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Bones Collection (page 9)

"Bones: Unveiling the Hidden Structures of Life" Delving into the depths of human anatomy

Background imageBones Collection: Tribal dance (colour litho)

Tribal dance (colour litho)
LAL319828 Tribal dance (colour litho) by Wood, Stanley L. (1866-1928); Private Collection; (add.info.: Illustration originally from Boys Own Paper; ); © Look and Learn

Background imageBones Collection: St. George and the Dragon, c. 1432 / 1435 (oil on panel)

St. George and the Dragon, c. 1432 / 1435 (oil on panel)
1219539 St. George and the Dragon, c.1432/1435 (oil on panel) by Weyden, Rogier van der (1399-1464); 14.3x10.5 cm; National Gallery of Art, Washington DC, USA

Background imageBones Collection: Bone stylus and fragment of a writing tablet, late 1st century BC

Bone stylus and fragment of a writing tablet, late 1st century BC
7196237 Bone stylus and fragment of a writing tablet, late 1st century BC by Roman, (1st century BC); Musee Narbo Via, Narbonne

Background imageBones Collection: Resurrection of a dead man after his body touched the bones of Elisha (engraving)

Resurrection of a dead man after his body touched the bones of Elisha (engraving)
7172382 Resurrection of a dead man after his body touched the bones of Elisha (engraving) by European School, (17th century); Private Collection; (add.info)

Background imageBones Collection: The Stone-Sharpener outside his Cave (colour litho)

The Stone-Sharpener outside his Cave (colour litho)
7159485 The Stone-Sharpener outside his Cave (colour litho) by English School, (20th century); Private Collection; (add.info.: The Stone-Sharpener outside his Cave)

Background imageBones Collection: Bone injuries (chromolitho)

Bone injuries (chromolitho)
7148188 Bone injuries (chromolitho) by English School, (20th century); Private Collection; (add.info.: Bone injuries.); © Look and Learn

Background imageBones Collection: Sinbad the Sailor in a scene from One Thousand and One Nights (colour litho)

Sinbad the Sailor in a scene from One Thousand and One Nights (colour litho)
7200997 Sinbad the Sailor in a scene from One Thousand and One Nights (colour litho) by German School, (19th century); Private Collection; (add.info)

Background imageBones Collection: Ezekiels Vision (engraving)

Ezekiels Vision (engraving)
7184042 Ezekiels Vision (engraving) by English School, (19th century); Private Collection; (add.info.: Ezekiels Vision. Illustration for The Prize, 1885.); © Look and Learn

Background imageBones Collection: Fragments of a carved bone altarpiece, 14th Century (chromolitho)

Fragments of a carved bone altarpiece, 14th Century (chromolitho)
7173118 Fragments of a carved bone altarpiece, 14th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: Fragments of a carved bone altarpiece, 14th Century)

Background imageBones Collection: Contents page of The Medical Adviser, July 10th 1824 (engraving)

Contents page of The Medical Adviser, July 10th 1824 (engraving)
7154167 Contents page of The Medical Adviser, July 10th 1824 (engraving) by English School, (19th century); Private Collection; (add.info.: Contents page of The Medical Adviser)

Background imageBones Collection: Discovery of the bones of the Princes in the Tower, London, 1674 (engraving)

Discovery of the bones of the Princes in the Tower, London, 1674 (engraving)
7153922 Discovery of the bones of the Princes in the Tower, London, 1674 (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBones Collection: The Knuckle-Bone Player (engraving)

The Knuckle-Bone Player (engraving)
7161643 The Knuckle-Bone Player (engraving) by Leighton, Frederic (1830-96) (after); Private Collection; (add.info.: The Knuckle-Bone Player)

Background imageBones Collection: First come first served (colour litho)

First come first served (colour litho)
7150900 First come first served (colour litho) by English School, (20th century); Private Collection; (add.info.: Comic postcard on a food related theme. Early 20th century.); © Look and Learn

