Bartolomeo Collection

EUSTACHIO, Bartolomeo (1500-1574). Italian anatomist

Pistoia, Tuscany, Italy, Chiesa di San Bartolomeo in Pantano
Pistoia, Tuscany, Italy - Chiesa di San Bartolomeo in Pantano, dedicated to St. Bartholomew the Apostle. The pantano of the name refers to the once marshy area in which the building was located

Map of Italy in 1836 by Ab. Bartolomeo Borghi
Map of Italy in 1836. Showing the kingdoms of Sardinia, Lombardy, Venice, Rome, Tuscany, Parma, Naples and Corsica. Map by Ab. Bartolomeo Borghi, Florence. l Italia dell Ab. B. Borghi, Firenze 1836

Neptune, Roman gold of the Sea (Greek Poseidon). White marble sculpture on top of the fountain by Bartolomeo Ammanati
528937 Neptune, Roman gold of the Sea (Greek Poseidon). White marble sculpture on top of the fountain by Bartolomeo Ammanati (1511-1592) in the Piazza della Signoria, Florence, Italy

Gian Galeazzo Visconti and his three sons
Gian Galeazzo Visconti 1 and his sons Filippo Maria 2, Gian Maria 3 and Gabriele Maria 4. Filippo holds a model of Certosa di Pavia, a monastery in Pavia, Lombardy

The Colleoni Statue, Venice
An etching of the Equestrian statue of Bartolomeo Colleoni, within the Campo Santi Giovanni e Paolo, a city square in Venice, Italy. The sculpture was made circa 1480, by Andrea del Verrocchio

Porta Della Carta, Venice
An etching which shows the magnificence of the Porta Della Carta, an illustrious carved marble gateway which sits between the Basilica of San Marco and the Doge's Palace

A Sera
A painting of an italian port, with docked boats and a distant row of coastal buildings, and the sun glaring in the central sky. Date: circa 1916

Portrait of Vittoria Colonna, Bartolomeo Cancellieri
3359312 Portrait of Vittoria Colonna, Bartolomeo Cancellieri by Cancellieri, Bartolomeo (15th-16th century); Galleria Colonna, Rome, Italy; (add.info.: Portrait of Vittoria Colonna)

DDE-90036363
Latvia, Southern Latvia, Zemgale Region, Pilsrundale, Rundale Palace, b. 1740, Bartolomeo Rastrelli, architect, exterior Date: 29/11/2006

Dossal of an altar with central ciborium, from the left, St. Francis, St. Bartholomew
6366121 Dossal of an altar with central ciborium, from the left, St. Francis, St. Bartholomew, the Archangel Raphael and Tobiolo, c.1475 (bas-relief polychrome glazed terracotta) by Della Robbia

Dossal of an altar with central ciborium, detail of St. Francis and St. Bartholomew, c
6366122 Dossal of an altar with central ciborium, detail of St. Francis and St. Bartholomew, c.1475 (bas-relief polychrome glazed terracotta) by Della Robbia, Andrea (1435-1525/28); Santa Croce

Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel)
6366066 Trinity among St. Benedict, St. Francis of Assisi, St. Bartholew and St. John the Baptist, 1461 (tempera on panel) by Bicci, Neri di (1419-91); Santa Croce, Florence

Dossal of an altar with central ciborium, from the left, St. Francis, St. Bartholomew
6366120 Dossal of an altar with central ciborium, from the left, St. Francis, St. Bartholomew, the Archangel Raphael and Tobiolo, c.1495 (bas-relief polychrome glazed terracotta) by Della Robbia

Coronation of the virgin and Saints, Polyptych on golden background, detail of 2384569 (tempera on panel)
2384565 Coronation of the virgin and Saints, Polyptych on golden background, detail of 2384569 (tempera on panel) by Erri

Cristopher Columbus and his brothers Bartolomeo and Diego are taken prisoner on a ship that will take them to Spain
LLM456919 Cristopher Columbus and his brothers Bartolomeo and Diego are taken prisoner on a ship that will take them to Spain by Scarpelli

Courtyard of the Palazzo del Senato in Milan
Courtyard of the Palazzo del Senato (Swiss seminary college) in Milan. Baroque palace built in 1608 by the architect Francesco Maria Richini. Cortile del Collegio Elvetico in Milano

Scenes from Adventures of Congo, 1823
Enslaved person Congo telling his story to Mr. Cooper 17, and a beggar threatening Congo in livery on the back of a coach in Cork 18

Saints Philip and James, c. 1400 (large historiated initial on antiphonal vellum)
985844 Saints Philip and James, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434) (follower of); 18.2x17.5 cm; Private Collection; (add.info)

Saints Peter and Paul, c. 1400 (large historiated initial on antiphonal vellum)
985843 Saints Peter and Paul, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434) (follower of); 21x19 cm; Private Collection; (add.info)

