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Black And White Photograph Collection (page 4)

"Capturing Timeless Beauty

Background imageBlack And White Photograph Collection: A Harvest of Death, Gettysburg, Pennsylvania, July, 1863 (albumen print from collodion negative)

A Harvest of Death, Gettysburg, Pennsylvania, July, 1863 (albumen print from collodion negative)
1068368 A Harvest of Death, Gettysburg, Pennsylvania, July, 1863 (albumen print from collodion negative) by O Sullivan, Timothy (1840-82); Dallas Museum of Art, Texas

Background imageBlack And White Photograph Collection: The Torso, 1909 (photogravure)

The Torso, 1909 (photogravure)
CHT228063 The Torso, 1909 (photogravure) by Stieglitz, Alfred (1864-1946) & White, Clarence (1871-1925); Private Collection; © Archives Charmet

Background imageBlack And White Photograph Collection: Sir Charles Cust (in soft hat) the Kings Equerry, with Mr Callender sifting the dust from

Sir Charles Cust (in soft hat) the Kings Equerry, with Mr Callender sifting the dust from the floor of the Tomb of
STC160070 Sir Charles Cust (in soft hat) the Kings Equerry, with Mr Callender sifting the dust from the floor of the Tomb of Tutankhamun, Valley of the Kings, 1922 (gelatin silver print) by Burton

Background imageBlack And White Photograph Collection: Crowd of interested spectators waiting outside the Tomb of Tutankhamun

Crowd of interested spectators waiting outside the Tomb of Tutankhamun, Valley of the Kings (gelatin silver print)
STC160066 Crowd of interested spectators waiting outside the Tomb of Tutankhamun, Valley of the Kings (gelatin silver print) by Burton

Background imageBlack And White Photograph Collection: Dying Chestnut Tree (verso), 1934 (gelatin silver print)

Dying Chestnut Tree (verso), 1934 (gelatin silver print)
3954791 Dying Chestnut Tree (verso), 1934 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 23x15 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: Paris: the Seine, 1896 (gelatin silver print)

Paris: the Seine, 1896 (gelatin silver print)
CH440582 Paris: the Seine, 1896 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.4x29.8 cm; Private Collection; Photo © Christies Images

Background imageBlack And White Photograph Collection: Only Egg, 1937 (photos, flint & shale)

Only Egg, 1937 (photos, flint & shale)
LMG440301 Only Egg, 1937 (photos, flint & shale) by Nash, Paul (1889-1946); 31.9x21.2x6.7 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries, UK; English

Background imageBlack And White Photograph Collection: The Bubble (photogravure)

The Bubble (photogravure)
3618397 The Bubble (photogravure) by Brigman, Anne W. (1869-1950); Minneapolis Institute of Arts, MN, USA; © Minneapolis Institute of Art; © Minneapolis Institute of Art

Background imageBlack And White Photograph Collection: Howard Carter (1873-1939) and a colleague standing beside a partially demolished wall to one of

Howard Carter (1873-1939) and a colleague standing beside a partially demolished wall to one of the tombs
STC160078 Howard Carter (1873-1939) and a colleague standing beside a partially demolished wall to one of the tombs, Valley of the Kings (gelatin silver print) by Burton

Background imageBlack And White Photograph Collection: Georgia O Keeffe, 1919-20 (platinum print)

Georgia O Keeffe, 1919-20 (platinum print)
2970973 Georgia O Keeffe, 1919-20 (platinum print) by Stieglitz, Alfred (1864-1946); 25.3x20.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Georgia Totto O Keeffe (November 15)

Background imageBlack And White Photograph Collection: The Net Mender, 1894 (carbon print)

The Net Mender, 1894 (carbon print)
2970956 The Net Mender, 1894 (carbon print) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Background imageBlack And White Photograph Collection: An Icy Night, New York, 1898 (carbon print)

An Icy Night, New York, 1898 (carbon print)
2970954 An Icy Night, New York, 1898 (carbon print) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Background imageBlack And White Photograph Collection: The Terminal, 1893, printed c. 1910 (photogravure in original frame)

The Terminal, 1893, printed c. 1910 (photogravure in original frame)
877398 The Terminal, 1893, printed c.1910 (photogravure in original frame) by Stieglitz, Alfred (1864-1946); 25.4x33.3 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageBlack And White Photograph Collection: Two Poplars, Lake George (recto), 1934 (gelatin silver print)

Two Poplars, Lake George (recto), 1934 (gelatin silver print)
3954790 Two Poplars, Lake George (recto), 1934 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 23x15 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: Winter on Fifth Avenue, 1893 (photogravure)

Winter on Fifth Avenue, 1893 (photogravure)
3954758 Winter on Fifth Avenue, 1893 (photogravure) by Stieglitz, Alfred (1864-1946); 21.9x15.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: The City Across the River, 1910 (photogravure)

