Bend Collection (page 7)

Bicycling, c. 1887 (colour print)
5672330 Bicycling, c.1887 (colour print) by Sandham, Henry (1842-1912); Private Collection; English, out of copyright

The Letter X (colour litho)
3642901 The Letter X (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter X. Postcard, early 20th century.); © Look and Learn

The Letter T (colour litho)
3642899 The Letter T (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter T. Postcard, early 20th century.); © Look and Learn

Poster advertising Michelin tyres are faster than rail! (colour litho)
PER320978 Poster advertising Michelin tyres are faster than rail! (colour litho) by Montaut, Ernest (1878-1909); Private Collection; (add.info)

Early Days of Rapid Transit, (oil on canvas)
985284 Early Days of Rapid Transit, (oil on canvas) by Henry, Edward Lamson (1841-1919); 50.9x92 cm; Private Collection; (add.info.: Early Days of Rapid Transit. Edward Lamson Henry (1841-1919)

The Career of a Recehorse (engraving)
1055680 The Career of a Recehorse (engraving) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: The Career of a Recehorse)

A Bend on the Sunday River (b / w photo)
3092450 A Bend on the Sunday River (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: A Bend on the Sunday River)

Winter sports: accident on the luge track at Chamonix (colour litho)
3099211 Winter sports: accident on the luge track at Chamonix (colour litho) by Carrey, (fl.1900) (after); Private Collection; (add.info.: Winter sports: accident on the luge track at Chamonix)

Woman Bending Down, 1656 (chalk on paper)
XKH145232 Woman Bending Down, 1656 (chalk on paper) by Ostade, Adriaen Jansz. van (1610-85); 12.4x15 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Portrait of his wife, c. 1918 (blood on paper)
5862557 Portrait of his wife, c.1918 (blood on paper) by Merello, Rubaldo (1872-1922); 44x59 cm; Private Collection; (add.info.: Sketch for sculpture entitled pain.); Luisa Ricciarini; Italian

Plate 209. Stooping and Lifting A Hand-Kerchief, 1885 (collotype on paper)
3950466 Plate 209. Stooping and Lifting A Hand-Kerchief, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x34.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 206. Carrying Water Jar on Head, Turning and Placing it
3950390 Plate 206. Carrying Water Jar on Head, Turning and Placing it on, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21x37 cm; Addison Gallery of American Art, Phillips Academy

Plate 205. Carrying and Stooping with Vase, 1885 (collotype on paper)
3950389 Plate 205. Carrying and Stooping with Vase, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x37.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 506. Bricklaying, 1872-85 (collotype on paper)
3950354 Plate 506. Bricklaying, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x36.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 433. Wringing Clothes, 1872-85 (collotype on paper)
3950256 Plate 433. Wringing Clothes, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x38.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 235. Turning & Removing Water Jar from Shoulder to Ground
3950211 Plate 235. Turning & Removing Water Jar from Shoulder to Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x45.2 cm; Addison Gallery of American Art

Plate 227. Lifting Cloth from the Ground, 1872-85 (collotype on paper)
3950209 Plate 227. Lifting Cloth from the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.4x44.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 220. Stooping and Lifting Hankerchief and Turning, 1872-85 (collotype on paper)
3950202 Plate 220. Stooping and Lifting Hankerchief and Turning, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.6x45.2 cm; Addison Gallery of American Art, Phillips Academy

On the Wharfe, Bolton Woods (oil on canvas)
3822396 On the Wharfe, Bolton Woods (oil on canvas) by Mellor, William (c.1851-1931); 29x44 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; English, out of copyright

Birdoswald (pencil & w / c on paper)
1214132 Birdoswald (pencil & w/c on paper) by Richardson, Henry Burdon (fl.1828-72); 52.5x34.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British

A Bend on the Kloof Road (b / w photo)
3092319 A Bend on the Kloof Road (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: A Bend on the Kloof Road)

Middlesbrough Illustrated (engraving)
1054868 Middlesbrough Illustrated (engraving) by English School, (19th century); Private Collection; (add.info.: Middlesbrough Illustrated)

The Letter U (colour litho)
3642900 The Letter U (colour litho) by English School, (20th century); Private Collection; (add.info.: The Letter U. Postcard, early 20th century.); © Look and Learn

Bristol (colour litho)
3641915 Bristol (colour litho) by English School, (20th century); Private Collection; (add.info.: Bristol. Illustration for The Book of Motors (Birn Brothers, c 1955).); © Look and Learn

Bend in the Amstel near Kostverloren House, early 1650s
449305 Bend in the Amstel near Kostverloren House, early 1650s (pen & ink with wash & bodycolour on paper) by Rembrandt Harmensz

