Black Arts Collection

A Black Mass, 1911 (litho)
CHT276337 A Black Mass, 1911 (litho) by Maele, Martin van (1863-1926); Bibliotheque Nationale, Paris, France; (add.info.: Illustration from a book on witches La Sorciere by Jules Michelet (1798-1874)

The Black Mass, the month of August for a magic calendar published in
CHT173742 The Black Mass, the month of August for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi, Manuel (1860-1934); Private Collection; eArchives Charmet; Italian

The Witches Sabbath, the month of January for a magic calendar published in
CHT173750 The Witches Sabbath, the month of January for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi

Elizabeth Catlett: Mother and Child. Lithograph, 1959
CATLETT: MOTHER, 1959. Elizabeth Catlett: Mother and Child. Lithograph, 1959

Illustration, magicians wand and pair of white gloves

(1917-2000). American poet. Photographed in 1950 at the time of winning the Pulitzer Prize for poetry
GWENDOLYN BROOKS (1917-2000). American poet. Photographed in 1950 at the time of winning the Pulitzer Prize for poetry

(1917-2000). American poet
GWENDOLYN BROOKS. (1917-2000). American poet. Oil over a photograph, 1950, at the time of her winning the Pulitzer Prize for poetry

American poet. Photographed c. 1985
GWENDOLYN BROOKS (1917-2000). American poet. Photographed c. 1985

AMIRI BARAKA (1934- ). American writer

LORRAINE HANSBERRY (1930-1965). American playwright

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"Exploring the Enigmatic World of Black Arts: From Black Mass to Witches Sabbath" Step into the mysterious realm of black arts, where darkness intertwines with magic and creativity. In "A Black Mass, 1911 (litho), " we witness an eerie ritual that delves into forbidden territories. This lithograph captures the essence of a clandestine gathering, shrouded in secrecy and intrigue. As we flip through the pages of a magic calendar published in August, we stumble upon "The Black Mass. " The month itself seems to hold a mystical significance for practitioners of these ancient arts, and is during this time that they harness their powers and connect with unseen forces. In another magical calendar published in January, "The Witches Sabbath" takes center stage. A chilling depiction unfolds before our eyes as witches gather under a moonlit sky to celebrate their craft. This artwork reminds us that even in the coldest months, warmth can be found within the embrace of dark enchantment. Elizabeth Catlett's lithograph from 1959 titled "Mother and Child" offers a different perspective on black arts—a tender portrayal showcasing the bond between motherhood and spirituality. Through her artistry, Catlett invites us to explore how these two realms intersect and influence one another. An illustration featuring a magician's wand alongside a pair of white gloves hints at both elegance and mysticism—the tools used by those who command supernatural forces. These objects symbolize power tempered by grace; they are conduits for unlocking hidden potentials within ourselves. Amiri Baraka (1934- ) emerges as an influential figure within American poetry—an artist unafraid to delve into themes associated with black arts. His words resonate like incantations, summoning emotions deep within our souls. Lorraine Hansberry (1930-1965), an esteemed playwright known for her groundbreaking work such as "A Raisin in the Sun, " also explores the complexities through her thought-provoking narratives.