Bartolommeo Collection

VENICE: MONUMENT, 1735. Campo Santi Giovanni e Paolo in Venice, Italy, and the Monument to Bartolommeo Colleoni. Canal Rio dei Mendicanti is in the foreground

Pope Urbanus VI
POPE URBANUS VI (Bartolommeo Prignano) After a stormy election, he acted so severely that most cardinals withdrew allegiance, leading to Avignon schism

Plate of the head and neck including at IX and X the bones of the ear. From Bartolommeo Eustachi Tabulae Anatomicae
527505 Plate of the head and neck including at IX and X the bones of the ear. From Bartolommeo Eustachi Tabulae Anatomicae, second edition, Amsterdam, 1722

Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria, c. 1516. Found in the collection of the Museo di Capodimonte, Naples

The Tiber Island, Rome, Italy
The Tiber Island (Isola Tiberina, Insula Tiberina) - the only river island in the part of the Tiber which runs through Rome. Date: circa 1907

Study of the Colleoni Monument, Venice (pencil) (b / w photo) (see 55435)
AGN81833 Study of the Colleoni Monument, Venice (pencil) (b/w photo) (see 55435) by Bonington, Richard Parkes (1802-28); 22.2x15.2 cm; Private Collection; Photo eAgnew s, London; English

Frontispiece to Istoria Romana, 1818 (engraving)
XJF406216 Frontispiece to Istoria Romana, 1818 (engraving) by Pinelli, Bartolomeo (1781-1835); Private Collection; (add.info)

Pope Sixtus IV installs Bartolommeo Platina as Director of the Vatican Library, c
828672 Pope Sixtus IV installs Bartolommeo Platina as Director of the Vatican Library, c. 1477 (fresco transferred to canvas) by Forli, Melozzo da (1438-94); Vatican Museums and Galleries

The Lamentation of Christ, 1841. Creator: Franz Anton Erich Moritz Steinla
The Lamentation of Christ, 1841. After Fra Bartolomeo

Bergami Pears, or Choice Fruit, October 1820. Creator: Unknown
Bergami Pears, or Choice Fruit, October 1820. Caricature referring to Queen Caroline and Bertolommeo Bergami, her courier

Saint Paul of Thebes tempted by a demon, after Magnasco, ca. 1720-30

A group of elegantly dressed people playing the harp and a guitar, 1740-68

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

A group of elegantly dressed people playing cards, 1740-68

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756

Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Three bearded men, one wearing fur, 1756

A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
A standing man in a niche reaching forward with one arm, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Allegory of a thesis, two women hold inscribed tablets, 1640

A sleeping cupid, 1630-45. Creator: Bartolomeo Coriolano
A sleeping cupid, 1630-45

Design for a Lavish Headdress with Feathers, ca. 1620-56. Creator: Baccio del Bianco
Design for a Lavish Headdress with Feathers, ca. 1620-56

Design for a Lavish Headdress with Feathers on a Helmet (frontal view), ca. 1620-56

Design for a Lavish Headdress with Feathers on a Helmet, ca. 1620-56

Italy, Tuscany, Florence, Statue of Giovanni Delle Bande Nere also known as Giovanni Di Bicci De Medici, Piazza San Lorenzo

Madonna and Child with the Young Saint John the Baptist, ca. 1497. Creator: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, ca. 1497

Portrait of a Man, shortly after 1497. Creator: Fra Bartolomeo
Portrait of a Man, shortly after 1497

Madonna and Child, before 1508. Creator: Bramantino
Madonna and Child, before 1508

Madonna Adoring the Child. Creator: Bartolomeo Montagna
Madonna Adoring the Child

Saint Justina of Padua, 1490s. Creator: Bartolomeo Montagna
Saint Justina of Padua, 1490s

B. Bergami, c1820. Creator: Charles-Philibert de Lasteyrie
B. Bergami, c1820. Portrait of Bartolommeo Bergami (c1783-1842), Italian servant and companion of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV)

Count Bergami, c1820. Creator: Unknown
Count Bergami, c1820. Portrait of Bartolommeo Bergami (c1783-1842), Italian servant and companion of Queen Caroline (1768-1821, also known as Caroline of Brunswick, consort of King George IV)

St. John the Baptist with St. Benedict, 1874. Creator: Storch & Kramer
St. John the Baptist with St. Benedict, 1874. Print of the watercolour by Edward Kaiser, after the painting by Bartolomeo Montagna (late 15th-early 16th century)

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"Bartolommeo: A Journey through Art and History" Step into the enchanting city of Venice, Italy, where a magnificent monument stands tall in Campo Santi Giovanni e Paolo. Dating back to 1735, this grand structure pays homage to Bartolommeo Colleoni, a renowned military leader. Admire its intricate details and marvel at the craftsmanship that has withstood the test of time. Venture further into Rome, Italy, and discover The Tiber Island. This picturesque location holds significance as it is believed to be the site of St. Bartholomew's martyrdom. Immerse yourself in history as you walk along its ancient streets and feel the weight of centuries past. Intriguingly, Pope Urbanus VI played a pivotal role in shaping Bartolommeo's legacy. His patronage elevated Bartolommeo Platina to become Director of the Vatican Library during his reign. Witness their connection come alive through historical records that transport you back to an era filled with intellectual pursuits and cultural preservation. Art enthusiasts will find solace in various artistic representations inspired by Bartolommeo throughout different periods. From Franz Anton Erich Moritz Steinla's poignant "The Lamentation of Christ" from 1841 to Magnasco's captivating depiction of "Saint Paul of Thebes tempted by a demon, " these masterpieces capture emotions that transcend time. Delve into everyday life with elegantly dressed individuals strumming harps and guitars in a painting dating between 1740-68 or witness Ulysses' heroic act as he drives a burning stake into Polyphemus' eye on Plate 6 from 1756—an epic tale brought vividly to life through artistry. Even culinary delights pay tribute to Bartolommeo.