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Breast Collection (page 8)

"Exploring the Art of the Breast: A Captivating Journey through Paintings and Advertisements" In Antonio Maria Fabres y Costa's painting, "The Thief

Background imageBreast Collection: Portrait of Pauline Bonaparte as Venus Victrix, detail, white marble, Antonio Canova (1757-1822)

Portrait of Pauline Bonaparte as Venus Victrix, detail, white marble, Antonio Canova (1757-1822), Galleria Borghese, Rome Rome The Borghese Gallery Statue Neoclassicism, Nineteenth century

Background imageBreast Collection: Portrait of Pauline Bonaparte as Venus Victrix, white marble, Antonio Canova (1757-1822)

Portrait of Pauline Bonaparte as Venus Victrix, white marble, Antonio Canova (1757-1822), Galleria Borghese, Rome Rome The Borghese Gallery Statue Neoclassicism, Nineteenth century, 19th century

Background imageBreast Collection: Wounded Amazon, marble statue placed in the Capitoline Museum in Rome

Wounded Amazon, marble statue placed in the Capitoline Museum in Rome Rome Capitoline Museum Statue Roman Art, Europe, Ancient Civilization. Date of Photograph:1890 ca.. Date of Artwork:V sec. ca

Background imageBreast Collection: Face of Venus, detail of the Venus Italica, sculpture by Antonio Canova

Face of Venus, detail of the Venus Italica, sculpture by Antonio Canova, located at the Galleria Palatina of the Palazzo Pitti in Florence Florence Palazzo Pitti

Background imageBreast Collection: Venus Urania, marble, Roman Art, The Uffizi Gallery, Florence

Venus Urania, marble, Roman Art, The Uffizi Gallery, Florence Florence The Uffizi Gallery Sculpture Roman Art, Europe, Ancient Civilization. Date of Photograph:1890 ca.. Date of Artwork:I sec. a.C

Background imageBreast Collection: A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic)

A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic)
NGW186866 A Bacchante Diverting the Attention of a Tiger, 1813 (ceramic) by Gibson, John (1790-1866); National Museum Wales; National Museums & Galleries of Wales

Background imageBreast Collection: The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre)

The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre)
XAM54146 The Venus of Willendorf, 30000-25000 BC (limestone coloured with red ochre) by Prehistoric; H:11cm cm; Naturhistorisches Museum, Vienna, Austria; (add.info.: Female figurine)

Background imageBreast Collection: Madonna and Child 2 - feet apart, 1910 (portland stone)

Madonna and Child 2 - feet apart, 1910 (portland stone)
NGW184201 Madonna and Child 2 - feet apart, 1910 (portland stone) by Gill, Eric (1882-1940); 62x20.3x16.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageBreast Collection: Female organs, cut away, artwork

Female organs, cut away, artwork
Female organs, cut away computer artwork

Background imageBreast Collection: Bacchanalia, (oil on canvas)

Bacchanalia, (oil on canvas)
827038 Bacchanalia, (oil on canvas) by Schmutzler, Leopold (1864-1941); 114.3x151.8 cm; Private Collection; (add.info.: Bacchanalia. Leopold Schmutzler (1864-1941). Oil on canvas

Background imageBreast Collection: Lucretia

Lucretia
PHD51594 Lucretia by Reni, Guido (1575-1642); Private Collection; (add.info.: Private Collection, Switzerland); Italian, out of copyright

Background imageBreast Collection: Standing Female Nude, c. 1855 (albumen print, mounted)

Standing Female Nude, c. 1855 (albumen print, mounted)
991515 Standing Female Nude, c.1855 (albumen print, mounted) by Le Gray, Gustave (1820-1884); 29.4x21.8 cm; Private Collection; (add.info.: Standing Female Nude. Gustave Le Gray (1820-1884)

Background imageBreast Collection: Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper)

Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper)
989123 Lying Young Girl, Half Nude, 1912 (watercolour and gouache over pencil on paper) by Schiele, Egon (1890-1918); 48x32 cm; Private Collection; (add.info.: Lying Young Girl)

