British Raj Collection (page 18)

My Indian Trophies, c. 1870s (b / w photo)
498632 My Indian Trophies, c.1870s (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: British Man with his Indian Hunting Trophies)

Maharaja Jaswant Singh II of Jodhpur, c. 1870s (b / w photo)
498585 Maharaja Jaswant Singh II of Jodhpur, c.1870s (b/w photo) by British Photographer, (19th century); Private Collection; (add.info)

King George V and Queen Mary returning to the RMS Medina after the royal procession in Bombay on their visit to India
6032487 King George V and Queen Mary returning to the RMS Medina after the royal procession in Bombay on their visit to India to attend the Delhi Durbar, 1911 (b/w photo) by English Photographer

Hooghly Bridge, Calcutta, India (photo)
6032483 Hooghly Bridge, Calcutta, India (photo) by English Photographer, (20th century); Private Collection; (add.info.: Hooghly Bridge, Calcutta, India)

King George V and Queen Mary proceeding o the amphitheatre to receive the address of welcome on their visit to India to
6032482 King George V and Queen Mary proceeding o the amphitheatre to receive the address of welcome on their visit to India to attend the Delhi Durbar, 1911 (b/w photo) by English Photographer

Royal procession on Esplanade Road, Bombay, on the visit of King George V
6032477 Royal procession on Esplanade Road, Bombay, on the visit of King George V and Queen Mary to India to attend the Delhi Durbar, 1911 (b/w photo) by English Photographer

A View of Government House, Calcutta, 1826, engraved by Robert Havell the Younger
GHL10446 A View of Government House, Calcutta, 1826, engraved by Robert Havell the Younger (1793-1878) (aquatint) by Fraser, James Baillie (1783-1856) (after); London Metropolitan Archives

The Battle of Sobraon 10 February 1846 (aquatint)
145449 The Battle of Sobraon 10 February 1846 (aquatint) by Harris, John (1791-1873); Private Collection; (add.info.: Aquatint by John Harris the Younger after Henry Martens)

Western Entrance of Fort St. George, Madras, plate 38 from Oriental Scenery
STC136983 Western Entrance of Fort St. George, Madras, plate 38 from Oriental Scenery: Twenty Four Views in Hindoostan, engraved by Thomas and William (1769-1837) Daniell

The Council House, Calcutta, plate 29 from Oriental Scenery
STC136974 The Council House, Calcutta, plate 29 from Oriental Scenery: Twenty Four Views in Hindoostan, engraved by Thomas and William (1769-1837) Daniell, 1798 (colour litho) by Daniell

Grey Heron, folio from a Series Commissioned by Lady Impey, c
5910204 Grey Heron, folio from a Series Commissioned by Lady Impey, c.1780-82 (opaque colours & ink on paper) by Shaikh Zain ud-Din (Sheikh Zainuddin)

Black hooded Oriole and Insect on Jackfruit Stump, folio from a Series Commissioned by
5910201 Black hooded Oriole and Insect on Jackfruit Stump, folio from a Series Commissioned by Lady Impey, 1778 (opaque colours & ink on paper) by Shaikh Zain ud-Din (Sheikh Zainuddin)

Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey
5910200 Indian Roller on Sandalwood Branch, folio from a Series Commissioned by Lady Impey, 1779 (opaque colours & ink on paper) by Shaikh Zain ud-Din (Sheikh Zainuddin)

Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree
5910198 Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree, folio from a Series Commissioned by Lady Impey

Spotbilled Pelican, folio from a Series Commissioned by Lady Impey, c
5910197 Spotbilled Pelican, folio from a Series Commissioned by Lady Impey, c.1780-82 (opaque colours & ink on paper) by Shaikh Zain ud-Din (Sheikh Zainuddin)

8th Madras infantry, c. 1897 (b / w photo)
3744601 8th Madras infantry, c.1897 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Photo by Frederick Bremner shows the review order); English, out of copyright

