Beatus Collection

MAP OF THE WORLD, c1060. Map of the world, centering on Jerusalem. Spanish manuscript illumination, c1060, from the work of Beatus of Liebana (c730-c800)

Comments of the Beatus of Liebana to the Book of the Apocalypse, 1086
3499643 Comments of the Beatus of Liebana to the Book of the Apocalypse, 1086; Diocesan Museum of El Burgo de Osma, Province of Soria, Castile and Lion

Beatus from San Millan de la Cogolla, dated between 929-930
3499680 Beatus from San Millan de la Cogolla, dated between 929-930; (add.info.: Beatus from San Millan de la Cogolla, dated between 929-930)

Art Nouveau design, Nemo Ante Mortem Beatus
Art Nouveau design with the Latin proverb: Nemo Ante Mortem Beatus (No-one can be called happy before death). Date: circa 1920s

Beatus of Liebana. Sheet 150. Death of the Beast and the enemies of God. Mozarabic art. Miniature Painting. Proc: SPAIN

Leaves from a Beatus Manuscript: Bifolium with part of the Genealogy of Christ
5321248 Leaves from a Beatus Manuscript: Bifolium with part of the Genealogy of Christ and the Adoration of the Magi, c.1180 (tempera, ink & gold on parchment) by Spanish School

Mms 9961-2 Historiated Initial B from the Peterborough Psalter depicting King
REV107469 Mms 9961-2 Historiated Initial B from the Peterborough Psalter depicting King David playing the harp, English, (c.1310-20) (vellum) by English School

View from the Beatus Cave upon the Lake of Thun, 1776 (oil on canvas)
3740443 View from the Beatus Cave upon the Lake of Thun, 1776 (oil on canvas) by Wolf, Caspar (1735-83); 54.3 x 76.2 cm; Kunstmuseum, Basel, Switzerland; Swiss, out of copyright

Landscape with Beatus Cave, c. 1774-77 (oil on canvas)
3740441 Landscape with Beatus Cave, c.1774-77 (oil on canvas) by Wolf, Caspar (1735-83); 29.2 x 37.5 cm; Kunstmuseum, Basel, Switzerland; Swiss, out of copyright

Leaf from a Beatus Manuscript: the Angel of the Church of Sardis with Saint John, ca. 1180. Recorded by Saint John in the Apocalypse (Book of Revelation)

Leaf from a Beatus Manuscript: the Opening of the Fifth Seal, ca. 1180. Creator: Unknown
Leaf from a Beatus Manuscript: the Opening of the Fifth Seal, ca. 1180. Recorded by Saint John in the Apocalypse (Book of Revelation) and filtered through the lens of Beatus of Liebana

Leaf from a Beatus Manuscript: the Lamb at the Foot of the Cross, Flanked by Two Angels; The Calling of Saint John with the Enthroned Christ flanked by Angels and a Man Holding a Book, ca. 1180

Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels... ca. 1180
Leaf from a Beatus Manuscript: the Sixth Angel Delivers the Four Angels that had been Bound at the River Euphrates; an Altar Appears in the Heavens as the Enthroned Christ Raises His Hand in

Leaf from a Beatus Manuscript: Seven Angels Hold the Cups of the Seven Last Plagues; The Hymn of the Lamb, ca. 1180. Recorded by Saint John in the Apocalypse (Book of Revelation)

Leaf from a Beatus Manuscript: the First Angel Sounds the Trumpet... ca. 1180. Creator: Unknown
Leaf from a Beatus Manuscript: the First Angel Sounds the Trumpet; Fire, Hail-stones, and Blood are Cast Upon the Earth, ca. 1180

Leaves from a Beatus Manuscript: Bifolium with part of the Genealogy of Christ... ca
Leaves from a Beatus Manuscript: Bifolium with part of the Genealogy of Christ and the Adoration of the Magi, ca. 1180

The Ark of the Covenant and the Beast, Miniature in the Beatus of Seu d Urgell (Commentary on the Apocalypse by Beatus of Liebana) codex on parchment made??, probably, in Castile or Leon, c. 975-1000

The Ark of the Covenant and the Beast, miniature in the Beatus of Turin (Commentary on the Apocalypse of Beatus of Liebana), codex on parchment made?

