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Brotherly Love Collection (page 2)

"Brotherly Love: A Tapestry of Artistic Expressions" In the enchanting brushstrokes of "The Merchant of Venice, 1892

Background imageBrotherly Love Collection: L Amour, le Desir, at la Mort, from Personages de Comedie, pub. 1922 (pochoir print)

L Amour, le Desir, at la Mort, from Personages de Comedie, pub. 1922 (pochoir print)
2966857 L Amour, le Desir, at la Mort, from Personages de Comedie, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageBrotherly Love Collection: The Knight tries to Allay the Doubts of Elsa, illustration from Wagners Lohengrin

The Knight tries to Allay the Doubts of Elsa, illustration from Wagners Lohengrin, published by George Routledge
IL288855 The Knight tries to Allay the Doubts of Elsa, illustration from Wagners Lohengrin, published by George Routledge, 1901 (colour litho) by Tilney

Background imageBrotherly Love Collection: Diana and Endymion, 1752 (marble)

Diana and Endymion, 1752 (marble)
449813 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Background imageBrotherly Love Collection: Room of Psiche, northern wall: Venus and Mars bathing; Eros and some cupids attend the goddesss

Room of Psiche, northern wall: Venus and Mars bathing; Eros and some cupids attend the goddesss bath (fresco)
7240616 Room of Psiche, northern wall: Venus and Mars bathing; Eros and some cupids attend the goddesss bath (fresco) by Romano

Background imageBrotherly Love Collection: Scene from Silas Marner, by George Eliot (engraving)

Scene from Silas Marner, by George Eliot (engraving)
7184944 Scene from Silas Marner, by George Eliot (engraving) by Cowper, Max (1860-1911); Private Collection; (add.info.: Eppie had quietly passed her arm behind Silass head: scene from Silas Marner)

Background imageBrotherly Love Collection: Diana and Endymion, 1752 (marble)

Diana and Endymion, 1752 (marble)
449808 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Background imageBrotherly Love Collection: Diana and Endymion, 1752 (marble)

Diana and Endymion, 1752 (marble)
449806 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Background imageBrotherly Love Collection: The Appointment (oil)

The Appointment (oil)
7085269 The Appointment (oil) by Tofano, Edoardo (1838-1920); Private Collection

Background imageBrotherly Love Collection: Diana and Endymion, 1752 (marble)

Diana and Endymion, 1752 (marble)
449809 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Background imageBrotherly Love Collection: Allegorical scene with man seducing a woman as she plays guitar, , 1803 (engraving)

Allegorical scene with man seducing a woman as she plays guitar, , 1803 (engraving)
7233096 Allegorical scene with man seducing a woman as she plays guitar, , 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info)

Background imageBrotherly Love Collection: Lovers embracing (colour litho)

Lovers embracing (colour litho)
7201351 Lovers embracing (colour litho) by Krenes, Heinrich (1874-1913); Private Collection; (add.info.: Lovers embracing. Illustration from Lustige Blatter, 1913.); © Look and Learn

Background imageBrotherly Love Collection: Queen Louise of Prussia making her son Prince William a crown of cornflowers during their flight

Queen Louise of Prussia making her son Prince William a crown of cornflowers during their flight to Memel to escape
7148143 Queen Louise of Prussia making her son Prince William a crown of cornflowers during their flight to Memel to escape Napoleons invading French army, 1806 (engraving) by Zick

Background imageBrotherly Love Collection: The Knights Return, poem by Charles Kingsley (colour litho)

The Knights Return, poem by Charles Kingsley (colour litho)
7185375 The Knights Return, poem by Charles Kingsley (colour litho) by Spooner, Minnie Didbin (1867-1949); Private Collection; (add.info.: The Knights Return, poem by Charles Kingsley)

Background imageBrotherly Love Collection: A young woman reading a love letter in her room. 1831 (engraving)

A young woman reading a love letter in her room. 1831 (engraving)
7234806 A young woman reading a love letter in her room.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151042 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151038 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151043 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151046 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Sleeping Venus, c. 1510-76 (oil on canvas)

Sleeping Venus, c. 1510-76 (oil on canvas)
7240827 Sleeping Venus, c.1510-76 (oil on canvas) by Titian (Tiziano Vecelli) (c.1488-1576) (after); 104x168.9 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Sleeping Venus)

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151044 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Portrait of William Wordsworth (1770-1850), c. 1822-50 (oil on canvas)