The City Across the River, 1910 (photogravure)
3954756 The City Across the River, 1910 (photogravure) by Stieglitz, Alfred (1864-1946); 20.3x15.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: XIII. The Hand of Man, neg. 1902; print 1911 (photogravure on paper)

XIII. The Hand of Man, neg. 1902; print 1911 (photogravure on paper)
3949698 XIII. The Hand of Man, neg. 1902; print 1911 (photogravure on paper) by Stieglitz, Alfred (1864-1946); Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: Barn, Lake George, 1922 (gelatin silver print)

Barn, Lake George, 1922 (gelatin silver print)
2970975 Barn, Lake George, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.3x19.2 cm; The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Background imageBlack And White Photograph Collection: Poplars Lake George, 1935 (gelatin silver print)

Poplars Lake George, 1935 (gelatin silver print)
5860188 Poplars Lake George, 1935 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 11.9x9.3 cm; The Art Institute of Chicago, IL, USA; American, out of copyright

Background imageBlack And White Photograph Collection: The market place, Viborg, Finland, 1897 (stereograph)

The market place, Viborg, Finland, 1897 (stereograph)
6255981 The market place, Viborg, Finland, 1897 (stereograph) by Underwood & Underwood (c.1881-1940); Private Collection; (add.info.: View of crowded market scene.)

Background imageBlack And White Photograph Collection: The Terminal, 1893 (photogravure)

The Terminal, 1893 (photogravure)
2970984 The Terminal, 1893 (photogravure) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection

Background imageBlack And White Photograph Collection: Two Towers, New York, 1911 (photogravure)

Two Towers, New York, 1911 (photogravure)
2970982 Two Towers, New York, 1911 (photogravure) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Alfred Stieglitz Collection; American, out of copyright

Background imageBlack And White Photograph Collection: A Bit of Venice, negative 1894, published 1898 (toned photogravure)

A Bit of Venice, negative 1894, published 1898 (toned photogravure)
ALM283437 A Bit of Venice, negative 1894, published 1898 (toned photogravure) by Stieglitz, Alfred (1864-1946); 17.7x12 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageBlack And White Photograph Collection: Girls of the old Maori race as they are today under British training, Auckland, c

Girls of the old Maori race as they are today under British training, Auckland, c. 1908 (silver gelatin print)
MGS272385 Girls of the old Maori race as they are today under British training, Auckland, c.1908 (silver gelatin print) by Underwood & Underwood (c.1881-1940)

Background imageBlack And White Photograph Collection: Portrait, c. 1910 (silver gelatin print)

Portrait, c. 1910 (silver gelatin print)
MGS272352 Portrait, c.1910 (silver gelatin print) by Goldie, Charles Frederick (1870-1947); 16x10.4 cm; Private Collection; © Michael Graham-Stewart

Background imageBlack And White Photograph Collection: Evangeline Booth - Salvation Army, c. 1919 (litho)

Evangeline Booth - Salvation Army, c. 1919 (litho)
2650481 Evangeline Booth - Salvation Army, c.1919 (litho) by Hill, Ira Lawrence (1877-1947); 104x69 cm; Private Collection; (add.info)

Background imageBlack And White Photograph Collection: Self portrait with camera, tripod and pistol, 1886 (lantern slide)

Self portrait with camera, tripod and pistol, 1886 (lantern slide)
2971367 Self portrait with camera, tripod and pistol, 1886 (lantern slide) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL, USA; Gift of Flora Stieglitz Straus

Background imageBlack And White Photograph Collection: Old Capitol Prison, Washington, c. 1864 (albumen print mounted on wove paper)

Old Capitol Prison, Washington, c. 1864 (albumen print mounted on wove paper)
3951228 Old Capitol Prison, Washington, c.1864 (albumen print mounted on wove paper) by Pywell, William Redish (1843-87); 17.8x22.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageBlack And White Photograph Collection: Lady Diana Manners in The Miracle, by Max Reinhardt, 1914-34 (gelatin silver print)

Lady Diana Manners in The Miracle, by Max Reinhardt, 1914-34 (gelatin silver print)
869767 Lady Diana Manners in The Miracle, by Max Reinhardt, 1914-34 (gelatin silver print) by Meyer, Adolf de (1868-1946); 24x18.6 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageBlack And White Photograph Collection: Rebecca Salsbury Strand, 1922 (gelatin silver print)

Rebecca Salsbury Strand, 1922 (gelatin silver print)
2970961 Rebecca Salsbury Strand, 1922 (gelatin silver print) by Stieglitz, Alfred (1864-1946); The Art Institute of Chicago, IL

Background imageBlack And White Photograph Collection: The Unofficial Opening of the Inner Chamber of the Tomb of Tutankhamun. Dr. A

The Unofficial Opening of the Inner Chamber of the Tomb of Tutankhamun. Dr. A
STC159188 The Unofficial Opening of the Inner Chamber of the Tomb of Tutankhamun. Dr. A. Gardiner and Professor Breasted, who were present as experts to examine the seals affixed to the entrance to

