Beke Willem Van Der Collection

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand... 1636
Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdin... 1636
Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanuss Serenissimi Principis

Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanuss Serenissimi Pri... 1636
Plate 32: Venus asking Jupiter for protection; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanuss Serenissimi... 1636
Plate 15: Ferdinand as Hannibal crossing the Alps; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 18: Procession of the Spanish Prince Ferdinand into the city of Ghent, January 28, 1... 1636
Plate 18: Procession of the Spanish Prince Ferdinand into the city of Ghent, January 28, 1635; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 33: Armorial trophy on a Tuscan column, surrounded by allegorical figures and cherub... 1636
Plate 33: Armorial trophy on a Tuscan column, surrounded by allegorical figures and cherubs bearing the armorial shields of Ferdinand; from Guillielmus Becanuss Serenissimi Principis Ferdinandi

Plate 16: Battle of Achilles against the Trojans; from Guillielmus Becanuss Serenissimi... 1636
Plate 16: Battle of Achilles against the Trojans; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 41: Fireworks display in city square with Ferdinand watching from a balcony at right... 1636
Plate 41: Fireworks display in city square with Ferdinand watching from a balcony at right; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 30: Marcellus dedicating the spoils of war to Jupiter; from Guillielmus Becanuss S... 1636
Plate 30: Marcellus dedicating the spoils of war to Jupiter; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 40: Design for festival architecture honoring the Spanish Prince Ferdinands triumph... 1636
Plate 40: Design for festival architecture honoring the Spanish Prince Ferdinands triumphal entry into the city of Ghent, January 28, 1635; from Guillielmus Becanuss Serenissimi Principis Ferdinandi

Plate 38: Triumphal ship with the city of Ghent in the background; from Guillielmus Becanu... 1636
Plate 38: Triumphal ship with the city of Ghent in the background; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and dec... 1636
Plate 27: Triumphal arch, elevation of the back, surmounted by allegorical figures and decorated with scenes from Roman mythology

Plate 2: Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanus s... 1636
Plate 2: Portrait of Philip IV, King of Spain, being crowned; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 3: Portrait of Ferdinand Cardinal Infante of Spain, in military armor; from Guilliel... 1636
Plate 3: Portrait of Ferdinand Cardinal Infante of Spain, in military armor; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 14: Ferdinand on a voyage with the Argonauts; from Guillielmus Becanuss Serenissim... 1636
Plate 14: Ferdinand on a voyage with the Argonauts; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanuss Serenissimi Pri... 1636
Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 23: Emperor Charles V, campaign in Africa; from Guillielmus Becanuss Serenissimi P... 1636
Plate 23: Emperor Charles V, campaign in Africa; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 28: Mars on horseback at center, and Romulus and Remus with the wolf at lower left;... 1636
Plate 28: Mars on horseback at center, and Romulus and Remus with the wolf at lower left; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 31: The triumph of Scipio Africanus; from Guillielmus Becanuss Serenissimi Princip... 1636
Plate 31: The triumph of Scipio Africanus; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 34: King Ferdinand as Neptune, seated on a whale at center, with putti atop two smal... 1636
Plate 34: King Ferdinand as Neptune, seated on a whale at center, with putti atop two small fish on either side; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis

Plate 37: Triumphal ship with fireworks display to the right; from Guillielmus Becanus s... 1636
Plate 37: Triumphal ship with fireworks display to the right; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus s
Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus s
Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 10: The King of Hungary and Ferdinand on horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 24: Charles V crowned Emperor by the Pope; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 20: Charles V and Ferdinand on Horseback; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanus s
Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanuss Serenissimi Principis Ferdinandi, Hispaniarum Infantis... 1636

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"Beke Willem van der: A Master of Artistic Triumphs and Mythological Splendor" Step into the captivating world of Beke Willem van der, a renowned artist whose works transport us to an era filled with grandeur and mythological marvels. In Plate 35, we witness the majestic Philip of Spain embodying Neptune himself, riding in a chariot drawn by two magnificent sea horses. The attention to detail is awe-inspiring. Plate 19 presents us with a triumphal arch, its front elevation adorned with a cloud bearing Ferdinand's name. Van der Beke's skillful hand brings forth an architectural masterpiece that exudes power and majesty. Similarly, Plate 12 showcases the back facade of another triumphal arch, proudly displaying Ferdinand's coat of arms. In Plate 32, we find Venus seeking Jupiter's protection amidst intricate allegorical figures and cherubs. Van der Beke masterfully captures this divine moment in all its ethereal beauty. Meanwhile, Plate 15 portrays Ferdinand as Hannibal crossing the Alps—an epic scene brought to life through meticulous brushstrokes. The procession depicted in Plate 18 commemorates Spanish Prince Ferdinand's entry into Ghent on January 28th—a historical event immortalized by van der Beke's artistic prowess. The vibrancy and energy emanating from this piece are truly remarkable. Plate 33 introduces us to an armorial trophy resting upon a Tuscan column while being surrounded by allegorical figures and cherubs—an exquisite display of symbolism expertly crafted by van der Beke himself. Vanquishing Trojans becomes vividly real in Plate 16 as Achilles battles his foes under Guillielmus Becanuss Serenissimi Pri. . 1636—another testament to van der Beke's ability to capture intense action within his artwork. A breathtaking fireworks display takes center stage in Plate 41 as Ferdinand watches from a balcony at right.