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Bow And Arrow Collection (page 9)

Unleashing the ancient power, the bow and arrow pierce through time and history

Background imageBow And Arrow Collection: A Battle Between the Crow and Cheyenne Tribes, 1874-75 (pen, ink & w / c on ledger paper)

A Battle Between the Crow and Cheyenne Tribes, 1874-75 (pen, ink & w / c on ledger paper)
869716 A Battle Between the Crow and Cheyenne Tribes, 1874-75 (pen, ink & w/c on ledger paper) by Howling Wolf (1849-1927); Allen Memorial Art Museum, Oberlin College, Ohio

Background imageBow And Arrow Collection: The Normans fight and kill those who were with King Harold, Bayeux Tapestry

The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen)
XIR183149 The Normans fight and kill those who were with King Harold, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageBow And Arrow Collection: The Hunting of Chevy Chase, 1825-26 (oil on canvas)

The Hunting of Chevy Chase, 1825-26 (oil on canvas)
BIR189270 The Hunting of Chevy Chase, 1825-26 (oil on canvas) by Landseer, Edwin (1802-73); 143x171 cm; Birmingham Museums and Art Gallery; (add.info)

Background imageBow And Arrow Collection: Sioux hunting buffalo on decorated pony (oil on canvas)

Sioux hunting buffalo on decorated pony (oil on canvas)
PNP245628 Sioux hunting buffalo on decorated pony (oil on canvas) by American School, (19th century); Private Collection; Peter Newark American Pictures

Background imageBow And Arrow Collection: The Normans kill Harolds men, Bayeux Tapestry (wool embroidery on linen)

The Normans kill Harolds men, Bayeux Tapestry (wool embroidery on linen)
XIR183150 The Normans kill Harolds men, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageBow And Arrow Collection: The Groves of Versailles. View of the Dragon Pool and the Pool of Neptune

The Groves of Versailles. View of the Dragon Pool and the Pool of Neptune, with Apollo slaying Python (oil on canvas)
XIR288982 The Groves of Versailles. View of the Dragon Pool and the Pool of Neptune, with Apollo slaying Python (oil on canvas) by Cotelle

Background imageBow And Arrow Collection: Hunting Crocodiles, from Brevis Narratio, engraved by Theodore de Bry (1528-98)

Hunting Crocodiles, from Brevis Narratio, engraved by Theodore de Bry (1528-98) 1563 (coloured engraving)
XDT181200 Hunting Crocodiles, from Brevis Narratio, engraved by Theodore de Bry (1528-98) 1563 (coloured engraving) (detail of 180138) by Le Moyne, Jacques (de Morgues) (1533-88) (after); Min

Background imageBow And Arrow Collection: Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen)

Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen)
XIR183145 Here fell the brothers of Harold: Gyrth and Leofwine, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageBow And Arrow Collection: Venus and Cupid (oil on canvas)

Venus and Cupid (oil on canvas)
XIR180445 Venus and Cupid (oil on canvas) by Allori, Alessandro (1535-1607); Musee d Art et d Histoire, Auxerre, France; (add.info.: goddess of beauty and love; )

Background imageBow And Arrow Collection: Heracles fighting Geryon (ceramic)

Heracles fighting Geryon (ceramic)
XZO349767 Heracles fighting Geryon (ceramic) by Greek; Bibliotheque Nationale, Paris, France; (add.info.: Heracles, or Herakles was a divine hero who had to complete 12 labours in order to redeem)

Background imageBow And Arrow Collection: Venus and Cupid, 1533 (oil on canvas)

Venus and Cupid, 1533 (oil on canvas)
BAT192571 Venus and Cupid, 1533 (oil on canvas) by Pontormo, Jacopo (1494-1557); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Photo © Nicolo Orsi Battaglini

Background imageBow And Arrow Collection: Buffalo Hunting on the Great Plains between St. Louis and Denver, c. 1870, from American Pictures

Buffalo Hunting on the Great Plains between St. Louis and Denver, c. 1870, from American Pictures
KW187910 Buffalo Hunting on the Great Plains between St. Louis and Denver, c.1870, from American Pictures, published by The Religious Tract Society, 1876 (engraving) by English School