Background imageBreast Collection: A Nude Young Woman Seated in Profile on the Left, Raising Her Left Arm

A Nude Young Woman Seated in Profile on the Left, Raising Her Left Arm
827617 A Nude Young Woman Seated in Profile on the Left, Raising Her Left Arm, and Two Subsidiary Studies of Her Left Hand; Une Jeune Femme Nue Assise de Profil Vers la Gauche, Levant le Bras Gauche

Background imageBreast Collection: Female nude with Death as a skeleton, 1897 (etching)

Female nude with Death as a skeleton, 1897 (etching)
990955 Female nude with Death as a skeleton, 1897 (etching) by Rassenfosse, Armand (1862-1934); 28x21.5 cm; Private Collection; (add.info.: Female nude with Death as a skeleton)

Background imageBreast Collection: Cleopatra, ca. 1623. Creator: Jan Muller

Cleopatra, ca. 1623. Creator: Jan Muller
Cleopatra, ca. 1623

Background imageBreast Collection: Cimon and Pero, ca. 1650-80. Creator: Cornelis van Caukercken

Cimon and Pero, ca. 1650-80. Creator: Cornelis van Caukercken
Cimon and Pero, ca. 1650-80

Background imageBreast Collection: The Holy Family, possibly 1527-33. Creator: Workshop of Joos van Cleve (Netherlandish, Cleve ca)

The Holy Family, possibly 1527-33. Creator: Workshop of Joos van Cleve (Netherlandish, Cleve ca)
The Holy Family, possibly 1527-33

Background imageBreast Collection: Crenulation cleavage developed in Pre-Cambrian age chlorite schist, a metamorphic rock Llyn

Crenulation cleavage developed in Pre-Cambrian age chlorite schist, a metamorphic rock Llyn, Wales, UK, May

Background imageBreast Collection: La Comparaison, (Comparison), 1786, (1913). Artist: Jean Francois Janinet

La Comparaison, (Comparison), 1786, (1913). Artist: Jean Francois Janinet
La Comparaison, (Comparison), 1786, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Background imageBreast Collection: The Toilet, 1927, (1931). Artist: Charles Shannon

The Toilet, 1927, (1931). Artist: Charles Shannon
The Toilet, 1927, (1931). From the collection of the Usher Gallery, Lincolnshire. From The Studio Painting Series. 1 - Figure Studies

Background imageBreast Collection: The Bath of Psyche, c1890

The Bath of Psyche, c1890. Painting held in the Tate Britain, London. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]

Background imageBreast Collection: We Named Lucrezia Crivelli and Titians Lady, c1910. Artist: Harry Clarke

We Named Lucrezia Crivelli and Titians Lady, c1910. Artist: Harry Clarke
We Named Lucrezia Crivelli and Titians Lady, c1910. One of the Queens? Panels designed for the library of Laurence Waldrons library in Marino, Ballybrack, Killiney, Co. Dublin

Background imageBreast Collection: A Nymph and Cupid: The Snake in the Grass, 1784, (1914). Artist: Sir Joshua Reynolds

A Nymph and Cupid: The Snake in the Grass, 1784, (1914). Artist: Sir Joshua Reynolds
A Nymph and Cupid: The Snake in the Grass, 1784. After an original painting by Joshua Reynolds (1723-1792). Original painting housed in the Tate, London. From The Connoisseur Vol

Background imageBreast Collection: A Study of the Nude, 1879 (1938). Artist: Edouard Manet

A Study of the Nude, 1879 (1938). Artist: Edouard Manet
A Study of the Nude, 1879 (1938). Plate taken from Manet, by Robert Rey, published by William Heinemann Ltd (1938)

Background imageBreast Collection: Roman Charity, c1612. Artist: Peter Paul Rubens

Roman Charity, c1612. Artist: Peter Paul Rubens
Roman Charity, c1612. Rubens, Pieter Paul (1577-1640). Found in the collection of the State Hermitage, St. Petersburg

Background imageBreast Collection: Seated Female Nude, 1658. Artist: Rembrandt Harmensz van Rijn

