Bleistift Auf Papier Gallery

Bleistift auf Papier is a German phrase that translates to "pencil on paper", and is used to describe the traditional method of writing, drawing

Kayser & von Groszheim, draft sketch to a castle (without dat.): Broken down, floor plan. Ink, pencil on paper, 44.1 x 36 cm (including scan edges) Kayser & von Groszheim

Reinhardt & Sussenguth, competition for the town hall in Rheydt (1893): Perspective view. Ink, pencil on paper, 55.4 x 45.2 cm (including scan edges)

Kayser & von Groszheim, design sketch for a castle (without dat.): Design sketches: floor plans, views. Ink, pencil on paper

Kassbaum Gustav (1878-1929), entrance corridor of an old house in Aschersleben. Monthly competition October 1909 (10)
Kassbaum Gustav (1878-1929), entrance corridor of an old house in Aschersleben. Monthly competition October 1909 (10.1909): Perspective view

Diebitsch Carl von (1819-1869), Louvre, Paris (without dat.): Personal study. Pencil on paper, 26.3 x 26.6 cm (including scan edges) Diebitsch Carl von (1819-1869): Louvre, Paris

Gustav garlic (1833-1916), tree in a landscape (1849): perspective view. Pencil on paper, 47.2 x 37.2 cm (including scan edges) Knoblauch Gustav (1833-1916): Baum in einer Landschaft

Messel Alfred (1853-1909), Ministerial Hall of the Prussian House of Representatives, Berlin (1896), wall view, pencil on paper, TU UB Plan collection inv. No. 13454

Ruster Emil (1883-1949), Villa am Hang (1917): 4 views. Pencil on paper, 60.5 x 48.3 cm (including scan edges)

Messel Alfred (1853-1909), villa (without a year), perspective view, pencil on paper, TU UB Plan collection inv. No. 13466

Pichler Oskar (1826-1865), chamber building, Den Haag (without date): 3 floor plans, main view. Pencil on paper, 50.6 x 46.6 cm (including scan edges) Pichler Oskar (1826-1865): Kammergebaude

Nohl Maximilian (1830-1863), marketplace in Arles (July 23, 1858): Perspective view. Pencil on paper, 22.7 x 30.3 cm (including scan edges) Nohl Maximilian (1830-1863): Marktplatz, Arles

Hoffmann Emil (1845-1901), Trausnitz Castle, Landshut (September 22, 1893): Fastening. Pencil on paper, 24.4 x 21.6 cm (including scan edges) Hoffmann Emil (1845-1901): Burg Trausnitz, Landshut

Nohl Maximilian (1830-1863), Scala Regia im Vatican in Rome (25.08.1859): View of the cloister. Pencil on paper, 30.5 x 21.9 cm (including scan edges) Nohl Maximilian (1830-1863)

Unknown architect, honorary bone field in the main cemetery in Ludwigshafen (without date): floor plan 1: 250. Ink, pencil on paper, 53.9 x 52.3 cm (including scan edges) N.N

Scheppig Carl (1803-1885), Akanthusblatt (September 15, 1822): View. Pencil on paper, 39.1 x 41.4 cm (including scan edges) Scheppig Carl (1803-1885): Akanthusblatt

Hoffmann Emil (1845-1901), Stadtpark Nurnberg (01.09.1893): interior. Pencil on paper, 21.6 x 24.3 cm (including scan edges) Hoffmann Emil (1845-1901): Stadtpark Nurnberg

Nohl Maximilian (1830-1863), covered passage in Bologna (1858-1858): Perspective view. Pencil on paper, 21.8 x 30.8 cm (including scan edges) Nohl Maximilian (1830-1863): Uberdachter Gang, Bologna

Gropius Martin (1824-1880), sailboat (without date): View. Pencil on paper, 24.3 x 21.1 cm (including scan edges) Gropius Martin (1824-1880): Segelboot

Schmitz Bruno (1858-1916), Museum, Wiesbaden (without dat.): 2 perspective views 1: 200. Pencil on paper, 73.5 x 73.1 cm (including scan edges) Schmitz Bruno (1858-1916): Museum, Wiesbaden

Sputh Ernst, streets in Assisi, Siena and Nemi (1873): 3 perspective views. Pencil on paper, on cardboard, 46 x 34.3 cm (including scan edges) Sputh Ernst : Straszen, Assisi, Siena und Nemi

Sputh Ernst, landscapes near Florence, Naples and Olevano (1873): 5 perspective views. Pencil on paper, on cardboard, 39.8 x 54 cm (including scan edges) Sputh Ernst : Landschaften bei Florenz

Unknown architect, head study (without dat.): Study of a head with a name. Pencil on paper, on cardboard, 27 x 34.7 cm (including scan edges) N.N. : Kopfstudie

Knoblauch Eduard (1801-1865), female head (without dat.): View. Pencil on paper, 50.6 x 38.4 cm (including scan edges) Knoblauch Eduard (1801-1865): Weiblicher Kopf

Beckmann Carl (1799-1859), crucifix in Matrey/Tirol (without dat.): View. Pencil on paper, 23.1 x 14.9 cm (including scan edges)

Nohl Maximilian (1830-1863), Or San Michele in Florence (08.10.1858): 2 statues at the main cornice: View. Pencil on paper