Harvest, grape harvest and the winepress of the wrath of God, detail, miniature in the Beatus of San Millan (Commentary on the Apocalypse of Beatus of Liebana)

Man decapitating the enemy, detail of the scene The Siege of Jerusalem (c. 597 b
Man decapitating the enemy, detail of the scene The Siege of Jerusalem (c.597 b.C) by the troops of the king of Babylon, Nebuchadnezzar II (605-562 b.C)

The harvest time and the grape harvest, Miniature in the Beatus of Valcavado (S. Beati of Liebana explanato in Apocalypsis S. Johannia), manuscript codex, 970

Illuminated page in Beatus of Don Fernando and Dona Sancha, based on Comments to the apocalypse of Beatus of Liebana, codex from 1047

Urgell Beatus. 10th century illuminated manuscript and medieval commentary. Conquest of Jerusalem by Nebuchadnezzar Diocesan Museum. La Seu d Urgell. Catalonia. Spain

FACUNDUS BEATUS, 1047. Judgement of Babylon. Manuscript illumination from the Beatus of Ferdinand I, 1047

Urgell Beatus. 10th c. Illuminated manuscript and medieval c
Urgell Beatus. 10th century. Illuminated manuscript and medieval commentary. Diocesan Museum of La Seu d Urgell. Catalonia. Spain

Beatus of Liebana (c. 730- c. 800). The Commentary on the Apocalypse. The Ark of Noah. National Library. Madrid

Beatus of Girona. 976. Depiction of the Heaven described in six concentric circles. From center: God on his throne between the sun

Beatus of Li颡na. 1047. The Four Horsemen of
Beatus of Li颡 na. 1047. The Four Horsemen of the Apocalypse. Mozarabic art.; Romanesque art. Miniature Painting. SPAIN. Madrid. National Library. Proc: SPAIN

EXPL2A-00065
World map of the flat earth printed by Beatus Rhenanus Bildaus Rheinau early 1500s - North is left, Mediterranean Sea middle Printed color lithograph reproduction 19th century

Blessed of Valcavado. Illuminated codex. Detail
Blessed of Valcavado. 10th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John

Blessed San Pedro of Cardena. Illuminated codex. Detail
Blessed San Pedro of Cardena. 12th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John. Miniature depicting St

Beatus Rhenanus
BILD AUS RHEINAU Alsatian humanist and printers editor - he superintended the printing of Erasmuss works Date: 1485 - 1547

Detail of soldiers in Commentarius in Apocalypsim (Commentary on the Apocalypse) (776-786) work of Beatus of Li颡 na. 11th-12th century catalan copy of the visigothic Beatus of Girona of 976

Escorial Beatus, 10th c White Army of God
Escorial Beatus. 950 - 955. Cod & II. 5. Folio 144r. Faithful and True Rider, with a sword in his mouth, and the White Army of God (Rev. XIX, 11-16)

Escorial Beatus, 10th c Eschatological Harvest
Escorial Beatus. 950 - 955. Cod & II. 5. Folio 120 r. Vision of the Son of Man and the Three Angels in the eschatological harvest and vintage. (Rev. XIV, 14-20)

Beatus of Girona, 976. The Evangelist Luke
Beatus of Girona. 976. The Evangelist Luke. Codex from the monastery of San Salvador de Tabara to the Commentary on the Apocalypse of St. John (776-786), work of Beatus of Li颡 na

Beatus of Ferdinand I. 1047. Romanesque art
Beatus of Ferdinand I and do񡠓 ancha. 1047. Ms. Vit. 14-2. Folio 253v. Representation of the heavenly Jerusalem with 12 gates