Background imageBow And Arrow Collection: The English turn in flight after the death of King Harold, Bayeux Tapestry

The English turn in flight after the death of King Harold, Bayeux Tapestry (wool embroidery on linen)
XIR183151 The English turn in flight after the death of King Harold, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageBow And Arrow Collection: The Dance, 1540-56. Creator: Leon Davent

The Dance, 1540-56. Creator: Leon Davent
The Dance, 1540-56

Background imageBow And Arrow Collection: Lust, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Lust, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Lust, from the Seven Deadly Sins, ca. 1550-55

Background imageBow And Arrow Collection: Practicing on the archery range at Camp Fern Rock, Bear Mountain, New York

Practicing on the archery range at Camp Fern Rock, Bear Mountain, New York, 1943 Creator: Gordon Parks
Bear Mountain, New York. Interracial activities at Camp Fern Rock, where children are aided by the Methodist Camp Service, practicing on the archery range

Background imageBow And Arrow Collection: Loretta Gyles pulling a bow at Camp Fern Rock, Bear Mountain, New York, 1943 Creator: Gordon Parks

Loretta Gyles pulling a bow at Camp Fern Rock, Bear Mountain, New York, 1943 Creator: Gordon Parks
Bear Mountain, New York. Interracial activities at Camp Fern Rock, where children are aided by the Methodist Camp Service. Loretta Gyles of the Methodist Camp Service pulling a bow

Background imageBow And Arrow Collection: The First Archery Practice of the New Year (Yumi hajime), from the illustrated book... c. 1787

The First Archery Practice of the New Year (Yumi hajime), from the illustrated book... c. 1787. Creator: Torii Kiyonaga
The First Archery Practice of the New Year (Yumi hajime), from the illustrated book " Colors of the Triple Dawn (Saishiki mitsu no asa)", c. 1787

Background imageBow And Arrow Collection: The Actor Segawa Kikunojo II as Ishi no Mae in the play 'Hoshi Aikotoba Higashiyama no Sak... 1763

The Actor Segawa Kikunojo II as Ishi no Mae in the play "Hoshi Aikotoba Higashiyama no Sak... 1763
The Actor Segawa Kikunojo II as Ishi no Mae in the play " Hoshi Aikotoba Higashiyama no Sakae, " performed at the Ichimura Theater in the ninth month, 1763, 1763

Background imageBow And Arrow Collection: Apollo and His Horses, n. d. Creator: Francoise Verdier

Apollo and His Horses, n. d. Creator: Francoise Verdier
Apollo and His Horses, n.d

Background imageBow And Arrow Collection: The Flight of the Centaur Nessus with Dejanina, n. d. Creator: Francoise Verdier

The Flight of the Centaur Nessus with Dejanina, n. d. Creator: Francoise Verdier
The Flight of the Centaur Nessus with Dejanina, n.d

Background imageBow And Arrow Collection: Fletchers Defence of the Redoubt at Tanjore, c1891. Creator: James Grant

Fletchers Defence of the Redoubt at Tanjore, c1891. Creator: James Grant
Fletchers Defence of the Redoubt at Tanjore, c1891. From " Cassells Illustrated History of India Vol. I.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageBow And Arrow Collection: Two figures in classical costume hunting a stag, 1760-95 (Ink, Watercolour)

Two figures in classical costume hunting a stag, 1760-95 (Ink, Watercolour)
7261570 Two figures in classical costume hunting a stag, 1760-95 (Ink, Watercolour) by Carter, Thomas (d.1795); 34x67.5 cm; Maidstone Museum and Art Gallery, Kent

Background imageBow And Arrow Collection: Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff

Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff collar and bow
FLO4657976 Young Vandal girl, Lower Lusacia, Germany, 19th century. She wears a traditional toquet with ruff collar and bow

Background imageBow And Arrow Collection: Greeks and Trojans battle over the naked corpse of Patroclus outside Troy

Greeks and Trojans battle over the naked corpse of Patroclus outside Troy
6340127 Greeks and Trojans battle over the naked corpse of Patroclus outside Troy by Sasso, Giovanni Antonio (19th century); (add.info)

