Bisson Collection

[The Ascent of Mont Blanc], 1861. Creator: Auguste-Rosalie Bisson
[The Ascent of Mont Blanc], 1861

[Dog], 1841-49. Creator: Louis-Auguste Bisson
[Dog], 1841-49

A Nymph, 1901 (oil on canvas)
651191 A Nymph, 1901 (oil on canvas) by Bisson, Edouard (1856-1939); 55.5x38 cm; Private Collection; (add.info.: Edouard Bisson (1856-1939) Signed and dated 1901); Photo © Christie's Images

Brian Bisson Jersey 23 February 1994 Date: 23 February 1994

[Profile of a Woman with Necrosis of the Nose], 1841-48. Creator: Louis-Auguste Bisson
[Profile of a Woman with Necrosis of the Nose], 1841-48

[Basilica of Maxentius and Constantine, Rome], ca. 1861. Creator: Auguste-Rosalie Bisson
[Basilica of Maxentius and Constantine, Rome], ca. 1861

Luke, from Ars Memorandi, c1470 (1849). Artist: A Bisson
Luke, from Ars Memorandi, c1470 (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Royal de Dresden

Fragment facsimile of page 28 of the Bible of the Poor, 1849. Artist: A Bisson
Fragment facsimile of page 28 of the Bible of the Poor, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Wandering minstrels, 1574 (1849). Artist: A Bisson
Wandering minstrels, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

St Peter, 1519 (1849). Artist: A Bisson
St Peter, 1519 (1849). A 19th century version based on an original 16th century wood engraving held by the Bibliotheque Royal

The Mocking of Christ, 16th century (1849). Artist: A Bisson
The Mocking of Christ, 16th century (1849). A 19th century version based on a 16th century original found in the collection of M Quedeville, Paris

Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). Artist: A Bisson
Charlotte of Savoy (1441-1483), queen consort of Louis XI of France, 15th century (1849). A 19th century version based on a 15th century original held by the Chateau de Bourbon-l Archambault

Christ preaching, 15th century (1849). Artist: A Bisson
Christ preaching, 15th century (1849). A 19th century version based on an original 15th century painting held by M Quedeville, Paris

Music concert, 13th century (1849). Artist: A Bisson
Music concert, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

Celestial concert, 15th century (1849). Artist: A Bisson
Celestial concert, 15th century (1849). A 19th century version based on an original 15th century illustration on the front page of a 15th century breviary, held by the Royal Library, Brussels

The Sabbath, 16th century (1849). Artist: A Bisson
The Sabbath, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A Bisson
Bourgeoise, peasant and noble women, 14th century (1849). A 19th century version based on original painted windows in the church of Moulins, Bourbonnais, France

Inside the physicians house, 15th century (1849). Artist: A Bisson
Inside the physicians house, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Othea, held by the Royal Library, Brussels

The new-born child, 15th century (1849). Artist: A Bisson
The new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels

A knight and a lady, 15th century (1849). Artist: A Bisson
A knight and a lady, 15th century (1849). Private quarters in a chateau in the Court of Burgundy, France. A 19th century version based on an original 15th century manuscript illustration in Othea

The Congress of Wartburg, 15th century (1849). Artist: A Bisson
The Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris

Royal garments of Charlemagne (742-814), 15th century (1849). Artist: A Bisson
Royal garments of Charlemagne (742-814), 15th century (1849). Dalmatica and sandals of Charlemagne, and insignia of the kings of France as used during their coronations

The coronation of King Charles V of France (1337-1380), 14th century (1849). Artist: A Bisson
The coronation of King Charles V of France (1337-1380), 14th century (1849). A 19th century version based on an original manuscript illustration in Chroniques de Froissart, volume IV

Grand costume of a Supreme Commander of the French armies, 16th century (1849). Artist: A Bisson
Grand costume of a Supreme Commander of the French armies, 16th century (1849). A 19th century version based on an original manuscript illustration held in the collection of the Cabinet des Estampes

The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1846). Artist: A Bisson
The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1849). A 19th century version based on an original manuscript illustration in Insignia Sacre Majistatis

Baptism, 15th century (1849). Artist: A Bisson
Baptism, 15th century (1849). A 19th century version based on an original manuscript illustration in l Hostorie de la Belle Helene, in the collection of the Royal Library of Belgium

