Bull Head Attachment, c.700-600 BC (bronze)
Bull Head Attachment, c.700-600 BC (bronze)
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Belt Plate, 600s (iron with silver overlay)
Belt Plate, 600s (iron with silver overlay)
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Buckle, 600s (bronze and silver overlay)
Buckle, 600s (bronze and silver overlay)
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