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Bruised Collection

"Bruised: A Tale of Unexpected Hardships and Resilience" In the enchanting world of George Studdy's "I Don't Know Where I Am

Background imageBruised Collection: I Don t Know Where I Am by George Studdy

I Don t Know Where I Am by George Studdy
After an unsolicited scrap, Bonzo is left in agreement with that famous statesman who said, " People hardly know where they are, and I am one of those in that position." Fortunately

Background imageBruised Collection: 'I Have Hardly Closed My Eyes The Whole Night! Heaven Knows What Was In The Bed

"I Have Hardly Closed My Eyes The Whole Night! Heaven Knows What Was In The Bed
" I Have Hardly Closed My Eyes The Whole Night! Heaven Knows What Was In The Bed. I Seemed To Be Lying Upon Some Hard Thing, And My Whole Body Is Black And Blue This Morning

Background imageBruised Collection: End of the Harvest, (oil on canvas)

End of the Harvest, (oil on canvas)
650785 End of the Harvest, (oil on canvas) by Brown, Fred C. (fl. 19th century); 22.8x30.5 cm; Private Collection; (add.info.: End of the Harvest. Fred C. Brown. Oil on board)

Background imageBruised Collection: A jigging machine at Fowey Consols Copper Mine

A jigging machine at Fowey Consols Copper Mine
5311944 A jigging machine at Fowey Consols Copper Mine; (add.info.: Engraving depicting a jigging machine at Fowey Consols Copper Mine, Cornwall)

Background imageBruised Collection: Comic postcard, Married couple fighting Date: 20th century

Comic postcard, Married couple fighting Date: 20th century

Background imageBruised Collection: End of the Harvest (oil on board)

End of the Harvest (oil on board)
823085 End of the Harvest (oil on board) by Brown, Fred C. (fl. 19th century); 20.2x27.8 cm; Private Collection; (add.info.: End of the Harvest. Fred C. Brown (fl. 19th century). Oil on board

Background imageBruised Collection: Fighting for the Dunghill or Jack Tar settling Buonaparte, pub

Fighting for the Dunghill or Jack Tar settling Buonaparte, pub
2966822 Fighting for the Dunghill or Jack Tar settling Buonaparte, pub. 1798 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageBruised Collection: Still Life of Pears, 18th-19th century (oil on canvas)

Still Life of Pears, 18th-19th century (oil on canvas)
2957133 Still Life of Pears, 18th-19th century (oil on canvas) by French School; 19x24 cm; Private Collection; French, out of copyright

Background imageBruised Collection: Still Life of Apples, 18th-19th century (oil on canvas)

Still Life of Apples, 18th-19th century (oil on canvas)
2957108 Still Life of Apples, 18th-19th century (oil on canvas) by French School; 19x24 cm; Private Collection; French, out of copyright

Background imageBruised Collection: The Inn keepers Wife & daughter taking care of the Don after being beaten and bruised

The Inn keepers Wife & daughter taking care of the Don after being beaten and bruised
2905804 The Inn keepers Wife & daughter taking care of the Don after being beaten and bruised (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info)

Background imageBruised Collection: Apples and Tree Trunk, 1891 (oil on canvas)

Apples and Tree Trunk, 1891 (oil on canvas)
984979 Apples and Tree Trunk, 1891 (oil on canvas) by Prentice, Levi Wells (1851-1935); 30.5x25.5 cm; Private Collection; (add.info.: Apples and Tree Trunk. Levi Wells Prentice (1851-1935)

Background imageBruised Collection: Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte

Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte
NCO190184 Fighting for the Dunghill, or Jack Tar Settl ing Buonaparte, published by Hannah Humphrey in 1798 (etching with aquatint) by Gillray

Background imageBruised Collection: Hanging Apples (oil on canvas)

Hanging Apples (oil on canvas)
822932 Hanging Apples (oil on canvas) by David, Stanley S. (1847-98); 30.7x 25.5 cm; Private Collection; (add.info.: Hanging Apples. Stanley S. David (1847-1898). Oil on canvas. 30.7 x 25.5cm

Background imageBruised Collection: Joe Frazier seen here giving a press conference whilst an aide applies a ice bag to his

Joe Frazier seen here giving a press conference whilst an aide applies a ice bag to his face to reduce the swelling following the fight against Muhammad Ali

Background imageBruised Collection: Six Stages of Marring a Face, May 29, 1792. May 29, 1792. Creator: Thomas Rowlandson

Six Stages of Marring a Face, May 29, 1792. May 29, 1792. Creator: Thomas Rowlandson
Six Stages of Marring a Face, May 29, 1792