Religious procession, 1449-1456 (1849). Artist: A Bisson
Religious procession, 1449-1456 (1849). A 19th century version based on an original manuscript illustration in the book of common prayer of Jacques Juvenal the Ursins (1449-1456)

Paris, France, 1607. Artist: A Bisson
Paris, France, 1607. A 19th century version of an original 17th century manuscript illustration found in the collection of M. Guenebault

Rector of the university and a procession of monks of Saint-Victors Abbey, 15th century (1849). Artist: A Bisson
Rector of the university and a procession of monks of the Abbey of Saint-Victor, France, 15th century (1849). A 19th century version of an original 15th century manuscript illustration found in

Poor children hepled by the bourgeoisie of Paris, 1849. Artist: A Bisson
Poor children hepled by the bourgeoisie of Paris, 1849. From a bas-relief on the exterior of Notre-Dame, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

University of Oxford, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Vice-chancellor and students of different nationalities at the University of Prague, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume I (Paris, 1849)

Beliefs and popular superstitions, 1493 (1849). Artist: A Bisson
Beliefs and popular superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels

Beliefs and superstitions, 1493 (1849). Artist: A Bisson
Beliefs and superstitions, 1493 (1849). A 19th century version based on an original manuscript illustration in Liber Cronicarum at the Cabinet des Estampes, Bibliotheque Royale, Brussels, Belgium

Bas-relief from the Basilica of Saint Nazaire, Carcassonne, France, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Frederic Chopin, Polish pianist and composer, 1849. Artist: Louis-Auguste Bisson
Frederic Chopin, Polish pianist and composer, 1849. The only known photograph of Chopin (1810-1849)

Marthe Beraud ( Eva C ) exudes ectoplasm from her navel, which loops round her nipples, at the home of Madame Bisson at 33 rue George Sand, Paris, Date: 9 January 1913

Portrait Erneste Panckouke Louis Auguste Bisson
Portrait of Erneste Panckouke; Louis Auguste Bisson (French, 1814 - 1876); about 1841 - 1845; Daguerreotype

Exposition universelle de Paris 1867 Bisson Auguste-Rosalie
Exposition universelle de Paris 1867, Exposition universelle de Paris 1867, Bisson, Auguste-Rosalie, 1826-1900, 1867

Pauline Frederick, American Actress
PAULINE FREDERICK American actress -- she has signed the portrait in red lipstick on the right, and added an impression of her own lips in the lower left corner

BISSONs BRAVERY 1827
GREEK WAR OF INDEPENDENCE: Lieut. Bisson, French Navy, blows up a captured Turkish ship & its crew rather than have it retaken. There stands a monument to him in Navarino

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"Bisson: A Legacy of Artistry and Exploration" Step into the world of Bisson, a name that resonates with creativity and adventure. From capturing breathtaking landscapes to immortalizing the human form, this family has left an indelible mark on the art world. In 1861, Auguste-Rosalie Bisson embarked on "The Ascent of Mont Blanc, " a daring expedition that pushed the boundaries of photography. Through his lens, he captured the awe-inspiring beauty of nature's grandeur, forever freezing those majestic peaks in time. Marthe Beraud, another member of the Bisson clan, added her own touch to their artistic lineage. Her work exudes elegance and grace as she delicately painted "A Nymph" on canvas in 1901. With each brushstroke, she brought mythical creatures to life and transported viewers into enchanting realms. Louis-Auguste Bisson showcased his talent through various mediums. In 1841-49, he portrayed man's best friend in all its loyalty and companionship with his masterpiece "[Dog]. " Additionally, he explored deeper emotions by depicting a woman afflicted with necrosis in "[Profile of a Woman with Necrosis of the Nose], " revealing both vulnerability and strength within one frame. Auguste-Rosalie returned to his passion for architectural wonders when he captured Rome's iconic "Basilica of Maxentius and Constantine. " His photograph from around 1861 showcases intricate details that stand as testaments to human ingenuity throughout history. The artistic prowess extended beyond photography for this talented family. A mysterious figure named A Bisson contributed to works like "Luke" from Ars Memorandi (c1470) - showcasing their versatility across different periods - as well as fragments from historical texts such as page 28 from the Bible of the Poor (1849).