Beatus aemilianensis, 10th c The seven plagues
Beatus aemilianensis. 2. Ms. Vit. 14-1. Folio 130r. Angels with the seven plagues and musicians with fiddles or violas or arc. Codex manuscript with the Commentary on the Apocalypse of St

The White Knight on a white horse leaves for battle against Satan
XIR694821 The White Knight on a white horse leaves for battle against Satan. miniature from the Lorvo Beatus Commentary on the Apocalypse of Saint John, 1189 (vellum) by Egeas (fl)

Portrait of Beatus Bild, Philips Galle, Hadrianus Junius, 1567

ELDERS AND LAMB, c1100. Manuscript illumination, Spanish. c1100, from Beatus de Liebanas Commentary on the Apocalypse

MAIUS BEATUS, c950 A. D. The New Jerusalem. Spanish manuscript illumination, c950
MAIUS BEATUS, c950 A.D. The New Jerusalem. Spanish manuscript illumination, c950, from the Maius Beatus, an illuminated copy of the Commentary on the Apocalypse, by Beatus of Liebana, 8th century

APOCALYPSE. Babylon in flames. Spanish manuscript illumination, c950, from Commentary on the Apocalypse by Beatus of Liebana

NEW JERUSALEM, c1220. New Heavenly Jerusalem. Spanish manuscript illumination from Las Huelgas Apocalypse by Beatus of Liebana, 1220

NEBUCHADNEZZAR. Nebuchadnezzar eating grass: Spanish manuscript illumination from Commentary on Apocalypse by Beatus of Liebana

BEATUS OF SAINT-SEVER. Page from the Beatus made at the Abbey of Saint-Sever in Gascogny, France, c1050. The manuscript contains Beatus of Liebanas Commentary on the Apocalypse

Miniature from Beatus of Liebana (San Beato c730-c800) Spanish monk, Commentary on the Apocalypse (Revelations) from the 11th century copy belonging to Fernando I and Sancha of Castile and Leon

Beatus of Liebana. 10th c. Sheet 150. Death of the Beast and the enemies of God. Mozarabic art. Miniature Painting. SPAIN. San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial

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"Discovering the World through Beatus: A Journey of Art and Knowledge" Immerse yourself in the captivating world of Beatus, a renowned figure whose works have left an indelible mark on history. From ancient manuscripts to stunning illuminations, his contributions span across centuries and continents. Step into the past with a Spanish manuscript illumination from around 1060, where Beatus's work centers on Jerusalem, offering a glimpse into the medieval world's perception of this holy city. The intricate details and artistry transport you back in time. Be captivated by the enchanting Art Nouveau design titled "Nemo Ante Mortem Beatus. " This masterpiece showcases how Beatus's influence transcends eras, as his name becomes synonymous with beauty and elegance. Delve deeper into history as you explore the life and legacy of Liebana. Born in the 8th century, he authored influential commentaries that shed light on religious texts. His intellectual prowess continues to inspire scholars today. Travel back even further to witness the magnificence of Urgell Beatus from the 10th century. These illuminated manuscripts offer a window into medieval times—a testament to both artistic skill and devotion. Marvel at Girona's depiction of heaven described by none other than Beatus himself in 976 AD. This artwork transports viewers beyond earthly boundaries, inviting them to contemplate celestial realms. Experience firsthand fragments from a beatus manuscript depicting Christ's genealogy or King David within Peterborough Psalter—each leaf preserving precious moments frozen in time for generations to come. For nature enthusiasts seeking breathtaking landscapes intertwined with history, visit Thun Lake—the very spot that inspired artists like Johann Ludwig Aberli who painted "View from the Beatus Cave upon Lake Thun" or "Landscape with Beatus Cave. " Let your imagination wander amidst these picturesque scenes. Finally, find solace within an angelic portrayal—an exquisite leaf from a Beatus manuscript.