Burning Torch Collection

The Dream of Hecuba (fresco)
AII78914 The Dream of Hecuba (fresco) by Romano, Giulio (1492-1546) (and workshop); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

The Monument, engraved by William Henry Toms (c. 1700-50) (engraving)
STC94446 The Monument, engraved by William Henry Toms (c.1700-50) (engraving) by English School, (18th century); Private Collection; The Stapleton Collection; English, out of copyright

The Martyrdom, from The Travels and Sufferings of Father Jean de Brebeuf, 1938, (wood engraving). Saint Jean de Brebeuf (1593 - 1649)

Hercules Hydra Lerna Hercules tries kill multi-headed Hydra
Hercules and the Hydra of Lerna, Hercules tries to kill the multi-headed Hydra of Lerna with a burning torch. In the background a monument with a coat of arms

Allegory Birth woman gives newborn baby two putti
Allegory of Birth, A woman gives a newborn baby to two putti. On the left is a woman with a burning torch. On the right is a woman who has just given birth. There are two women next to the bed

Sleeping Amor Non ti fidar che mai non dorme Amore / egg chiude gli occhi allor che insidia un core (title on object), The sleeping Amor in a landscape. Behind him lies a burning torch

Study sheet five vignettes medallion Dianas head
Study sheet with five vignettes, above medallion with Dianas head, middle ape with glass and cake, left and right different attributes held together with ribbons

Allegory science female figure keeps own eyes open
Allegory of science, A female figure keeps her own eyes open with her fingers. With her right hand she opens a chest with books, snakes and a bat

Allegory Second Centenary Reformation Title page
Allegory on the Second Centenary of the Reformation Title page for: J. Manne, Accurate as theologian as historical remarks on the work of the Reformation, 1719

De Oorlog Oorloghe title object Part Misuse Prosperity series
De Oorlog Oorloghe (title on object), Part of the Misuse of Prosperity series, but printed here as an independent show, without frame and text. Personification of the war

Mocking Ceres 1646 Etching state Sheet 11 13 / 16
Artokoloro

Music and Love, 1652 (oil on canvas)
XJL211847 Music and Love, 1652 (oil on canvas) by Thulden, Theodore van (1606-79); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; Flemish, out of copyright

The Barricade, no. 34 from Types de la Commune, 1871 (colour litho)
XIR180199 The Barricade, no.34 from Types de la Commune, 1871 (colour litho) by Lefman, (fl.1871); Bibliotheque Nationale, Paris, France; French, out of copyright

Female Figure with palette pointing at a painting, Arnold Houbraken, Anonymous, 1700-1750

Broad lobe cartridge with heart-shaped compartment, Johannes Lutma (II), c. 1653 - c. 1655

Two times Amor connected by a ribbon with eachother, print maker: Boetius Adamsz. Bolswert, M. Reen, 1590 - 1633

Journal with five vignettes, Willem Bilderdijk, 1766 - 1785

Fire, Caspar Luyken, 1691

Night, Crispijn van de Passe (I), 1574 - 1637

Allegory of marriage, Pieter van den Berge, 1694 - 1737

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"Burning Torch: Illuminating the Depths of Artistic Expression" In the world of art, a burning torch symbolizes enlightenment and passion, and is a powerful motif that has been depicted in various forms throughout history, capturing the imagination of both artists and viewers alike. One such representation can be found in "The Dream of Hecuba, " a mesmerizing fresco that tells the tragic tale of Queen Hecuba's visions during the Trojan War. In this haunting scene, a burning torch serves as a beacon of hope amidst chaos and despair. Another captivating portrayal can be seen in William Henry Toms' engraving titled "The Monument. " Here, a majestic burning torch stands tall, representing resilience and remembrance for those who have passed on. In "The Martyrdom, " an intense wood engraving from Father Jean de Brebeuf's harrowing travels and sufferings, we witness the bravery of missionaries facing persecution. A burning torch illuminates their path as they stand firm in their faith. Moving beyond mythology, Hercules' battle with Hydra showcases his strength and determination to vanquish evil. With each decapitated head replaced by two more, Hercules wields his burning torch relentlessly until victory is achieved. An allegorical birth scene depicts a woman giving birth while two putti hold up a burning torch above her. This symbolic gesture represents new beginnings and the guiding light that accompanies every life's journey. In contrast to these fiery depictions lies Sleeping Amor - Non ti fidar che mai non dorme Amore - where love slumbers peacefully beside its extinguished flame. This poignant artwork reminds us that even love needs rest but will awaken when needed most. A study sheet featuring vignettes medallion Dianas head showcases artistic exploration through sketches illuminated by flickering flames from nearby candles or perhaps even small handheld torches used by artists long ago.