Background imageBow And Arrow Collection: Anne-Louise-Benedicte de Bourbon, Duchess of Maine, 1676-1753

Anne-Louise-Benedicte de Bourbon, Duchess of Maine, 1676-1753. She wears a tall lace Fontanges headdress, beauty spots
FLO4657576 Anne-Louise-Benedicte de Bourbon, Duchess of Maine, 1676-1753. She wears a tall lace Fontanges headdress, beauty spots, pearl choker, lace collar, mantua trimmed with fur

Background imageBow And Arrow Collection: Woman of Majorca, Spain, 19th century. She wears a fichu-wimple combination tied at the throat

Woman of Majorca, Spain, 19th century. She wears a fichu-wimple combination tied at the throat with a ribbon bow called
FLO4658182 Woman of Majorca, Spain, 19th century. She wears a fichu-wimple combination tied at the throat with a ribbon bow called a floque, black dress with fitted bodice

Background imageBow And Arrow Collection: Woman of Seville, Spain, 19th century. She wears a ribbon tied in a bow over her ringlets

Woman of Seville, Spain, 19th century. She wears a ribbon tied in a bow over her ringlets
FLO4658109 Woman of Seville, Spain, 19th century. She wears a ribbon tied in a bow over her ringlets, a fringed petticoat and a distinctive shawl

Background imageBow And Arrow Collection: Woman of Arles, France, 19th century. Her traditional headdress is based on a Greek style

Woman of Arles, France, 19th century. Her traditional headdress is based on a Greek style
FLO4658065 Woman of Arles, France, 19th century. Her traditional headdress is based on a Greek style, and features a large ribbon tied in a bow at front, and a cap behind

Background imageBow And Arrow Collection: La cible. Illustration for Le Pele-Mele, 1902 (colour litho)

La cible. Illustration for Le Pele-Mele, 1902 (colour litho)
3100619 La cible. Illustration for Le Pele-Mele, 1902 (colour litho) by Rabier, Benjamin (1869-1939); Private Collection; (add.info.: La cible)

Background imageBow And Arrow Collection: Two Little Girls, 1903 (oil on canvas)

Two Little Girls, 1903 (oil on canvas)
1767323 Two Little Girls, 1903 (oil on canvas) by Benson, Frank Weston (1862-1951); 101.6x81.3 cm; Private Collection; (add.info.: Two Little Girls. Frank Weston Benson (1862-1951). Oil on canvas

Background imageBow And Arrow Collection: Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w / c, ink & gold on paper)

Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w / c, ink & gold on paper)
3742877 Jahangir Shooting the Head of Malik Ambar, early 17th century (opaque w/c, ink & gold on paper) by Hasan, Abu l (fl.1605-27); 38x26 cm; Freer Gallery of Art, Smithsonian Institution

Background imageBow And Arrow Collection: Papyrus Depicting Tutankhamon Hunting Birds

Papyrus Depicting Tutankhamon Hunting Birds
King Tut had many pictures describing his love to hunting; in this papyrus painting we can see him sitting on his chair and using his bow to hunt birds

Background imageBow And Arrow Collection: Tiglath-Pileser I directed by Ninib, illustration from Myths and Legends of Babylonia

Tiglath-Pileser I directed by Ninib, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence
STC323933 Tiglath-Pileser I directed by Ninib, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Background imageBow And Arrow Collection: Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood

Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood
IL197704 Robin Hood at the May Day Revels, illustration from Robin Hood and his Life in the Merry Greenwood, told by Rose Yeatman Woolf, published by Raphael Tuck, 1910-20 (colour litho) by Davie

Background imageBow And Arrow Collection: To Ximena on a Donkey (engraving)

To Ximena on a Donkey (engraving)
1062999 To Ximena on a Donkey (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: To Ximena on a Donkey, Some Incidents in a Naval Officers Day Ashore in Spain)

Background imageBow And Arrow Collection: Untitled (woodcut)

Untitled (woodcut)
2563194 Untitled (woodcut) by Yoshitora, Utagawa (fl.c.1836-87); 36.5x24.5 cm; Free Library of Philadelphia; (add.info.: An archer prepares to fire an arrow)

Background imageBow And Arrow Collection: Untitled (woodcut)