Hoffmann Emil (1845-1901), S. Chiarca in Naples (1894): Tomb Roberts d. Point. Pencil on paper, 26.6 x 21.7 cm (including scan edges) Hoffmann Emil (1845-1901): S. Chiarca, Neapel

Vogel E. Alte Oak (after 1911): View. Pencil on paper, 32 x 39.6 cm (including scan edges) Vogel E. : Alte Eiche

Hoffmann Emil (1845-1901), window of house No. 3 opposite the Dionysiuskirche Esslingen (07.09.1893): Plan content N.N. detected

Hoffmann Emil (1845-1901), Palazzo Cap [...] in Naples (1894): Storage. Pencil on paper, 26.6 x 21.9 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo Cap[...], Neapel

Hermann Hans-Paul (born 1882), shelter for hiking birds. Monthly competition March 1915 (03)
Hermann Hans-Paul (born 1882), shelter for hiking birds. Monthly competition March 1915 (03.1915): floor plan ground floor, turmoil front view, side view, cross -section; perspective view

Nohl Maximilian (1830-1863), S. Giorgio Maggiore, Venice. Choir stalls (01.09.1858): View. Pencil on paper, 30.5 x 20.7 cm (including scan edges) Nohl Maximilian (1830-1863): S

Neckelmann Skjold (1854-1903), triton train (without date): Detail. Ink, pencil on paper, 21.2 x 24.5 cm (including scan edges) Neckelmann Skjold (1854-1903): Tritonenzug

Nohl Maximilian (1830-1863), Palazzo Berilagua, Verona (26.08.1858): View. Pencil on paper, 21.9 x 30.4 cm (including scan edges) Nohl Maximilian (1830-1863): Palazzo Berilagua, Verona

Nohl Maximilian (1830-1863), Cathedral in Assisi. View of Civita Castellana (05.08.1859): Perspective view. Pencil on paper, 30.5 x 21.7 cm (including scan edges) Nohl Maximilian (1830-1863): Dom

Hoffmann Emil (1845-1901), St. Emmeran, Regensburg (September 22, 1893): Crushing. Pencil on paper, 21.7 x 24.5 cm (including scan edges) Hoffmann Emil (1845-1901): St. Emmeran, Regensburg

Hoffmann Emil (1845-1901), pillar (without date): View. Pencil on paper, 63.6 x 55.2 cm (including scan edges) Hoffmann Emil (1845-1901): Saule

Behrendt Fritz (born 1877), Forsterhot. Monthly competition October 1908 (10)
Behrendt Fritz (born 1877), Forsterhot. Monthly competition October 1908 (10.1908): site plan with floor plan basement, floor plan ground floor, attic, open road view

Knoblauch Eduard (1801-1865), church in Lobichau. (?) (Without Dat.): Interior view of the choir of a church. Pencil on paper

Nohl Maximilian (1830-1863), Nimes (July 22, 1858): Interior view. Pencil on paper, 20.6 x 30.3 cm (including scan edges) Nohl Maximilian (1830-1863): Salle des Pas perdus im Justizpalast, Nimes

Schulz Bruno (1865-1932), S. Clemente in Rome (1899-1899): 3 views of the choir barriers. Ink, pencil on paper, 50 x 33.4 cm (including scan edges) Schulz Bruno (1865-1932): S. Clemente, Rom

Nohl Maximilian (1830-1863), Loggia del Bigallo, Florence (14.10.1858): Partial view. Pencil on paper, 30.7 x 20.6 cm (including scan edges) Nohl Maximilian (1830-1863): Loggia del Bigallo, Florenz

Schmitz Bruno (1858-1916), bridge gate and pillar (without dat.): Views. Pencil on paper, 67.9 x 71.4 cm (including scan edges) Schmitz Bruno (1858-1916): Bruckentor und Pfeiler

Stuler August (1800-1865), La Charite (1829): Plan content N.N. detected. Pencil on paper, 32.6 x 26.4 cm (including scan edges) Stuler Friedrich August (1800-1865): La Charite

Lange Ludwig (1808-1868), sea landscapes (without date): 2 perspective views. Image 1: Pencil on paper, Figure 2: Oil on cardboard, 32.3 x 37.6 cm (including scan edges)

Hoffmann Emil (1845-1901), Palazzo Arcivescoala in Palermo (01.04.1894): Haupt portal. Pencil on paper, 26.7 x 21.6 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo Arcivescoala, Palermo

Messel Alfred (1853-1909), Ministerial Service Hall of the Prussian House of Representatives, Berlin (1896), wall view longitudinal wall, pencil on paper, TU UB Plan collection inv. No. 13455

Hoffmann Emil (1845-1901), street fountain in Salerno (April 19, 1894): Plan content N.N. detected. Pencil on paper, 26.7 x 21.6 cm (including scan edges) Hoffmann Emil (1845-1901): Straszenbrunnen

Hoffmann Emil (1845-1901), holy water basin in the cathedral of Salzburg (14.09.1893): Plan content N.N. detected. Pencil on paper

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Bleistift auf Papier is a German phrase that translates to "pencil on paper", and is used to describe the traditional method of writing, drawing, and sketching with pencils on paper. This method has been around for centuries and is still widely used today. The process involves using graphite or other materials to create marks on paper. The marks can be erased or changed easily, making it an ideal medium for artists and writers alike. Bleistift auf Papier allows users to express themselves in ways that digital media cannot replicate, creating unique works of art that are often cherished for generations.