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Framed Pictures, Canvas Prints
Posters & Jigsaws since 2004

C06th Gallery

Available as Prints and Gift Items

Choose from 190 pictures in our C06th collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.


Icon depicting Abbott Mena with Christ, from Baouit, 6th-7th century (tempera on panel)
Icon depicting Abbott Mena with Christ, from Baouit, 6th-7th century (tempera on panel)
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The Education of the Children of Clotilde and Clovis, 1868 (oil on panel)
The Education of the Children of Clotilde and Clovis, 1868 (oil on panel)
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Pilgrim's Flask with Saint Menas, 500-700 (terracotta)
Pilgrim's Flask with Saint Menas, 500-700 (terracotta)
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Fibula, 500s (silver with garnets)
Fibula, 500s (silver with garnets)
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Buckle, 500s (brass)
Buckle, 500s (brass)
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Icon of the Virgin & Child, 500s (slit-and dovetailed-tapestry weave, wool)
Icon of the Virgin & Child, 500s (slit-and dovetailed-tapestry weave, wool)
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Spouted Pitcher, 300-600 (silver)
Spouted Pitcher, 300-600 (silver)
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Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)
Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)
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Confucius
Confucius
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Confucius (ink on paper)
Confucius (ink on paper)
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Figurine of a female lute player excavated in Beit Shean, 7th-6th century BC (bronze)
Figurine of a female lute player excavated in Beit Shean, 7th-6th century BC (bronze)
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Sphere, Diquis, Costa Rica, 500-700 (stone)
Sphere, Diquis, Costa Rica, 500-700 (stone)
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Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint) Featured Print

Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint)

491224 Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint) by Sasanian School; h:30.80 cm; Cleveland Museum of Art, OH, USA; (add.info.: From about AD 224 until about 650, the Sasanian kings ruled a rich and powerful empire that stretched from Iran and Iraq to Afghanistan and Georgia (Russia). The Sasanians, named for Sasan, their first king, controlled parts of the lucrative Silk Route, and with their accrued wealth they built great palaces furnished with luxurious silks and lavish vessels made of silver mined in their own territories. The Sasanians were Zoroastrians--worshippers of Ahuramazda, the spirit of Good, who was in constant struggle with Evil. On some of the works of art shown here, the hunting scenes or the scenes of combat between two species of animal or between man and animal reflect Zoroastrian beliefs. On other works, scenes of wine-drinking, dancing, and other forms of revelry are similar to favorite decorations on Greek and Roman vases in pottery and precious metal. The Sasanians, who ruled the major trading routes through Central Asia, decorated their palace architecture with painted stucco. A favorite motif of many ancient Near East Cultures depicted goats standing on their hind legs to eat leaves or berries from the "Tree of Life"
); Gift of Heeramaneck Galleries; Iranian, out of copyright

© Gift of Heeramaneck Galleries / Bridgeman Images

Solon, illustration from History of Greece by Victor Duruy
Solon, illustration from History of Greece by Victor Duruy
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Cyrus and Croesus (litho)
Cyrus and Croesus (litho)
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The flight of Zedekiah (litho)
The flight of Zedekiah (litho)
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First introduction of Christianity into Britain (litho)
First introduction of Christianity into Britain (litho)
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Bowl, c.350-600 (silver)
Bowl, c.350-600 (silver)
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Intaglio with Male Portrait Bust, 500s (amethyst with gold mount)
Intaglio with Male Portrait Bust, 500s (amethyst with gold mount)
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Ivory Pyx (Box), 500s (ivory)
Ivory Pyx (Box), 500s (ivory)
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Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria
Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria
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Buckle with Embossed Head in Profile, 400-600 (gold, lapis lazuli, and glass)
Buckle with Embossed Head in Profile, 400-600 (gold, lapis lazuli, and glass)
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Chain with Two Pendants and a Cross, 500s (gold with granulation and a garnet)
Chain with Two Pendants and a Cross, 500s (gold with granulation and a garnet)
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Button, 500s (rock crystal with a garnet mounted in a gold granulated star)
Button, 500s (rock crystal with a garnet mounted in a gold granulated star)
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Frame for a left eye (bronze)
Frame for a left eye (bronze)
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Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria Featured Print

Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria

491377 Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure, Constantinople or Syria, c.500
(silver) by Byzantine School, (6th century); h:32.20 d:3.49 cm; Cleveland Museum of Art, OH, USA; (add.info.: These four liturgical silver vessels--a paten and three chalices (1950.378-381)--form what is now called the Beth Misona Treasure, named for the village in northern Syria for which the objects were made. While nothing is known about the exact location and circumstances of the treasure's discovery, the people of the village of Beth Misona were, like other Christian communities in Syria and Palestine, probably forced to bury their church silver to hide it from the Persians or Arabs, who conquered their lands in the first half of the 7th century. The paten, which held pieces of Eucharistic bread used during Mass, is decorated with an engraved Latin cross surrounded by a dedicatory inscription that names the paten's donor--Domnos--and its original location--the church of Saint Sergios in Beth Misona. The chalices, which contained the Eucharistic wine used during Mass, feature broad cups decorated with portrait busts of Saints Peter and Paul, Christ, and the Virgin. One chalice bears a dedicatory inscription naming its donor--Kyriakos, Domnos's son--and the priest of the church that received the pious gift--Zeno.
the Greek inscription surrounding the cross in the center translates as: + Having vowed, DOMNOS, son of ZACHEOS, has offered (this paten) to St. Sergois of the village of Beth Misona.
); Purchase from the J. H. Wade Fund; out of copyright