Untitled (woodcut)
2563192 Untitled (woodcut) by Yoshitora, Utagawa (fl.c.1836-87); 36.4x24.4 cm; Free Library of Philadelphia; (add.info.: A samurai sits with a black fan and a bow)

Background imageBow And Arrow Collection: The Story of Oenone and Paris, 1460s (tempera on panel)

The Story of Oenone and Paris, 1460s (tempera on panel)
3077115 The Story of Oenone and Paris, 1460s (tempera on panel) by Martini, Francesco di Giorgio (1439-1502); 34x17 cm; J

Background imageBow And Arrow Collection: Taos Hunter (oil on canvas)

Taos Hunter (oil on canvas)
HEH372279 Taos Hunter (oil on canvas) by Moon, Carl (1878-1948); 81.3x66 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageBow And Arrow Collection: Celui qui Monte le Cheval Noir, c. 1917-1920 (pochoir)

Celui qui Monte le Cheval Noir, c. 1917-1920 (pochoir)
985566 Celui qui Monte le Cheval Noir, c.1917-1920 (pochoir) by Barbier, Georges (1882-1932); 29.5x28.5 cm; Private Collection; (add.info.: Celui qui Monte le Cheval Noir. One of a pair of pochoirs)

Background imageBow And Arrow Collection: Yorimasa slays the monster, illustration from The Myths and Legends of Japan by F Hadland Davis

Yorimasa slays the monster, illustration from The Myths and Legends of Japan by F Hadland Davis, 1918 (colour litho)
STC323776 Yorimasa slays the monster, illustration from The Myths and Legends of Japan by F Hadland Davis, 1918 (colour litho) by Paul

Background imageBow And Arrow Collection: Roosilia Drake (oil on canvas)

Roosilia Drake (oil on canvas)
465988 Roosilia Drake (oil on canvas) by Pickering, Henry (fl.1740-c.1771); Belvoir Castle, Leicestershire, UK; (add.info.: Roosilia Drake (1736-1823) illegitimate daughter of John Manners

Background imageBow And Arrow Collection: The Winged Boy, (oil on canvas)

The Winged Boy, (oil on canvas)
657585 The Winged Boy, (oil on canvas) by Glehn, Wilfred Gabriel de (1870-1951); Private Collection; (add.info.: The Winged Boy. Wilfrid Gabriel de Glehn (1870-1951). Oil on canvas

Background imageBow And Arrow Collection: The Breach of Parliamentary Privilege (engraving)

The Breach of Parliamentary Privilege (engraving)
1629043 The Breach of Parliamentary Privilege (engraving) by Wilson, Thomas Walter (1851-1912); Private Collection; (add.info.: The Breach of Parliamentary Privilege, Scenes in the House of Commons)

Background imageBow And Arrow Collection: Philoctete vise Ulysse avec l arc d Hercule - Oeuvre de Asmus Jacob Carstens (1754-1798)

Philoctete vise Ulysse avec l arc d Hercule - Oeuvre de Asmus Jacob Carstens (1754-1798)
FIA5387980 Philoctete vise Ulysse avec l arc d Hercule - Oeuvre de Asmus Jacob Carstens (1754-1798), Encre et aquarelle sur papier (49, 5x58, 5 cm)



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Unleashing the ancient power, the bow and arrow pierce through time and history. From Coleridge's 'Rime of the Ancient Mariner' to Robin Hood's legendary statue in Nottingham, England, this weapon holds tales of adventure and heroism. At Oktoberfest in Munich, Archer Cupid points us towards relief while showcasing its versatility as a toilet sign. During the Hundred Years War, longbowmen proved their might on battlefields across Europe. Even in cinema, Prince Achmed wielded this timeless tool in his animated adventures. However, it is essential to acknowledge that not all depictions have been fair or just; boxes of stuccoed wood bear witness to destructive portrayals of Asians and black Africans throughout history. Yet amidst these complexities lies beauty too - Callisto And Artemis embodying grace and skill with their bows drawn taut. As we gaze upon King Edward III waging war at Crecy in 1346 or examine NATI2A-00113 artifact closely, we are reminded that the bow and arrow symbolize both conflict and triumph throughout human existence.