Black Chalk Heightened With White Chalk Collection

The Baptism of Christ, late 16th century. Creator: Unknown
The Baptism of Christ, late 16th century

Trees of a Rocky Hillside, late 1800s. Creator: Gustave Achille Guillaumet (French, 1840-1887)
Trees of a Rocky Hillside, late 1800s

Two Women, 1800s. Creator: Anonymous; Pierre-Paul Prud hon (French, 1758-1823), circle of
Two Women, 1800s

Two Arabs, for The Revolt of Cairo, c. 1810. Creator: Anne-Louis Girodet de Roucy-Trioson (French)
Two Arabs, for The Revolt of Cairo, c. 1810

Temperance, 1628-1630. Creator: Domenichino (Italian, 1581-1641)
Temperance, 1628-1630. As many of the sheets in this exhibition show, artists typically made numerous drawings when working on large projects

Study for Penelope, c. 1806. Creator: Anicet Charles Gabriel Lemonnier (French, 1743-1824)
Study for Penelope, c. 1806

Studies of Angels (recto); Panthea before Cyrus? (verso), 1655-1660?. Creator: Michel Dorigny
Studies of Angels (recto); Panthea before Cyrus? (verso), 1655-1660?. Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s

Studies of Angels (recto), 1655-1660?. Creator: Michel Dorigny (French, 1617-1665)
Studies of Angels (recto), 1655-1660?. Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s

Self-Portrait, 1800s-1900s. Creator: Ferdinand Roybet (French, 1840-1920)
Self-Portrait, 1800s-1900s

Portrait of a Young Man, 1837. Creator: Louis Leopold Boilly (French, 1761-1845)
Portrait of a Young Man, 1837

Man Destroying Book, 1700s. Creator: Anonymous
Man Destroying Book, 1700s

Head of a Young Man Wearing a Hat, before 1735. Creator: Giovanni Battista Piazzetta (Italian)
Head of a Young Man Wearing a Hat, before 1735

Head of a Young Man in a Cap, first half 18th century. Creator: Giovanni Battista Piazzetta
Head of a Young Man in a Cap, first half 18th century

A Portrait of Rosa with a Shoulder Stick, c. 1735. Creator: Giovanni Battista Piazzetta (Italian)
A Portrait of Rosa with a Shoulder Stick, c. 1735

A Portrait of the Artists Son Giacomo, c. 1735. Creator: Giovanni Battista Piazzetta (Italian)
A Portrait of the Artists Son Giacomo, c. 1735

Bringing in the Sheep, 1800s. Creator: Charles-Emile Jacque (French, 1813-1894)
Bringing in the Sheep, 1800s

Drapery Study; Two Figures Pulling a Pole, 1785-86. Creator: John Singleton Copley (American)
Drapery Study; Two Figures Pulling a Pole, 1785-86

Ecclesiastic Seen from Behind, c. 1645 / 48. Creator: Anonymous
Ecclesiastic Seen from Behind, c. 1645/48

A Farmhouse Interior with a Boy at a Table, c. 1846. Creator: Alexandre-Gabriel Decamps (French)
A Farmhouse Interior with a Boy at a Table, c. 1846

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"Exploring the Artistry of Black Chalk Heightened with White Chalk: A Glimpse into Diverse Creations" Delve into the late 1800s and witness the captivating "Trees of a Rocky Hillside" by Gustave Achille Guillaumet, where black chalk heightened with white chalk brings life to nature's majestic beauty. Step back in time to the 1800s and encounter an enigmatic masterpiece titled "Two Women, " attributed to both Anonymous and Pierre-Paul Prud hon. The delicate strokes of black chalk heightened with white create an aura of mystery surrounding these intriguing figures. Immerse yourself in history as you explore Anne-Louis Girodet de Roucy-Trioson's "Two Arabs, " created for "The Revolt of Cairo" around 1810. With skillful use of black chalk heightened with white, Girodet captures the intensity and spirit of this historical event. Journey further back to the early 17th century and discover Domenichino's thought-provoking work, "Temperance. " Through masterful application of black chalk heightened with white, he portrays virtue triumphing over vice, inviting contemplation on moral choices. Witness Anicet Charles Gabriel Lemonnier's study for Penelope from circa 1806. Using black chalk heightened with white, Lemonnier beautifully depicts this iconic figure from Greek mythology, showcasing his mastery over light and shadow. Marvel at Michel Dorigny's intricate studies in his works such as "Studies of Angels (recto); Panthea before Cyrus? (verso)" or simply focus on his mesmerizing angels captured through black chalk heightened with white. His attention to detail creates ethereal beings that seem ready to take flight off the page. Experience Ferdinand Roybet's self-portrait from the turn-of-the-century era.