Background imageBones Collection: Elishas Bones restore the Dead Man, 2 Kings, Chapter 13, Verse 12 (engraving)

Elishas Bones restore the Dead Man, 2 Kings, Chapter 13, Verse 12 (engraving)
7169206 Elishas Bones restore the Dead Man, 2 Kings, Chapter 13, Verse 12 (engraving) by English School, (19th century); Private Collection; (add.info.: Elishas Bones restore the Dead Man, 2 Kings)

Background imageBones Collection: A Magnum Bonum (engraving)

A Magnum Bonum (engraving)
7177831 A Magnum Bonum (engraving) by English School, (19th century); Private Collection; (add.info.: A Magnum Bonum. Illustration for The Comic Annual by Thomas Hood)

Background imageBones Collection: The battle of brains against brute strength (colour litho)

The battle of brains against brute strength (colour litho)
7170895 The battle of brains against brute strength (colour litho) by American School, (20th century); Private Collection; (add.info.: The battle of brains against brute strength)

Background imageBones Collection: Specimens de gravures prehistoriques sur os et ivoire, trouves dans les cavernes du Perigord

Specimens de gravures prehistoriques sur os et ivoire, trouves dans les cavernes du Perigord (engraving)
7179874 Specimens de gravures prehistoriques sur os et ivoire, trouves dans les cavernes du Perigord (engraving) by French School

Background imageBones Collection: Naughty Spot (colour litho)

Naughty Spot (colour litho)
7181891 Naughty Spot (colour litho) by English School, (19th century); Private Collection; (add.info.: Naughty Spot. Illustration for Bubbles edited by Dr Barnardo (1903).); © Look and Learn

Background imageBones Collection: On the Tramp, 'Rags and Bones!'(colour litho)

On the Tramp, "Rags and Bones!"(colour litho)
7181696 On the Tramp, " Rags and Bones!" (colour litho) by English School, (19th century); Private Collection; (add.info.: On the Tramp, " Rags and Bones)

Background imageBones Collection: St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)

St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017)
XIR430587 St. George Killing the Dragon, 1502-07 (oil on canvas) (detail of 428017) by Carpaccio, Vittore (c.1460/5-1523/6); Scuola di San Giorgio degli Schiavoni, Venice

Background imageBones Collection: Two schoolboys and a cleaned skeleton (colour litho)

Two schoolboys and a cleaned skeleton (colour litho)
7148185 Two schoolboys and a cleaned skeleton (colour litho) by English School, (20th century); Private Collection; (add.info.: Two schoolboys and a cleaned skeleton.); © Look and Learn

Background imageBones Collection: The Last of the Buffalo, c. 1888 (oil on canvas)

The Last of the Buffalo, c. 1888 (oil on canvas)
CGW443145 The Last of the Buffalo, c.1888 (oil on canvas) by Bierstadt, Albert (1830-1902); 180.3x301.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Gift of Mary (Mrs)

Background imageBones Collection: 13131742

13131742
Human Skeleton with Halloween props Date: 11-03-2013

Background imageBones Collection: 13131741

13131741
Human Skeleton with Halloween props Date: 11-03-2013

Background imageBones Collection: Oracle Bones (76 total), Shang dynasty (about 1600-1046 BC). Creator: Unknown

Oracle Bones (76 total), Shang dynasty (about 1600-1046 BC). Creator: Unknown
Oracle Bones (76 total), Shang dynasty (about 1600-1046 BC). Segments of turtle plastrons and bones of oxen, polished, burned, with carved inscriptions

Background imageBones Collection: Scene during Bluebird CN7 world land speed record attempt, Lake Eyre, Australia, 1964

Scene during Bluebird CN7 world land speed record attempt, Lake Eyre, Australia, 1964

Background imageBones Collection: Good Doggy, 1883 (oil on canvas)

Good Doggy, 1883 (oil on canvas)
6452809 Good Doggy, 1883 (oil on canvas) by Tait, Arthur Fitzwilliam (1819-1905); Private Collection; American, out of copyright