© Purchase from the J. H. Wade Fund / Bridgeman Images

Attic Black-figure amphora depicting athletes (ceramic)
Attic Black-figure amphora depicting athletes (ceramic)
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Haniwa figure of a shamaness, 5th-6th century (earthenware with painted decoration)
Haniwa figure of a shamaness, 5th-6th century (earthenware with painted decoration)
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Two Men Fighting a Tiger, flooring from the Grand Imperial Palace, Constantinople
Two Men Fighting a Tiger, flooring from the Grand Imperial Palace, Constantinople
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Miracle of the Bread and the Fishes, 5th-6th century AD (mosaic)
Miracle of the Bread and the Fishes, 5th-6th century AD (mosaic)
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Langobardic strap-end (bronze)
Langobardic strap-end (bronze)
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A Dorcas Meeting in the 6th Century, 1873-77 (oil on canvas)
A Dorcas Meeting in the 6th Century, 1873-77 (oil on canvas)
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Electra and the Chorus bearing vessels for libation on the tomb of Agamemnon
Electra and the Chorus bearing vessels for libation on the tomb of Agamemnon
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Fol.31r Chilperic I (543-97) and Fredegonde on Horseback
Fol.31r Chilperic I (543-97) and Fredegonde on Horseback
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Relief from the principal temple of Site III, 320-530 (stone)
Relief from the principal temple of Site III, 320-530 (stone)
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Belt decoration found at Saint-Denis, France (metal)
Belt decoration found at Saint-Denis, France (metal)
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Genius holding a bowl of fruit, symbolising plenty, from a spandrel of an aivans
Genius holding a bowl of fruit, symbolising plenty, from a spandrel of an aivans
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Seated statue of Imhotep (fl.c.2980 BC) holding an open papyrus scroll
Seated statue of Imhotep (fl.c.2980 BC) holding an open papyrus scroll
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A Dorcas Meeting in the 6th Century, 1873-77 (oil on canvas) Featured Print

A Dorcas Meeting in the 6th Century, 1873-77 (oil on canvas)

SYD235877 A Dorcas Meeting in the 6th Century, 1873-77 (oil on canvas) by Long, Edwin Longsden (1829-91); 134.6x217.5 cm; Art Gallery of New South Wales, Sydney, Australia; (add.info.: Dorcas (Tabitha) a Christian woman of Joppa who was a great friend and helper of the poor; the apostle Peter raised her from the dead; gave clothes to the poor;); Art Gallery of New South Wales; Eadith Walker Fund 1889; English, out of copyright.
PLEASE NOTE: Bridgeman Images works with the owner of this image to clear permission. If you wish to reproduce this image, please inform us so we can clear permission for you

© Art Gallery of New South Wales Eadith Walker Fund 1889 / Bridgeman Images

Stained glass from Tournai Cathedral illustrating the taxes levied on beer
Stained glass from Tournai Cathedral illustrating the taxes levied on beer
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Two pyx with reliefs depicting the resurrection of Lazarus
Two pyx with reliefs depicting the resurrection of Lazarus
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Death of St. Columba, from The Trias Thaumaturga, or Three Wonder-Working Saints of
Death of St. Columba, from The Trias Thaumaturga, or Three Wonder-Working Saints of
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Silk fragment showing the Senmurv, Sassanian Dynasty (226-651) (textile)
Silk fragment showing the Senmurv, Sassanian Dynasty (226-651) (textile)
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Chalcophone, c.8th - 6th century BC (bronze)
Chalcophone, c.8th - 6th century BC (bronze)
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St. Columba chanting, and attacked by the Druids, from The Trias Thaumaturga
St. Columba chanting, and attacked by the Druids, from The Trias Thaumaturga
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Engaged Capital with Animals, 400s-500s (limestone)
Engaged Capital with Animals, 400s-500s (limestone)
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Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)
Mounted Rock Crystal, 500s-600s (gold, quartz, almandine)
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Ornamental Shoulder Bands from a Tunic, 500s (tapestry weave with supplementary weft
Ornamental Shoulder Bands from a Tunic, 500s (tapestry weave with supplementary weft
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Part of an arch with the Nile god and Earth goddess, possibly from Herakleapolis Magna
Part of an arch with the Nile god and Earth goddess, possibly from Herakleapolis Magna
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Siglos of Darius the Great (metal)
Siglos of Darius the Great (metal)
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The Baptism of Clovis, Rheims, 496 AD, illustration from Hutchinson'
The Baptism of Clovis, Rheims, 496 AD, illustration from Hutchinson'
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