Baroque Era Collection (page 3)

Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas)
BAL44970 Charles Emmanuel II, Duke of Savoy and his family, 1666 (oil on canvas) by Dauphin, Charles (c.1620-77); 299x300 cm; Prado, Madrid, Spain; (add.info.: Charles Emmanuel II (1634-1675))

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century)
7230068 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Statue of Saint Jerome (17th century, anonymous)(photography) by Unknown Artist

Four Bulls, 1649 (oil on canvas)
ALG329476 Four Bulls, 1649 (oil on canvas) by Potter, Paulus (1625-54); 57.5x67.5 cm; Galleria Sabauda, Musei Reali di Torino, Turin, Piedmont, Italy; (add.info.: by Paulus Potter (1625-54))

Barn with goats and a boy playing the recorder, c. 1640-45 (oil on canvas)
XAM66732 Barn with goats and a boy playing the recorder, c.1640-45 (oil on canvas) by Teniers, David the Younger (1610-90); 104x74 cm; Kunsthistorisches Museum, Vienna, Austria

Triumphant Entry of Henri IV (1553-1610) into Paris, c. 1627 (oil on panel)
XIR196200 Triumphant Entry of Henri IV (1553-1610) into Paris, c.1627 (oil on panel) by Rubens, Peter Paul (1577-1640); 48x66 cm; Musee Bonnat, Bayonne, France

The Shepherds, c. 1635 (oil on panel)
XIR231531 The Shepherds, c.1635 (oil on panel) by Laer, Pieter van (1599-c.1642); 32x43 cm; Louvre, Paris, France

Landscape (oil on canvas)
XHC383910 Landscape (oil on canvas) by Weenix, Jan Baptist (1621-c.1664); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: by Jan Baptist Weenix (1621-c.1664))

Landscape (oil on canvas)
XIR418354 Landscape (oil on canvas) by Flemish School, (17th century); Musee des Beaux-Arts, Nimes, France

Nicolas Poussin (engraving)
1728916 Nicolas Poussin (engraving) by Poussin, Nicolas (1594-1665) (after); (add.info.: Nicolas Poussin (1594-1665) french painter, engraving by Pauquet after selfportrait by Poussin)

Ships in the Roads, 1658 (oil on canvas)
7259968 Ships in the Roads, 1658 (oil on canvas) by Velde, Willem van de, the Younger (1633-1707); 77.2 x 66.5 cm; Mauritshuis, The Hague

The Messenger, 1674 (oil on canvas)
7259966 The Messenger, 1674 (oil on canvas) by Verkolje, Jan (1630-93); 53.4x59.7 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Jan Verkolje (1630-93))

Andrea Sacchi, Italian painter of High Baroque Classicism. 1817 (etching)
7236181 Andrea Sacchi, Italian painter of High Baroque Classicism.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Andrea Sacchi, 1599-1661)

Herman Saftleven the Younger, Dutch Baroque painter. 1817 (etching)
7236178 Herman Saftleven the Younger, Dutch Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Herman Saftleven the Younger, 1609-1685)

David Teniers the Younger, Flemish Baroque painter. 1817 (etching)
7236314 David Teniers the Younger, Flemish Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: David Teniers the Younger, 1610-1690)

Giovanni Lanfranco, 1817 (etching)
7236203 Giovanni Lanfranco, 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Giovanni Lanfranco, 1582-1647, Italian history painter of the Baroque period)

Travellers Ambushed by Brigands, 1670 (oil on canvas)
7259970 Travellers Ambushed by Brigands, 1670 (oil on canvas) by Berchem, Nicolaes Pietersz (1620-1683); 105 x 95.3 cm; Mauritshuis, The Hague

The high altar of the Church of San Luca in Genoa
5951177 The high altar of the Church of San Luca in Genoa by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

Interior of the Church of San Luca, The main altar with the statue of the Immaculate
5951178 Interior of the Church of San Luca, The main altar with the statue of the Immaculate by Italian School, (17th century); Chiesa di San Luca, Genoa, Liguria

A Young Woman Composing a Piece of Music, 1664 (oil on panel)
7259969 A Young Woman Composing a Piece of Music, 1664 (oil on panel) by Metsu, Gabriel (1629-67); 43.3 x 57.8 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Gabriel Metsu (1629-67))

Portrait of Jan van Balen, Flemish Baroque painter. 1817 (etching)
7236315 Portrait of Jan van Balen, Flemish Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Jan van Balen)

Luca Giordano, Italian late-Baroque painter and etcher. 1817 (etching)
7236199 Luca Giordano, Italian late-Baroque painter and etcher.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info)

Winter Landscape with Farmhouse, 1624 (oil on panel)
7259967 Winter Landscape with Farmhouse, 1624 (oil on panel) by Velde, Esaias I van de (1587-1630); 32x26 cm; Mauritshuis, The Hague, The Netherlands; (add.info.: by Esaias van de Velde I (1587-1630))

Portrait of Adam Elsheimer, German Baroque artist. 1817 (etching)
7236186 Portrait of Adam Elsheimer, German Baroque artist.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Adam Elsheimer, 1578-1610)

Hendrik van Steenwijck II, Dutch Baroque painter. 1817 (etching)
7236177 Hendrik van Steenwijck II, Dutch Baroque painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Hendrik van Steenwijck II, c.1580-1640)