Background imageBones Collection: Saint George and the Dragon, 1434 / 35. Creator: Bernat Martorell

Saint George and the Dragon, 1434 / 35. Creator: Bernat Martorell
Saint George and the Dragon, 1434/35

Background imageBones Collection: Doorway and Doors, 1935 / 1942. Creator: Albert Pratt

Doorway and Doors, 1935 / 1942. Creator: Albert Pratt
Doorway and Doors, 1935/1942

Background imageBones Collection: Doorway and Door, 1935 / 1942. Creator: Albert Pratt

Doorway and Door, 1935 / 1942. Creator: Albert Pratt
Doorway and Door, 1935/1942

Background imageBones Collection: Desigual

Desigual
Madison

Background imageBones Collection: Chapel of Bones, Royal Church of St Francis. Evora. Portugal

Chapel of Bones, Royal Church of St Francis. Evora. Portugal
7136062 Chapel of Bones, Royal Church of St Francis. Evora. Portugal.; Igreja Real de Sao Francisco, Evora, Portugal; ePascal Deloche/Godong; out of copyright

Background imageBones Collection: Chapel of Bones, Royal Church of St Francis. Evora. Portugal

Chapel of Bones, Royal Church of St Francis. Evora. Portugal
7136057 Chapel of Bones, Royal Church of St Francis. Evora. Portugal.; Igreja Real de Sao Francisco, Evora, Portugal; ePascal Deloche/Godong; out of copyright

Background imageBones Collection: The Noblewoman, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger

The Noblewoman, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Noblewoman, from The Dance of Death, ca. 1526, published 1538

Background imageBones Collection: The Peasant (or Ploughman), from The Dance of Death, ca. 1526, published 1538

The Peasant (or Ploughman), from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Peasant (or Ploughman), from The Dance of Death, ca. 1526, published 1538

Background imageBones Collection: The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger

The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Count, from The Dance of Death, ca. 1526, published 1538

Background imageBones Collection: The Countess, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger

The Countess, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Countess, from The Dance of Death, ca. 1526, published 1538

Background imageBones Collection: The Doctor (or Physician), from The Dance of Death, ca. 1526, published 1538

The Doctor (or Physician), from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Doctor (or Physician), from The Dance of Death, ca. 1526, published 1538

Background imageBones Collection: The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs

The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole, 1554



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"Bones: Unveiling the Hidden Structures of Life" Delving into the depths of human anatomy, Leonardo da Vinci's "Skull Anatomy" showcases the intricate beauty and complexity of bones. A graceful greyhound's skeleton reveals the elegance and agility that lies beneath its sleek exterior. Behind-the-scenes in Bristol, Christopher Ryan transforms into Mike from "The Young Ones, " a character whose humor is as sharp as his bone structure. Captured on an X-ray, a broken wrist bone serves as a reminder of our vulnerability and resilience in the face of injury. The majestic skull of a horse stands as a testament to their strength and power, reminding us of their historical significance alongside humans. Even skeletons enjoy some rough play. Witnessing a rugby-playing skeleton brings forth both amusement and admiration for these resilient structures. Knapped Flint Tools take us back in time, showcasing how early humans utilized bones to shape tools for survival and progress. Peering through panoramic dental X-rays unravels secrets hidden within our mouths – teeth anchored by strong bones supporting our smiles. Our bodies are marvels intertwined with arteries that nourish every cell while sturdy bones provide support - truly works of art designed by nature itself. In an act of kindness, Chef Andrew Schillar shares his culinary delight with man's best friend - offering them not just food but also joyous moments gnawing on a bone outside his kitchen sanctuary. Illustrated through wood engraving in 1851, "Death as Assassin" reminds us that even though life may be fleeting, it is ultimately connected to the skeletal framework we all share. Modern technology unveils our innermost secrets with full-body scans like MRI scans – exposing not only flesh but also revealing the silent symphony orchestrated by our interconnected bones.