Seated Female Nude, 1658. Artist: Rembrandt Harmensz van Rijn
Seated Female Nude, 1658. From a private collection

Background imageBreast Collection: Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry

Jupiter Beguiled by Juno, 18th / early 19th century. Artist: James Barry
Jupiter Beguiled by Juno, 18th/early 19th century. From the Sheffield Art Gallery, Sheffield

Background imageBreast Collection: Three Clay Female Fertility figures from Caraja Tribe, Brazil showing Steatopygia

Three Clay Female Fertility figures from Caraja Tribe, Brazil showing Steatopygia. Steatopygia is an enlargement of the buttocks

Background imageBreast Collection: Reclining Woman, 1865. Artist: Gustave Courbet

Reclining Woman, 1865. Artist: Gustave Courbet
Reclining Woman, 1865. Courbet, Gustave (1819-1877). Found in the collection of the State Hermitage, St. Petersburg

Background imageBreast Collection: Babylonian terracotta statuette of Astarte

Babylonian terracotta statuette of Astarte
Terracotta statuette of Astarte/Ishtar from Susa, from the Louvres collection

Background imageBreast Collection: Minoan faience figure of a Snake Goddess, 17th century BC

Minoan faience figure of a Snake Goddess, 17th century BC
Minoan faience figure of a Snake Goddess, from the central shrine of the Minoan Royal Palace at Knossos in Crete. Her bare breats emphasise the maternal nature of the goddess

Background imageBreast Collection: Cimon and Pero, ca. 1630-1700. Creator: Anon

Cimon and Pero, ca. 1630-1700. Creator: Anon
Cimon and Pero, ca. 1630-1700

Background imageBreast Collection: NUDE POSING, 1920s. Olga Desmond (1891-1964) posing as living statuary

NUDE POSING, 1920s. Olga Desmond (1891-1964) posing as living statuary. Photographed in 1921

Background imageBreast Collection: Erect breast nipple, artwork

Erect breast nipple, artwork
Erect breast nipple. Artwork of a perpendicular section through a female breast nipple (papilla) in an erect state. The section shows cylindrically arranged muscle cells (red)

Background imageBreast Collection: SALLY RAND (1904-1979). American burlesque dancer. Photographed in 1933

SALLY RAND (1904-1979). American burlesque dancer. Photographed in 1933



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"Exploring the Art of the Breast: A Captivating Journey through Paintings and Advertisements" In Antonio Maria Fabres y Costa's painting, "The Thief, " a stolen glance reveals the allure of a woman's breast, captivating both thief and viewer alike. Paul Chabas' masterpiece, "September Morn, " delicately portrays a nude figure emerging from a serene lake, her breast subtly exposed in the early morning light. Frantisek Kupka's "Planes / Nude" showcases vibrant colors that accentuate the curves of a female form, celebrating the beauty and sensuality of breasts as an artistic subject. Jean-Jacques Lequeu's provocative work titled "Et nous aussi nous serons meres car. . " challenges societal norms by presenting male figures with exaggerated breasts, questioning traditional notions of femininity and motherhood. Paul Gauguin's iconic painting "Where Do We Come From / What Are We / Where Are We Going" depicts Polynesian women with bare breasts symbolizing fertility and connection to nature in his exploration of existential questions. An engraved English advertisement for Pears Soap from 1889 features an elegantly dressed woman showcasing her radiant complexion while discreetly emphasizing her décolletage - highlighting how even soap advertisements have historically utilized images related to breasts for commercial appeal. Edouard Manet's controversial masterpiece "Luncheon on the Grass" challenges societal conventions by depicting fully clothed men engaging in conversation with two naked women whose unabashed exposure includes their bare chests. This bold portrayal sparked debates about nudity in art during its time. From Moroccan dancers to mythical Naiads frolicking near water bodies, various forms of art celebrate movement and gracefulness while often incorporating glimpses or representations of female breasts as symbols of femininity and sensuality. Gordon Conway captures modernity in his depiction titled "Her latest dance frock.