Salvator Rosa, Italian Baroque painter. 1817 (etching)
7236183 Salvator Rosa, Italian Baroque painter.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Profile portrait of Salvator Rosa, 1615-1673)

Portrait of Annibale Caracci, Italian Baroque painter. 1817 (etching)
7236294 Portrait of Annibale Caracci, Italian Baroque painter. 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Annibale Caracci, 1560-1609)

Pietro da Cortona, Italian Baroque painter and architect. 1817 (etching)
7236208 Pietro da Cortona, Italian Baroque painter and architect.1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Pietro da Cortona, 1596-1669)

Salvator Rosa (engraving)
1720109 Salvator Rosa (engraving) by French School, (19th century); (add.info.: Salvator Rosa (1615 -1673) is best known today as an Italian Baroque painter

Rest during the Flight into Egypt, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240562 Rest during the Flight into Egypt, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sicilia / Sicily: Siracusa, Balconi in stile barocco (b / w photo)
7156651 Sicilia / Sicily: Siracusa, Balconi in stile barocco (b/w photo) by Grober, Karl (1885-1945); Private Collection; (add.info.: Siracusa, Balconi in stile barocco)

One of Martin Gerlachs Festons und Decorative Gruppen (b / w photo)
7169062 One of Martin Gerlachs Festons und Decorative Gruppen (b/w photo) by Gerlach, Martin senior (1846-1918); Private Collection; (add.info)

One of Martin Gerlachs Festons und Decorative Gruppen (b / w photo)
7169055 One of Martin Gerlachs Festons und Decorative Gruppen (b/w photo) by Gerlach, Martin senior (1846-1918); Private Collection; (add.info)

Head of an Old Man, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240559 Head of an Old Man, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240553 Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Nathan rebukingDavid, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240551 Nathan rebukingDavid, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sacrifice of Polyxena, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240548 Sacrifice of Polyxena, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Triumph of Venice, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240545 Triumph of Venice, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Christ among the doctors, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240539 Christ among the doctors, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Gentle Persuasion, (oil on canvas)
989267 Gentle Persuasion, (oil on canvas) by Portielje, Edward (1861-1949); 46.3x38.1 cm; Private Collection; (add.info.: Gentle Persuasion. Edward Antoon Portielje (1861-1949). Oil on canvas

Fisherfolk in an Interior, (oil on canvas)
659087 Fisherfolk in an Interior, (oil on canvas) by Portielje, Edward (1861-1949); 66x52 cm; Private Collection; (add.info.: Fisherfolk in an Interior. Edward Antoon Portielje (1861-1949)

Marie Madeleine penitente (oil on canvas)
JEB4853261 Marie Madeleine penitente (oil on canvas) by Pasqualino (Pasquale Rossi) (1639-1722); 71x59 cm; Palais de Longchamp, Marseille

Window by Federico Zuccari, Palazzo Zuccari, Rome, 1590 (b / w photo)
7185956 Window by Federico Zuccari, Palazzo Zuccari, Rome, 1590 (b/w photo) by Moscioni, Romualdo (1849-1925); Private Collection; (add.info.: Window by Federico Zuccari, Palazzo Zuccari, Rome)

Death of Coronis, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240556 Death of Coronis, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240542 The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

The Holy Family with Infant St. John and St. Anne (pens, inks, w / c, red & black pencils on white paper)
7240541 The Holy Family with Infant St. John and St. Anne (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Amphitrite Fountain, Place Stanislas in Nancy, France, 1751 (photo)
AIS5361046 Amphitrite Fountain, Place Stanislas in Nancy, France, 1751 (photo) by Guibal, Barthelemy (1699-1757); Nancy, Lorraine, France; (add.info.: Baroque fountain of Place Stanislas in Nancy)

Sacrifice to Vesta, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240558 Sacrifice to Vesta, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Aeneas and Anchises, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240555 Aeneas and Anchises, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

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The Baroque Era, a period of artistic grandeur and opulence, captivated the world with its intricate details and emotional intensity. From the picturesque Vale of Aylesbury in 1933 to Rembrandt's profound portrayal of The Return of the Prodigal Son in c1668, this era showcased an array of masterpieces that continue to inspire awe. Rex Whistler's The Letter, created in the 20th century, transports us into a world where emotions are conveyed through every brushstroke. Similarly, Nicolas Poussin's Et in Arcadia ego (Les bergers d'Arcadie or The Arcadian Shepherds) from 1637-1638 (1911) invites us to ponder life's transient nature amidst idyllic landscapes. Diego Velasquez mesmerizes us with his timeless works such as Las Meninas from 1656 (1939), which captures royal intrigue and subtle symbolism. Meanwhile, his masterpiece Las Hilanderas (The Spinners) painted in 1657 (c1934) showcases remarkable skill and storytelling ability. Guido Reni's Saint Joseph with Infant Christ from the 1620s portrays tender love and devotion while Charles-Joseph Natoire's The Rebuke of Adam and Eve in 1740 delves into themes of temptation and redemption. Giovanni Paolo Panini takes us on a journey through time with Modern Rome from 1757, showcasing architectural wonders that stood tall during this era. German Renaissance ceiling and wall paintings adorned with wood mosaic and embroidery offer a glimpse into exquisite craftsmanship by unknown creators in1898. Finally, Jan Vermeer enchants us with Girl with a Pearl Earring circa 1665 - an enigmatic portrait that has become an iconic symbol of beauty throughout history.