Henri Rougier in his Lorraine-Dietrich competing in the Mount Ventoux rally in 1904, c
CHT177238 Henri Rougier in his Lorraine-Dietrich competing in the Mount Ventoux rally in 1904, c.1910 (colour litho) by Montaut, Ernest (1878-1909) (after); Bibliotheque des Arts Decoratifs, Paris

Plate 208. Dropping a Fan and Stooping to Lift It, 1885 (collotype on paper)
3950465 Plate 208. Dropping a Fan and Stooping to Lift It, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.3x42.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 442. Stooping, and Rolling A Stone on the Ground, 1872-85 (collotype on paper)
3950263 Plate 442. Stooping, and Rolling A Stone on the Ground, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.7x40.8 cm; Addison Gallery of American Art, Phillips Academy

Plate 439. Spreading A Rug on the Floor, 1872-85 (collotype on paper)
3950260 Plate 439. Spreading A Rug on the Floor, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x40.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 203. Bending Over a Trestle with Water Jar, 1872-85 (collotype on paper)
3950198 Plate 203. Bending Over a Trestle with Water Jar, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.9x33.5 cm; Addison Gallery of American Art, Phillips Academy, Andover

Plate 202. Dropping and Lifting a Hankerchief, 1872-85 (collotype on paper)
3950197 Plate 202. Dropping and Lifting a Hankerchief, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.4x40.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 108. Turning to Ascend Stairs, Stooping, Lifting a Pitcher
3950160 Plate 108. Turning to Ascend Stairs, Stooping, Lifting a Pitcher, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x36.8 cm; Addison Gallery of American Art

Plate 382. Lifting A Log on End, 1872-85 (collotype on paper)
3950080 Plate 382. Lifting A Log on End, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x31.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Regent Street, Westminster, 19th Century (b / w photo)
5229396 Regent Street, Westminster, 19th Century (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Regent Street, Westminster, 19th Century)

The Nile Expedition for the Relief of General Gordon, Lord Wolseleys Steamer rounding the Bend in the Rapids of
1045919 The Nile Expedition for the Relief of General Gordon, Lord Wolseleys Steamer rounding the Bend in the Rapids of the First Cataract (engraving) by Villiers

Duraton
Clara Gamito

Despair
Jure Kravanja

The bow of Skandi Rona
Bjarne Skogvik

Calatrava lines at the blue hour
Jef Van den Houte

Homage to.....The old Lady
Angelika Martha Himburg

Dance
Natalia

Winds of Change
Peter Elgar

Kö windows
Gilbert Claes

Horseshoe Bend
Juan Pablo de Miguel

entwined
Peter Pfeiffer

Blow out
Stefan Eisele

Balancing act
Jimmy Hoffman

turns
Mazin alrasheed alzain

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"Bend: A Fusion of Art, Speed, and Boundless Creativity" In the vibrant world of automotive marvels, a fiery red Ford Shelby Mustang GT500 2010 roars through the streets of Richmond Hill View in Surrey, England on a memorable summer day - June 28th, 2010. Ethel Davies, the mastermind behind this captivating creation, leaves an indelible mark on the realm of automobile design. Meanwhile, across oceans and continents in Japan, a Nissan 300ZX gracefully navigates its way through winding roads. This sleek masterpiece pays homage to the ingenuity and precision that Japanese engineering is renowned for. Just as Igor Stravinsky's compositions bend musical boundaries with their avant-garde nature and unconventional rhythms; these automobiles challenge traditional notions of speed and power. They embody Stravinsky's spirit by pushing limits and embracing innovation. Artistic brilliance transcends mediums as we delve into Edgar Degas' mesmerizing pastel creation "The Tub" from 1886. The delicate strokes beautifully capture moments frozen in time - much like our vehicles suspended mid-bend during exhilarating drives. As we shift gears towards luxury sedans, Maserati Quattroporte Sport GT emerges as a symbol of opulence fused with performance. Its elegant lines effortlessly glide along highways while exuding sophistication at every turn. From Germany comes BMW's powerful two-wheeled wonder - the BMW 1200GS motorcycle. It bends perceptions by conquering rugged terrains with ease while offering riders an adrenaline-fueled adventure like no other. A whimsical encounter takes place when Golliwog meets Bulldog – an unexpected union that challenges societal norms through playful imagery. Just as these characters defy expectations by bending stereotypes; our automobiles redefine conventions with their unique designs. Breaking barriers extends beyond machines to include remarkable individuals such as Mrs Roy Eccles who became the first woman to circuit race tracks fearlessly. Her determination and resilience bend gender norms, inspiring generations to follow their dreams.