Bassanio Collection

Portia and Bassanio-from the "Merchant of Venice", 1865 (oil on canvas)
1079387 Portia and Bassanio-from the " Merchant of Venice", 1865 (oil on canvas) by Gray, Henry Peters (1819-1877); 61x50.8 cm; Collection of the New-York Historical Society

"Bassanio sent Gratiano after Portia with the ring"(colour litho)
2794911 " Bassanio sent Gratiano after Portia with the ring" (colour litho) by Soper, George (1870-1942); Private Collection; (add.info)

But thou, thou meagre lead, illustration from The Merchant of Venice
IL314895 But thou, thou meagre lead, illustration from The Merchant of Venice (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

The Arrest of Shylock and the Release of Antonio (chromolitho)
735580 The Arrest of Shylock and the Release of Antonio (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Arrest of Shylock and the Release of Antonio)

Shylock, Bassanio and Antonio (chromolitho)
735579 Shylock, Bassanio and Antonio (chromolitho) by European School, (19th century); Private Collection; (add.info.: Shylock, Bassanio and Antonio)

Trial Scene in "The Merchant of Venice"(engraving)
1620063 Trial Scene in " The Merchant of Venice" (engraving) by Donaldson, Andrew Brown (1838-1919); Private Collection; (add.info.: Trial Scene in " The Merchant of Venice")

George Alexander as Bassanio - The Theatre Magazine
George Alexander, actor, as Bassanio in The Merchant of Venice - in The Theatre Magazine, April 1886. 1886

Venice at Olympia, Scenes on the Stage and on the Water (litho)
1055854 Venice at Olympia, Scenes on the Stage and on the Water (litho) by English School, (19th century); Private Collection; (add.info.: Venice at Olympia, Scenes on the Stage and on the Water)

Reunion of the Lovers in Portias Gardens (chromolitho)
735581 Reunion of the Lovers in Portias Gardens (chromolitho) by European School, (19th century); Private Collection; (add.info.: Reunion of the Lovers in Portias Gardens)

Antonio Intervenes on Bassanios Behalf with Shylock (chromolitho)
735576 Antonio Intervenes on Bassanios Behalf with Shylock (chromolitho) by European School, (19th century); Private Collection; (add.info.: Antonio Intervenes on Bassanios Behalf with Shylock)

You saw the mistress, I beheld the maid, illustration from
IL314896 You saw the mistress, I beheld the maid, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

With Bated Breath and Whispering Humbleness, illustration from
IL314891 With Bated Breath and Whispering Humbleness, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Jessicas Elopement (chromolitho)
735577 Jessicas Elopement (chromolitho) by European School, (19th century); Private Collection; (add.info.: Jessicas Elopement)

In which predicament, I say thou standst, illustration from
IL314899 In which predicament, I say thou standst, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

The Wedding Feast, illustration from The Merchant of Venice, c
IL314890 The Wedding Feast, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton, James Dromgole (1840-1916); Private Collection; (add.info)

The Merchant of Venice, Act III, scene ii (engraving)
971632 The Merchant of Venice, Act III, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: The Merchant of Venice, Act III, scene ii)

Venice at Olympia - scences on the stage and on the water (engraving)
604364 Venice at Olympia - scences on the stage and on the water (engraving) by Steelink, Willem II (1856-1928); Private Collection; (add.info)

Portia Rejects the Prince of Aragon as a Suitor (chromolitho)
735578 Portia Rejects the Prince of Aragon as a Suitor (chromolitho) by European School, (19th century); Private Collection; (add.info.: Portia Rejects the Prince of Aragon as a Suitor)

Their are some shrewd contents in your same paper
IL314897 Their are some shrewd contents in your same paper, illustration from The Merchant of Venice, c.1910 (colour litho) by Linton

Illustration from The Merchant of Venice by William Shakespeare (1565-1616) c
CHT167932 Illustration from The Merchant of Venice by William Shakespeare (1565-1616) c.1900 (litho) by Printz, Christian August (1819-67); Private Collection; eArchives Charmet; Norwegian

The Merchant Of Venice. Act Iii. Scene Ii. A Room In PortiaAśS House. Bassanio, Portia, Gratiano, Nerissa And Attendants. From The Boydell Shakespeare Gallery Published Late 19Th Century

Merchant Venice / Gratiano
Act I, Scene ii Portrait of Gratiano, friend of Antonio & Bassanio

Scene from Shakespeares play, The Merchant of Venice
A scene from Shakespeares comedy, The Merchant of Venice, in which Bassanio chooses the leaden casket rather than the gold or silver one, and wins Portia, a rich heiress

s / Speare: Merchant Venic
Act I, Scene ii Bassanio, Lorenzo, Old Gobbo & Launcelot Gobbo

Merchant Venice / Bassino
ActI, Scene i Bassanio

Belmont, Avenue to Portias House, Act IIV, Scene I, from The Merchant of Venice
KW323337 Belmont, Avenue to Portias House, Act IIV, Scene I, from The Merchant of Venice, from The Boydell Shakespeare Gallery, published late 19th century (litho) by Hodges

A room in Portias house, Act III, Scene II, from The Merchant of Venice
KW323335 A room in Portias house, Act III, Scene II, from The Merchant of Venice, from The Boydell Shakespeare Gallery, published late 19th century (litho) by Westall

Merchant of V - Bassanio
Mr Julian L Estrange as Bassanio Date: 11 October 1905

Shakespeare / Merchants
Act I, Scene i Antonio & Bassanio " But if you please to shoot another arrow that self way"

All Professionally Made to Order for Quick Shipping

"Bassanio: A Tale of Love, Friendship, and Redemption in The Merchant of Venice" In the enchanting world of William Shakespeare's play "The Merchant of Venice, " one character stands out for his unwavering loyalty and quest for true love - Bassanio. Portrayed with grace and charm by George Alexander on stage, Bassanio's story unfolds amidst a backdrop of vibrant scenes captured in lithographs and engravings. At the heart of this captivating tale is the deep bond between Bassanio and his dear friend Gratiano. Together they navigate the bustling streets of Venice, their camaraderie shining through as they embark on a mission to win over Portia's heart. In an exquisite oil painting from 1865, we witness the tender moment when Portia captures Bassanio's attention, her beauty illuminating their surroundings like a ray of sunshine. Yet it is not all smooth sailing for our protagonist. As fate would have it, Bassanio finds himself entangled in a web woven by Shylock - a complex character whose actions test our hero's mettle. Chromolithographs vividly depict pivotal moments such as when Bassanio sends Gratiano after Portia with the ring or Antonio intervening on his behalf against Shylock. Through these trials emerges an indomitable spirit within Bassanio that leads him towards redemption. We see this resilience portrayed beautifully in illustrations like "But thou, thou meagre lead" where he confronts life-altering choices head-on. Amidst all the drama lies an undeniable romance that blossoms between Bassanio and Portia. Their reunion in her enchanting gardens evokes feelings of joy and hopefulness captured brilliantly in chromolithographs depicting their embrace. As we delve into these artistic renditions showcasing different facets of "The Merchant of Venice, " we are reminded that at its core lies a timeless tale about love conquering all obstacles, and is through characters like Bassanio that we are inspired to believe in the power of friendship, loyalty