Beardsley Collection (page 5)

The Pierrot of the Minute by Aubrey Beardsley
A pierrot in a garden by Aubrey Beardsley, illustrating Ernest Dowsons one-act verse play The Pierrot of the Minute. Date: 1897

Satire on The Yellow Book
Punchs satirical view of the fin-de-siecle publishing phenomenon, The Yellow Book, whose art editor was Aubrey Beardsley caricatured here

Beardsley Woman Reading
A Beardsley woman reading... Date: 1895

Beardsley Aged 11
AUBREY VINCENT BEARDSLEY English illustrator, leader of the Aesthetic movement and principal artist in the Art Nouveau manner (aged 11). Date: 1872 - 1898

The Three Musicians, Aubrey Beardsley illustration
Illustration by Aubrey Beardsley to his own poem, The Three Musicians, written in 1895. Date: C.1895

Das Rheingold, Under the Hill, Beardsley
For the Third Tableau of Das Rheingold, illustration by Aubrey Beardsley in his unfinished novel, Under the Hill. Date: C.1895

Abbe Fanfreluche, Under the Hill, Beardsley
The Abb順 anfreluche, a character in Aubrey Beardsleys unfinished novel Under the Hill. Date: C.1895

BEARDSLEY, Aubrey Vincent (1872-1898). Design for a front cover of The Yellow Book (not used), reproduced in The Later Work of Aubrey Beardsley, rev. ed. London: John Lane The Bodley Head, 1911

The Amateur Photographer Illustrated advertisement
Advertisement for The Amateur Photographer Illustrated magazine. Its the biggest, brightest and best and has information on practical, elementary, pictorial and scientific photography

Whistler by Beardsley
JAMES McNEILL WHISTLER American artist Date: 1834 - 1903

Praying Angels Poppies Border Design Thomas Malory
Artokoloro

PRESIDIO, 1940. Barracks at the Presidio, San Francisco, California. Photograph by H. Beardsley, 1940

RALPH EDWARD BEARDSLEY (1891-1920). American racecar driver. Photographed at a racetrack with a woman wearing a veil over her face. Photograph, early 20th century

Aubrey Beardsley (British, 1872 - 1898), Caricature of J.M. Whistler, pen and black ink on wove paper

AUBREY VINCENT BEARDSLEY (1872-1898). English artist. Photographed in 1895 by Frederick Henry Evans

Isolde. Lithograph by Aubrey Vincent Beardsley, 1899
BEARDSLEY: ISOLDE, 1899. Isolde. Lithograph by Aubrey Vincent Beardsley, 1899

The Toilette of Salome. Illustration for Oscar Wilde Salome, second version. Aubrey Beardsley (1872-1898) English Illustrator

Hand in the lake reclaims Excalibur, King Arthurs sword. 1893 illustration by Aubrey Beardsley for Thomas Mallory Le Morte D arthur. Woodcut

Beardsley chondrite meteorite C016 / 5677
Beardsley chondrite meteorite. This is a type of stony meteorite that has not been altered by processes such as melting, and represents the original material that formed the asteroids

Isolde taking care of Tristram. Drawing by Aubrey Beardsley from an 1894 edition of Sir Thomas Malorys Le Morte D
BEARDSLEY: MORTE D ARTHUR. Isolde taking care of Tristram. Drawing by Aubrey Beardsley from an 1894 edition of Sir Thomas Malorys Le Morte D Arthur

The Beardsley H5 ordinary chondrite
Beardsley fell in Kansas, U.S.A in 1929. Its fine-grained texture, with poor chondrule resolution indicate that it has experienced thermal metamorphism

BEARDSLEY, Aubrey Vincent (1872-1898). Balzac
" BEARDSLEY, Aubrey Vincent (1872-1898). Balzac. 1890s. Design of the covers of " Scenes of Parisian Life" from " La Com餩 e humaine" of Balzac. Engraving."

Merlin the Magician and Nimue. Engraving from
" Merlin the Magician and Nimue. Engraving from " The Death of Arthur" by Sir Thomas Malory, edition with pictures by Aubrey Beardsley (1892-1894). Modernism. Engraving."

Iseult writing to Tristan. Le Morte d Arthur
" Iseult writing to Tristan. " Le Morte d Arthur" (The death of Arthur) by Sir Thomas Malory, edition illustrated by Aubrey Beardsley between 1892 and 1894. Modernism. Engraving."