Portrait of William Wordsworth (1770-1850), c. 1822-50 (oil on canvas)
7240934 Portrait of William Wordsworth (1770-1850), c.1822-50 (oil on canvas) by Carrick, Thomas Heathfield (1802-74); 16.5x14 cm; The Weston Park Foundation, Shropshire

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151045 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Love in the kitchen (colour litho)

Love in the kitchen (colour litho)
7151040 Love in the kitchen (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBrotherly Love Collection: Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c. 1775 (soft-paste porcelain)

Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c. 1775 (soft-paste porcelain)
449819 Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c.1775 (soft-paste porcelain) by English School, (18th century); The Holburne Museum, Bath

Background imageBrotherly Love Collection: Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c. 1775 (soft-paste porcelain)

Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c. 1775 (soft-paste porcelain)
449816 Time Clipping the Wings of Love, Chelsea-Derby Porcelain Factory, c.1775 (soft-paste porcelain) by English School, (18th century); The Holburne Museum, Bath

Background imageBrotherly Love Collection: Venus (colour litho)

Venus (colour litho)
7150566 Venus (colour litho) by Perrault, Leon Bazile (1832-1908); Private Collection; (add.info.: Venus. Illustration for El Desnudo en el Arte (M Uson, 1906).); © Look and Learn

Background imageBrotherly Love Collection: Couple bathing in the forest

Couple bathing in the forest
7231830 Couple bathing in the forest by Folkestad, Bernhard Dorotheus (1879-1933); 120x135 cm; Private Collection; (add.info.: Artist: Bernhard Folkestad (1879-1933)); Photo © O. Vaering

Background imageBrotherly Love Collection: The horse stands between his master and the enemy (colour litho)

The horse stands between his master and the enemy (colour litho)
7193519 The horse stands between his master and the enemy (colour litho) by English School, (20th century); Private Collection; (add.info.: The horse stands between his master and the enemy)

Background imageBrotherly Love Collection: Leda and the Swan, Oil on canvas

Leda and the Swan, Oil on canvas
7224990 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: Leda and the Swan)

Background imageBrotherly Love Collection: Leda and the Swan, Oil on canvas

Leda and the Swan, Oil on canvas
7224989 Leda and the Swan, Oil on canvas by Vinci, Leonardo da (1452-1519) (after); Villa Borghese, Rome, Italy; (add.info.: VillaLeda and the Swan)

Background imageBrotherly Love Collection: German pride (colour litho)

German pride (colour litho)
7148645 German pride (colour litho) by Heilemann, Ernst (1870-1936) (after); Private Collection; (add.info.: German pride)

Background imageBrotherly Love Collection: Mazeppa - 'Again He Urges on His Wild Career', satire depicting King William IV tied to the wild

Mazeppa - "Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of
7148292 Mazeppa - " Again He Urges on His Wild Career", satire depicting King William IV tied to the wild horse of Reform, 1832 (engraving) by Doyle

Background imageBrotherly Love Collection: Vinolia soap, advertisement (chromolitho)

Vinolia soap, advertisement (chromolitho)
7154213 Vinolia soap, advertisement (chromolitho) by English School, (19th century); Private Collection; (add.info.: Vinolia soap)

Background imageBrotherly Love Collection: The sailors return: a sailor returns home to his family (chromolitho)

The sailors return: a sailor returns home to his family (chromolitho)
7153587 The sailors return: a sailor returns home to his family (chromolitho) by Dickes, William (fl.1843-81); Private Collection; (add.info.: The sailors return)

Background imageBrotherly Love Collection: Young woman feeding the birds being surprised by her lover (colour litho)

Young woman feeding the birds being surprised by her lover (colour litho)
7153515 Young woman feeding the birds being surprised by her lover (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageBrotherly Love Collection: Aesops Fables: The Lion in Love (colour litho)

Aesops Fables: The Lion in Love (colour litho)
7164643 Aesops Fables: The Lion in Love (colour litho) by English School, (19th century); Private Collection; (add.info.: The Lion in Love)

Background imageBrotherly Love Collection: Love and a Cottage (engraving)

Love and a Cottage (engraving)
7167131 Love and a Cottage (engraving) by English School, (19th century); Private Collection; (add.info.: Love and a Cottage)

Background imageBrotherly Love Collection: Elderly couple receiving a visit from their children and grandchildren (litho)

