Beaute Collection (page 4)

Frivolous love A man discovering the chest of a young woman who is asleep on her chest
JLJ4644435 Frivolous love A man discovering the chest of a young woman who is asleep on her chest. Painting by Niklas Lavreince (1737-1807). 18th century Paris

Les trois graces Painting by Jean Honore Fragonard (1732-1806)
JLJ4643158 Les trois graces Painting by Jean Honore Fragonard (1732-1806). 18th century Musee Fragonard, Grasse by Fragonard, Jean-Honore (1732-1806); Musee Fragonard, Grasse

A bather and her next Painting by Francois Le Moyne (1688-1737). 18th century. Dim
JLJ4642780 A bather and her next Painting by Francois Le Moyne (1688-1737). 18th century. Dim. 1, 63 x 1, 17 m Tours, Musee des Beaux Arts by Lemoyne, Francois (1688-1737); Musee des Beaux-Arts

The shepherd indiscreet Bucolic Scene depicting a young shepherd lifting the veil under
JLJ4642749 The shepherd indiscreet Bucolic Scene depicting a young shepherd lifting the veil under which a young shepherd is asleep. Painting by Nicolas Lancret (1690-1743). 18th century Sun

Courtesan and Old Man Painting by Lucas Cranach (1472 - 1553). 16th century
JLJ4644932 Courtesan and Old Man Painting by Lucas Cranach (1472 - 1553). 16th century. Musee des Beaux-Arts de Besancon. by Cranach, Lucas, the Elder (1472-1553); Musee des Beaux-Arts, Besancon

The Bather Painting by Matthew William Peters ((1741 / 1742-1814) 18th century Paris
JLJ4644410 The Bather Painting by Matthew William Peters ((1741/1742-1814) 18th century Paris, Musee Cognacq Jay by Peters, Rev

French woman in prom dress, 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard
FLO4616867 French woman in prom dress, 18th century - Lithography based on an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Costumes historiques des 16e

The three graces Painting by Raffaello Sanzio dit Raphael (1483-1520). 1504-1505
JLJ4623391 The three graces Painting by Raffaello Sanzio dit Raphael (1483-1520). 1504-1505. Chantilly. Conde Museum. by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Musee Conde, Chantilly

Mademoiselle de Clermont and the Count of Melun at the Pavilion of Sylvie near Chantilly
JLJ4656405 Mademoiselle de Clermont and the Count of Melun at the Pavilion of Sylvie near Chantilly These are the two protagonists of the poems of Theophile de Viau

Agnes Sorel (1422 - 1450) Dame de Beaute (her estate) mistress of Charles VII of France, possibly poisoned by political enemies

Beaute Narcisse Diaz de la Pena French
Beaute. Narcisse Diaz de la Pena (French, 1807-1876). Lithograph

A scene from La Beaute de Paris, Palace Theatre, Paris
A jewels tableaux from La Beaute de Paris, Palace Theatre, Paris, from Paris Plaisirs number 79, January 1929 Date: 1929

Portrait of Harriet Smithson (1800-54) (oil on canvas)
XIR159210 Portrait of Harriet Smithson (1800-54) (oil on canvas) by French School, (19th century); Private Collection; (add.info.: tragedienne irlandaise)

Colour plate, Art Gout Beaute, 1924

Decorative end papers, Art Gout Beaute, 1929
Decorative end papers in pink, purple and silver, Art Gout Beaute, 1929. 1929

Fabric design, Art Gout Beaute, 1929
Fabric design for a crepe de chine small flowered print in yellow, brown, grey and cream on a black background, Art Gout Beaute, 1929. 1929

Agnes Sorel (Frere)
AGNES SOREL Dame de Beaute (her estate) mistress of Charles VII de France, possibly poisoned by political enemies Date: 1422 - 1450

Lanvin / Evening Dress
Design for front cover of Art, Goute, Beaute showing an elegant group arriving at a venue, dressed in evening wear

Ballet Dancer / Beaute
A ballet dancer posing elegantly

Agnes Sorel / Chasselat
AGNES SOREL Dame de Beaute (her estate) mistress of Charles VII of France, possibly poisoned by political enemies

Agnes Sorel / Hargrave
AGNES SOREL Dame de Beaute (her estate) mistress of Charles VII of France, possibly poisoned by political enemies

Lily Damita / Beaute
Lily Damita, French dancer and film star of silent films and early talkies Married Errol Flyn (married 1935-1942)

Adelaide Hall / Beaute
ADELAIDE HALL American born, British adopted. One of the highest earning entertainers of the 1940s. First black star to be given a long term BBC contract

Famale Dancing / Beaute
Woman dancing with balloons, leans back and poses

Female Type / Beaute
A lady wearing a lace dress and jewelry holds her hands upon her head and looks rather melancholic

Female Type / Beaute
A lady holds a pearl necklace that hangs around her neck

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"Exploring the Essence of Beaute: From Art to Fashion" Step into a world where beauty knows no boundaries. Delve into the captivating allure of "beaute, " transcending time and gender. Uncover its multifaceted nature through various artistic expressions that have left an indelible mark on history. In 1924, the fabric design titled "Male Type / Naked Beaute" mesmerized audiences with its intricate patterns and bold colors. The Art Gout Beaute collection showcased a harmonious blend of creativity and craftsmanship, pushing boundaries in the realm of fashion. Louise Brooks, an iconic figure from the roaring twenties, graced us with her presence on a song sheet adorned with delicate illustrations capturing her timeless elegance. Her magnetic charm epitomized the essence of beaute. Feral Benga's interpretation took us on a wild journey as his artwork captured untamed energy and raw emotions. His unique perspective challenged societal norms, redefining what it means to embrace one's true self. As fashionable passengers embarked on their journeys, they exuded confidence and sophistication effortlessly. Their impeccable style became synonymous with beaute itself—a testament to how fashion can empower individuals. The decorative end papers from Art Gout Beaute in 1924 transported us to another era entirely—where opulence met refinement in every stroke of paint or ink. These exquisite designs were not mere embellishments but gateways into worlds filled with grace and grandeur. The programme cover for La Beaute de Paris encapsulated the city's enchanting spirit—a celebration of artistry that unfolded within its vibrant streets. It beckoned visitors to immerse themselves in Parisian culture while embracing their own personal definition of beaute. Fast forward to 1929 when "Male Type / Naked Beaute" returned once more as fabric design captivated hearts anew. Its evolution showcased how beaute evolves over time, adapting to the changing tastes and preferences of society.