Colour party, 45th (Rattrays Sikh) Regiment of Bengal infantry, c. 1897 (b / w photo)
3744600 Colour party, 45th (Rattrays Sikh) Regiment of Bengal infantry, c.1897 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

British Officers in India (colour engraving)
3744582 British Officers in India (colour engraving) by English School, (19th century); Private Collection; English, out of copyright

Mutineers pursued by English cavalry, 1857 (engraving)
3744563 Mutineers pursued by English cavalry, 1857 (engraving) by English School, (19th century); Private Collection; (add.info)

Pursuit of mutineers by Colonel Greathed, 1857 (engraving)
3744560 Pursuit of mutineers by Colonel Greathed, 1857 (engraving) by English School, (19th century); Private Collection; (add.info)

Pelmet (chintz) (pair to 997107)
997106 Pelmet (chintz) (pair to 997107) by Anglo-Indian School, (18th Century); 244x73.8 cm; Private Collection; (add.info)

Repousse four-piece tea set, late 19th century (silver) (see also 996381)
996380 Repousse four-piece tea set, late 19th century (silver) (see also 996381) by Mawji, Oomersi (19th century); Private Collection; (add.info.: Comprising a teapot, a milk jug)

A Syce (groom) Holding Two Carriage Horses, c. 1845 (opaque w / c on paper)
3614150 A Syce (groom) Holding Two Carriage Horses, c.1845 (opaque w/c on paper) by Shaik Muhammad Amir of Karraya (fl.1830-50); 30.5x50.8 cm; Metropolitan Museum of Art, New York

B Company 2nd Batallion The Queen s, Umballa, 1891 (sepia photo)
745300 B Company 2nd Batallion The Queen s, Umballa, 1891 (sepia photo) by British Photographer, (19th century); Private Collection; (add.info.: Modern day Ambala, India)

The Delhi Durbar (colour litho)
2795685 The Delhi Durbar (colour litho) by French School, (20th century); Private Collection; (add.info.: The Delhi Durbar celebrating the accession of King Edward VII)

The Dalai Lama arriving on a visit to India (colour litho)
2779596 The Dalai Lama arriving on a visit to India (colour litho) by French School, (20th century); Private Collection; (add.info.: The Dalai Lama arriving on a visit to India)

Forty Brahmins walking over hot coals in India (colour litho)
2779407 Forty Brahmins walking over hot coals in India (colour litho) by French School, (20th century); Private Collection; (add.info.: Forty Brahmins walking over hot coals at Madras, India)

Le Palais Du Maharajah A Manipour (engraving)
2789247 Le Palais Du Maharajah A Manipour (engraving) by French School, (19th century); Private Collection; (add.info.: Le Palais Du Maharajah A Manipour)

The Emir of Afghanistan arriving in Peshawar on a visit to India (colour litho)
2779263 The Emir of Afghanistan arriving in Peshawar on a visit to India (colour litho) by French School, (20th century); Private Collection; (add.info)

The Pavilion of British India at the Exposition Universelle of 1900 in Paris (colour litho)
2807838 The Pavilion of British India at the Exposition Universelle of 1900 in Paris (colour litho) by French School, (20th century); Private Collection; (add.info)

Bridge over the Sutlej at Wangtoo, from India Ancient and Modern
STC418245 Bridge over the Sutlej at Wangtoo, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish

Ambair, from India Ancient and Modern, 1867 (colour litho)
STC418244 Ambair, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish, out of copyright

Madras, from India Ancient and Modern, 1867 (colour litho)
STC418242 Madras, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish, out of copyright

The Chitpore Road, from India Ancient and Modern, 1867 (colour litho)
STC418234 The Chitpore Road, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish, out of copyright

The Dewali or Festival of Lamps, from India Ancient and Modern
STC418233 The Dewali or Festival of Lamps, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish

The Ravee River, from India Ancient and Modern, 1867 (colour litho)
STC418222 The Ravee River, from India Ancient and Modern, 1867 (colour litho) by Simpson, William Crimea (1823-99); Private Collection; The Stapleton Collection; Scottish, out of copyright

Benares on the River Ganges (pencil, pen & ink and w / c on paper)
CH469841 Benares on the River Ganges (pencil, pen & ink and w/c on paper) by Cornish, Hubert (1757-1823); 37.5x54.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Palanquin bearers and holy men resting beneath a banyan tree at the entrance to a village
CH469840 Palanquin bearers and holy men resting beneath a banyan tree at the entrance to a village, Bengal (pencil & w/c on paper) by Cornish

Lady Teignmouths garden house on the banks of the Hooghly, Calcutta
CH469838 Lady Teignmouths garden house on the banks of the Hooghly, Calcutta, after 1797 (pencil, pen & ink and w/c on paper) by Cornish

Lord and Lady Lansdowne with Staff and Friends at the Viceregal Lodge, Shimla, c
495563 Lord and Lady Lansdowne with Staff and Friends at the Viceregal Lodge, Shimla, c.1888-94 (b/w photo) by English Photographer

Lord and Lady Dufferin and Group at the Viceregal Lodge, Shimla, c. 1884-88 (b / w photo)
495559 Lord and Lady Dufferin and Group at the Viceregal Lodge, Shimla, c.1884-88 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Lord Dufferin)

Escort of the 20th Bengal (Punjab) Native Infantry, Field Service Kit
PNP314307 Escort of the 20th Bengal (Punjab) Native Infantry, Field Service Kit, the Anglo-Indian Army of the 1880s (colour litho) by Simkin

The Queens Own Madras Sappers and Miners, Review Order
PNP314304 The Queens Own Madras Sappers and Miners, Review Order, Anglo-Indian Army of the 1880s (colour litho) by Simkin

Lieutenant Colonel Eustace Melville Lawford (b. 1856) c. 1900 (oil on canvas)
NAM237715 Lieutenant Colonel Eustace Melville Lawford (b.1856) c.1900 (oil on canvas) by English School; National Army Museum, London; eNational Army Museum; English, out of copyright

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"Exploring the British Raj: A Glimpse into India's Colonial Past" Step back in time and witness the fascinating era of the British Raj, as we delve into a captivating journey through history. In 1921, the Prince of Wales graced Indian soil during his tour, captured alongside the majestic Maharajah of Gwalior. This iconic moment symbolizes the Empire's Highway to India. The Anglo-Indian Army of the 1880s comes to life with vivid illustrations showcasing The Corps of Guides, both cavalry and infantry. These brave soldiers exemplified courage and loyalty in service to their colonial masters. Diving deeper into military prowess, we encounter Soldiers of the 15th Ludhiana Sikhs, immortalized in an illustration depicting Armies of India. Their valiant spirit echoes through time. Witnessing historical events unfolds before our eyes; we stand witness to The 93rd Highlanders storming Secundrabagh during Lucknow's tumultuous times. Their unwavering determination paints a picture etched forever in our memories. The Queens Own Corps of Guides Officer, NCOs, and Troopers from 1897 capture our attention with a black-and-white photograph that encapsulates their discipline and dedication towards maintaining order within this vast empire. Traversing geographical boundaries becomes effortless as we explore Bengal, North West & Central Provinces along with Assam through an intriguing map from 1902. Unknown creator but undeniable significance. Marvel at architectural wonders like Lahore's Marble Pavilion nestled within Fort Gardens—a testament to grandeur that adorned late 19th or early 20th-century India—showcasing cultural fusion between East and West under imperial rule. Peering further into history reveals diverse types of soldiers from the first half of the nineteenth century—an artistic masterpiece by Richard Knotel that captures their unique uniforms and weaponry—reminding us how these men shaped an era long gone by.