Background imageBlack And White Photograph Collection: Lady Ribblesdale and Mr Stephen Vlasto arriving on donkeys at the Tomb of Tutankhamun

Lady Ribblesdale and Mr Stephen Vlasto arriving on donkeys at the Tomb of Tutankhamun, Valley of the Kings
STC159186 Lady Ribblesdale and Mr Stephen Vlasto arriving on donkeys at the Tomb of Tutankhamun, Valley of the Kings, 1922 (gelatin silver print) by Burton

Background imageBlack And White Photograph Collection: Sir Alfred Milner (sepia photo)

Sir Alfred Milner (sepia photo)
STC363476 Sir Alfred Milner (sepia photo) by Elliott & Fry Photography Studio (1863-early 20th century); Private Collection; (add.info.: Alfred Milner, 1st Viscount Milner (1854-1925)

Background imageBlack And White Photograph Collection: From the Shelton, West, 1935 (gelatin silver print)

From the Shelton, West, 1935 (gelatin silver print)
5934661 From the Shelton, West, 1935 (gelatin silver print) by Stieglitz, Alfred (1864-1946); 24.3x18.9 cm; Minneapolis Institute of Arts, MN

Background imageBlack And White Photograph Collection: Schoolhouse at Kotzebue Mission, Cape Blossom, Alaska, August 1906 (gelatin silver print)

Schoolhouse at Kotzebue Mission, Cape Blossom, Alaska, August 1906 (gelatin silver print)
622801 Schoolhouse at Kotzebue Mission, Cape Blossom, Alaska, August 1906 (gelatin silver print) by Nowell, Frank H. (1864-1950); 19.4x24.4 cm; Private Collection; © Michael Graham-Stewart

Background imageBlack And White Photograph Collection: Tookoo (The Deer). Chief of Sikoslingmint Eskimos Southern Baffin Island, 1913-14 (bromide print)

Tookoo (The Deer). Chief of Sikoslingmint Eskimos Southern Baffin Island, 1913-14 (bromide print)
996016 Tookoo (The Deer). Chief of Sikoslingmint Eskimos Southern Baffin Island, 1913-14 (bromide print) by Flaherty, Robert Joseph (1884-1951); Image: 24.8x18.7 cm; Art Gallery of Ontario, Toronto

Background imageBlack And White Photograph Collection: The Safa Gate, one of a group of photos of Mecca and the Holy Places of Islam, c

The Safa Gate, one of a group of photos of Mecca and the Holy Places of Islam, c. 1879-80 (albumen print)
5615642 The Safa Gate, one of a group of photos of Mecca and the Holy Places of Islam, c.1879-80 (albumen print) by Sadiq Bey, Muhammad (1832-1902); Private Collection; Photo © Christies Images

Background imageBlack And White Photograph Collection: Portrait, Tauranga, c. 1930 (silver gelatin print)

Portrait, Tauranga, c. 1930 (silver gelatin print)
MGS272390 Portrait, Tauranga, c.1930 (silver gelatin print) by Garlick, Una (1883-1951); 10.2x7.4 cm; Private Collection; (add.info.: photographer was Eunice Harriett Garlick)



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"Capturing Timeless Beauty: A Glimpse into the World of Black and White Photography" Step back in time with these captivating black and white photographs that transport us to different eras, showcasing both historical moments and artistic masterpieces. In the albumen print titled "View of a folly in Roundhay Park, " we are immersed in the tranquility of nature, as if standing right beside this architectural wonder. The silver gelatin print of Marconi and his wireless telegraph apparatus takes us to the pioneering days of communication technology, reminding us how far we have come. The illustration for Alfred, Lord Tennyson's poem "Maud" evokes emotions through its delicate details captured by an albumen print. Similarly, the albumen print illustrating Tennyson's poem "Mariana" transports us into a world filled with melancholy beauty. Plate 192's collotype on paper showcases a vibrant dance scene from 1885 - frozen movements that still exude energy even after all these years. Meanwhile, stepping inside Charles of the Ritz beauty salon through interior views reveals elegance and luxury at its finest. From an aerial perspective, we witness history unfold as landing craft approach Normandy during World War II while barrage balloons float above like guardians protecting allied troops below. In contrast, the silver albumen print captures Swedish School House at Philadelphia's Centennial Exposition in 1876 - a testament to architectural marvels that stood tall even then. Lastly, James Chuma and Abdullah Susi proudly display David Livingstone artifacts at Newstead Abbey in England; their faces tell stories untold yet preserved forever through photography. And finally, gazing upon Roundhay House within Roundhay Park reminds us of timeless grandeur amidst nature's embrace. These black and white photographs not only freeze moments but also allow our imagination to wander beyond what is seen – they encapsulate history itself within their frames.