Background imageBruised Collection: Coccyx pain, conceptual artwork

Coccyx pain, conceptual artwork
Coccyx pain. Conceptual computer artwork showing pain (represented as the red area) in the coccyx, the base of the spine. The bones (white) of the upper legs

Background imageBruised Collection: Dejected Australian players after the 2003 World Cup Final

Dejected Australian players after the 2003 World Cup Final
Rugby Union - The 2003 World Cup Final - England 20 Australia 17 (a.e.t.) Dejected Australian players with their runners-up medals. Left to right: Phil Waugh, Mat Rogers, Stephen Larkham

Background imageBruised Collection: Boxer, Barry McGuigan, shows off his bruises after one of his fights. 1st June 1989

Boxer, Barry McGuigan, shows off his bruises after one of his fights. 1st June 1989

Background imageBruised Collection: Humpty and Dumpty the rabbits lose their way

Humpty and Dumpty the rabbits lose their way
Bumps and Bruises -- Humpty and Dumpty the twin rabbits lose their way and get bumped and bruised. Date: 1912

Background imageBruised Collection: AM170720 083368

AM170720 083368
8, AM170720 083368

Background imageBruised Collection: The Bruiser Bruis d, Or, the Knowing-Ones Taken-in, 1750 (engraving)

The Bruiser Bruis d, Or, the Knowing-Ones Taken-in, 1750 (engraving)
XJF400608 The Bruiser Bruis d, Or, the Knowing-Ones Taken-in, 1750 (engraving) by English School, (18th century); Private Collection; English, out of copyright

Background imageBruised Collection: French WW2 Propaganda postcard - Siegfried Line leaking

French WW2 Propaganda postcard - Siegfried Line leaking
French WW2 Propaganda postcard showing the German Defensive Siegfried Line having been attacked and sprung a leak! The fish is wittily asking the bashed-up German soldiers

Background imageBruised Collection: Bruised skin

Bruised skin. Close-up of a bruise (haematoma) on the skin of a person. A haematoma is a localised collection of blood caused by bleeding from a ruptured blood vessel

Background imageBruised Collection: Brain injury, MRI scan

Brain injury, MRI scan
Brain injury. Coronal magnetic resonance imaging (MRI) brain scan showing intracranial abnormalities in a 23-year-old male motorcycle crash victim

Background imageBruised Collection: Bruised hand

Bruised hand
MODEL RELEASED. Bruised hand. Bruising on a persons hand

Background imageBruised Collection: Hip pain, conceptual artwork

Hip pain, conceptual artwork
Hip pain. Conceptual computer artwork showing pain (represented as the red area) in a hip. The bones (white) of the upper leg and lower torso are shown within an outline (blue)

Background imageBruised Collection: Mrs Taylors Barrel

Mrs Taylors Barrel
On her 43rd birthday, Mrs Anne Edison Taylor, to pay off the mortgage on her farm, goes over the Falls in a barrel designed by herself : she emerges bruised but alive

Background imageBruised Collection: Don Quixote 3

Don Quixote 3
The innkeepers Wife and Daughter taking care of Don after being beaten and bruised


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"Bruised: A Tale of Unexpected Hardships and Resilience" In the enchanting world of George Studdy's "I Don't Know Where I Am, " a weary protagonist awakens to a shocking discovery. As he exclaims, "I have hardly closed my eyes the whole night. Heaven knows what was in the bed. I seemed to be lying upon some hard thing, and my whole body is black and blue this morning, and is terrible. " The accompanying illustration by Edmund Dulac for "The Real Princess" adds depth to his plight. Meanwhile, amidst an oil painting titled "End of the Harvest, " we sense that life's struggles can leave us bruised but not broken. Like a married couple fighting on a comic postcard from the 20th century, our battles may leave visible marks, yet they also reveal our strength and determination. History unfolds before us as we witness Jack Tar settling Buonaparte in Thomas Rowlandson's depiction aptly named "Fighting for the Dunghill. " Even in times of conflict and chaos, bruises become badges of honor when fighting for what truly matters. Amidst these trials, still-life paintings capture moments frozen in time – pears delicately arranged alongside an ancient tree trunk; apples hanging gracefully against nature's backdrop. These images remind us that even fruit bears scars from its journey – bruises that only enhance their beauty. And then there are those who tend to wounds inflicted by others - like The Innkeeper's Wife & Daughter taking care of the Don after being beaten and bruised. Their compassion shines through as they offer solace to someone battered by life's cruelties. As we contemplate these diverse scenes spanning centuries, it becomes clear that bruises tell stories beyond physical pain. They symbolize resilience forged through adversity - proof that despite hardships faced along life's path, we emerge stronger than before. So let us embrace our own bruises with pride, for they are the marks of battles fought and survived.