Elderly couple receiving a visit from their children and grandchildren (litho)
7172635 Elderly couple receiving a visit from their children and grandchildren (litho) by English School, (20th century); Private Collection; (add.info)

Background imageBrotherly Love Collection: Return of the Prodigal Son (engraving)

Return of the Prodigal Son (engraving)
7172456 Return of the Prodigal Son (engraving) by European School, (17th century); Private Collection; (add.info.: Return of the Prodigal Son (Luke 15)

Background imageBrotherly Love Collection: Woman trying to evade her suitors marriage proposal (litho)

Woman trying to evade her suitors marriage proposal (litho)
7172183 Woman trying to evade her suitors marriage proposal (litho) by Bluhm, Oscar (1867-1912); Private Collection; (add.info.: Woman trying to evade her suitors marriage proposal)

Background imageBrotherly Love Collection: Woman asking her friend how her husband to be proposed to her (colour litho)

Woman asking her friend how her husband to be proposed to her (colour litho)
7172169 Woman asking her friend how her husband to be proposed to her (colour litho) by Bluhm, Oscar (1867-1912); Private Collection; (add.info)

Background imageBrotherly Love Collection: Casanovas echappant des plombs de Venise (engraving)

Casanovas echappant des plombs de Venise (engraving)
7179269 Casanovas echappant des plombs de Venise (engraving) by French School, (19th century); Private Collection; (add.info.: Casanovas echappant des plombs de Venise)

Background imageBrotherly Love Collection: Cross d in Love (engraving)

Cross d in Love (engraving)
7177919 Cross d in Love (engraving) by English School, (19th century); Private Collection; (add.info.: Cross d in Love. Illustration for The Comic Annual by Thomas Hood)

Background imageBrotherly Love Collection: 'We ll be Friends'(engraving)

"We ll be Friends"(engraving)
7165835 " We ll be Friends" (engraving) by English School, (19th century); Private Collection; (add.info.: " We ll be Friends." Illustration for Our Darlings)

Background imageBrotherly Love Collection: Yasemeen from the Arabian Nights (oil on canvas)

Yasemeen from the Arabian Nights (oil on canvas)
6201847 Yasemeen from the Arabian Nights (oil on canvas) by Wontner, William Clark (1857-1930); Private Collection

Background imageBrotherly Love Collection: Farewell mother, 1898

Farewell mother, 1898
7215869 Farewell mother, 1898 by Kittelsen, Theodor Severin (1857-1914); Private Collection; Photo © O. Vaering

Background imageBrotherly Love Collection: Cupid delivers a love letter. 19th century (print)

Cupid delivers a love letter. 19th century (print)
7212201 Cupid delivers a love letter. 19th century (print) by Mallet, Jean Baptiste (1759-1835) (after); (add.info.: L Amitie reste, or Friendship Remains)



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"Brotherly Love: A Tapestry of Artistic Expressions" In the enchanting brushstrokes of "The Merchant of Venice, 1892, " we witness a bond between brothers that transcends time and prejudice. Through the vibrant hues of "A maid dish, " a colorful litho, we glimpse the tender affection shared by two siblings as they share laughter and secrets. In "A Young Man Choosing Love of Beauty Rather Than Riches, " an engraving captures the essence of brotherly love, where material wealth takes a backseat to cherishing one another's souls. "Il Pecorone: Day I, Novel II, A Lesson in Love" unfolds in a litho masterpiece, depicting brothers who stand united against adversity and learn invaluable lessons about compassion. Heart-wrenchingly portrayed in "The sailors fired at the cubs and killed them, " a color litho reveals how brotherhood can be tested when faced with unimaginable tragedy. With poignant strokes etched into "Love Song for the Hanged Man, " an etching conveys how brothers provide solace amidst life's darkest moments. Oscars Valentine immortalizes Oscar Wilde through caricatured litho artistry while reminding us that true brotherly love embraces individuality without judgment or prejudice. "The Greek hetaira and courtesan Phryne tried before the aeropagus for impiety" showcases an engraving capturing unconditional support between brothers even during times of societal condemnation. Amidst jealousy's destructive grip depicted in vivid colors within "A French officer who kills an artist out of jealousy in a cafe-chantant in Niort (France), " brotherly love emerges as an unwavering force capable of healing wounds inflicted by envy. Within "The Passionate Dramas, The Palermo Tragedy of March 25th, " color lithography unveils brothers' unbreakable bond amid turmoil—a testament to their unwavering loyalty.