YAхZ DE LA ALMEDINA, Fernando (1489-1536);Gassendi
" YAх Z DE LA ALMEDINA, Fernando (1489-1536); Gassendi, Pierre (1592-1665); SEM, Georges Goursat, called (1863-1934); BEARDSLEY, Aubrey Vincent (1872-1898); FIRENZE

BEARDSLEY, Aubrey Vincent (1872-1898). Dante in Exile. Modernism. Engraving

Scene from the play Ghosts
BEARDSLEY, Aubrey Vincent (1872-1898). Scene from the first act of the play Ghosts

Advert / Book Publisher
Poster for a publisher of childrens books with an illustration by Aubrey Beardsley (1872-1898) Date: circa 1896

Cafe Royal advert
Advertisement for the Cafe Royal on Regent Street, London, and in particular for gift cards as Christmas presents for friends

Book-plate by Aubrey Beardsley
The book-plate of the artist designed by Aubrey Beardsley. Date: 1890s

The Wagnerites by Aubrey Beardsley, a pen and ink drawing when Beardsley was boldly using large fields of pure black contrasted with white details

The Toilet of Helen by Aubrey Beardsley, an illustration to his novel Under the Hill. A bare-breasted Helen is preened and pampered by decorative ladies in 18th century dress

The Scarlet Pastorale by Aubrey Beardsley. A masked harlequinned pierrot on a stage with other masked characters behind. Date: 1890s

Atalanta in Calydon by Aubrey Beardsley
Illustration by Aubrey Beardsley to Atalanta in Calydon by Algernon Charles Swinburne. Date: 1890s

Mrs Pinchwife by Aubrey Beardsley
Mrs Margery Pinchwife from The Country Wife by William Wycherley. Illustration by Aubrey Beardsley. Date: 1890s

Autumn by Aubrey Beardsley
Autumn from a design for a calendar by Aubrey Beardsley, featuring an overabundance of fruit on a pedestal adorned by female satyrs. Date: 1890s

On Dieppe Beach (the Bathers) by Aubrey Beardsley. An illustration in Beardsleys painstakingly decorative style with the use of dotted lines to represent certain fabrics

Satire on art of Aubrey Beardsley
Airs Resumptive. V. - Lilith Libifera (after Rossetti). A satirical drawing and poem published in Punch in 1894 on the art of Aubrey Beardsley

The Three Musicians by Aubrey Beardsley
Illustration by Aubrey Beardsley to his own poem, The Three Musicians, written in 1895, published in The Savoy, volume I, January 1896. Date: 1895

The Comedy of the Rhinegold by Aubrey Beardsley
Frontispiece to The Comedy of the Rhinegold by Aubrey Beardsley Date: 1896

The Coiffing by Aubrey Beardsley, an illustration to his poem The Ballad of a Barber which was first published in The Savoy, volume III in July 1896

Portrait of the artist in bed by Aubrey Beardsley. Beardsley himself is barely visible under the bedclothes and vast canopy of his bed. Date: 1894

Messalina by Aubrey Beardsley
Messalina and her companion by Aubrey Beardsley, an illustration to an edition of the Roman satirist Juvenals Sixth Satire. Messalina was the wife of the Roman emperor Claudius. Date: 1895

WILDE: SALOME. The Dancers Reward. Pen and ink drawing by Aubrey Beardsley for Oscar Wildes Salome

CARL MARIA von WEBER (1786-1826). Baron Carl Maria Friedrich Ernst von Weber. German composer, conductor and pianist. Pen and ink drawing by Aubrey Beardsley (1872-1898)

The Slippers of Cinderella. Cinderella in a white dress with bows against the dark background of a formal garden. Illustration by Aubrey Beardsley in The Yellow Book, volume II, July 1894

A Book Plate for J L Propert, Esq
A Book Plate for John Lumsden Propert, Esq. by Aubrey Beardsley, featuring a slightly disdainful lady, a pierrot and a candle. Illustration in The Yellow Book, volume I, April 1894

The Yellow Book, volume II
Cover of The Yellow Book, volume II, July 1894, designed by Aubrey Beardsley and featuring a woman, a bookcase and bold patterned wallpaper with flowers

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Aubrey Beardsley: A Master of Intrigue and Artistic Expression Siegfried by Aubrey Beardsley, a captivating illustration that transports us to the realm of mythology and heroism. With intricate lines and meticulous attention to detail, Beardsley's pen brings this epic tale to life. WILDE: SALOME. The Climax. Pen and ink drawing by Aubrey Beardsley for Oscar Wilde's Salome, a masterpiece that captures the essence of sensuality and forbidden desires. Through his artistry, Beardsley delves into the darker depths of human nature with elegance and allure. The Wrapper of catalogue of rare books by Aubrey Beardsley, an exquisite design that showcases his unique style. With its ornate patterns and delicate motifs, it is a testament to Beardsley's ability to transform even everyday objects into works of art. BEARDSLEY: SALOME. The Black Cape. Pen-and-ink drawing by Aubrey Vincent Beardsley for Oscar Wilde's Salome; a haunting portrayal that evokes both fascination and unease in equal measure. His use of stark contrasts creates an atmosphere shrouded in mystery. EDGAR ALLAN POE (1809-1849). American writer immortalized through the eyes of Aubrey Beardsley in this mesmerizing drawing. Capturing Poe's enigmatic persona with every stroke, he pays homage to one literary genius through another. Beardsley/Salome/Head - an intriguing combination that hints at the artist's obsession with capturing beauty amidst darkness; exploring themes such as power dynamics and sexuality through his distinctive visual language. Avenue Theater presents "A Comedy of Sighs. " Poster designed by none other than Aubrey Beardsley himself in 1894; showcasing his talent for creating visually striking compositions filled with whimsy and theatricality. Iseult treats Tristan.