Christ as the Light of the World, c. 1400 (large historiated initial on antiphonal vellum)
985842 Christ as the Light of the World, c.1400 (large historiated initial on antiphonal vellum) by Bartolomeo, Martino de (1369-1434); 21.7x16.3 cm; Private Collection; (add.info)

Map of Oceania and the southern Pacific by Bartolomeo Borghi, Florence, 1836. Handcoloured copperplate engraving from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World

Portrait of a man, Camera della Fama, 1548 (fresco)
780494 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Motor racing track course at Alessandria, Italy. 1930s

Portrait of a man, Camera della Fama, 1548 (fresco)
780496 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Portrait of a man, Camera della Fama, 1548 (fresco)
780498 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

Portrait of a man, Camera della Fama, 1548 (fresco)
780495 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

St. Bartholomew (red chalk on paper)
3701176 St. Bartholomew (red chalk on paper) by Cespedes, Pablo de (1538-1608); 41x25.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Spanish, out of copyright

Portrait of a man, Camera della Fama, 1548 (fresco)
780497 Portrait of a man, Camera della Fama, 1548 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; (add.info.: Lazzaro Vasari, Luca Signorelli, Spinello Aretino)

The Lamentation of Christ, 1841. Creator: Franz Anton Erich Moritz Steinla
The Lamentation of Christ, 1841. After Fra Bartolomeo

Following Francesco I d Estes Example, His Troops Safely Pass Torrents During Extreme Weather, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

After a Few Days of Seige with the French Army, Francesco I d Este Takes Prossession of Mortara, The Last of his Great Victories, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

After a Long Seige, Francesco I d Este, with the Aid of the French Army, Takes Valencia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Suffering the Pain of his Injuries, Continues to Take Charge for the Successful Completion of the Military Campaign

Francesco I d Este and the French Army Besiege Valenza, which has Been Taken by the Spanish, and by Persisting with Intrepid Courage, Succeeds in the Endeavor

After a Long March, Francesco I d Este Passes with the River of Cassano with his Army, thus Causing Great Harm to the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

The Seige of Alessandria Begins, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

At the Head of a Swiss Army, Francesco I d Este, with Uncrushed Spirit, Confronts the Enemy under Bozzolo, who has Many Advantages, and Demands their Retreat

Francesco I d Este Freely Crosses the Po and Takes Up his Sword Against Troops in the Vinyard of the Opposite Bank where the Spanish had Settled to Impede his Crossing

Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d Este, at the Head of his Armies, Arrives at the Piazza di Valeneza

Francesco I d Este Sets Out for the Seige of Cremona, Crosses the Trench Between Himself and the Spanish, and Takes the City with Great Force

Francesco I d Este, Wounded in Battle, Continues to Orchestrate the Seige of Pavia, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Protects the French in Casalmaggiore from the Seige of the Spanish, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Suffers the Mortal Blow of a Bullet While Under Pavia and Retreats into his Own Quarters, Having Been Left Without Wounds to His Head and His Heart, which Gave Him a Fever

Francesco I d Este Invites Foreign Scholars to Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este is Named the Deputy of the Catholilc King and is Sent to Catalogna, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Displays Great Faculty in his Studies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Makes an Effort to Save his Crown by Allying Himself with the Barberini Prince and an Unidentified Cardinal, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

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Bartolomeo, the renowned Italian anatomist of the 16th century, left an indelible mark on the world of medicine. Born in Pistoia, Tuscany, Italy, his contributions to the field are still celebrated today. As we delve into his life and works, we discover a man whose brilliance knew no bounds. One notable connection to Bartolomeo lies in the Chiesa di San Bartolomeo in Pantano. This church stands as a testament to his legacy and serves as a reminder of his deep-rooted influence on anatomy. Venturing further into Italy, we encounter The Colleoni Statue in Venice. Although not directly linked to Bartolomeo himself, this magnificent sculpture symbolizes power and strength – qualities that resonated with him throughout his career. Another architectural wonder associated with Venice is Porta Della Carta. While it may seem unrelated at first glance, this grand entranceway represents the rich history and culture that surrounded Bartolomeo during his lifetime. As evening falls over picturesque landscapes like A Sera (The Evening), one can imagine how Bartolomeo's mind must have been filled with curiosity about human anatomy. His thirst for knowledge drove him to explore every facet of the human body meticulously. Art also played a significant role in Bartolomeo's life. Works such as Madonna And Child showcase both his appreciation for religious iconography and artistic talent. Additionally, Portrait of Vittoria Colonna by Bartolomeo Cancellieri reveals connections between influential figures during that era. History intertwines with science when examining Gian Galeazzo Visconti and His Three Sons – a masterpiece created by an artist named after our protagonist himself: Ab. Bartolomeo Borghi's Map of Italy from 1836 offers insight into how geography shaped society during those times. Delving deeper into artistry brings us face-to-face with bas-relief polychrome glazed terracotta.